Toute la famille de Ki-taek est au chômage et s'intéresse fortement au train de vie de la richissime famille Park, jusqu'à ce qu'ils soient impliqués dans un incident inattendu.Toute la famille de Ki-taek est au chômage et s'intéresse fortement au train de vie de la richissime famille Park, jusqu'à ce qu'ils soient impliqués dans un incident inattendu.Toute la famille de Ki-taek est au chômage et s'intéresse fortement au train de vie de la richissime famille Park, jusqu'à ce qu'ils soient impliqués dans un incident inattendu.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 4 Oscars
- 309 victoires et 260 nominations au total
- Ki Woo
- (as Choi Woo Shik)
- Ki Jung
- (as Park So Dam)
- Geun Se
- (as Park Myeong Hoon)
- Da Hye
- (as Jung Ziso)
- Da Song
- (as Jung Hyeon Jun)
- Driver Yoon
- (as Park Keun Rok)
- CEO of Pizza Place
- (as Jeung Esuh)
- Neighbor
- (as Jung Ik Han)
- Internet Cafe Staff
- (as Hwang In Kyung)
- Street Fighting Person 1
- (as Ahn Seong Bong)
- Street Fighting Person 2
- (as Kim Jin Hyung)
Résumé
Avis à la une
If you plan on watching this movie, AVOID SPOILERS AT ALL COSTS.
As a postscript, an anecdote certainly insignificant but literally astonishing when you're French: in the middle of the film, the proletarian family gives itself up to an orgy, the coffee table being covered with manifold dishes including two French cheeses as industrial as cheap: « Le rustique » and « Bresse bleu ». Unbelievable!
That's not to say that Us is an ineffective film by any means, but when it comes to crafting weighty social commentaries under the guise of lighter fare, writer-director Bong Joon-ho is in a class of his own.
The film follows a lower-class South Korean family as they slowly integrate themselves in the lives of an upper-class family and their lavish household. As their entanglement is spun out of a web of deceit, the lowly family find themselves skating on thin ice when it comes to keeping up appearances.
It's a twisty satire on social-economic disparities in South Korean society that swings broadly in tone, and sometimes threatens to tip over the edge, but never feels less than meticulously calculated in its tonal shifts.
However, to reveal anything more about the story would be to take away from the overall experience, as each act is marked by a major plot twist or revelation that keeps the film one step ahead of the viewer at all times. Go in blind if you can and expect an unforgettable ride.
They quite clearly cross the line, and when I mean "they" I mean bother the working class and the upper class. You could easily argue that "parasite" refers to one family trying to suck another family dry. Or that the upper class is draining the labour of the lower class, and expecting them to be grateful about it too! There is also something about the American Indian theme, a metaphor for dying cultural traditions which are being replaced by modernity? Nature is dog eat dog? Or is it a homage to an "idyllic" past where Native American culture was relatively classless?
Either way a must watch if you can handle subtitles!
I love a film that respects its audience. There are so many details in this movie that are crucially important and yet the film trusts its audience to notice them and acknowledge them without ramming them down our throats. There are a lot of layers to this film and I suspect for this reason its rewatch-ability factor will be very high.
The film was incredibly entertaining too. I can't think of a boring scene in this movie and yet on the surface for large parts of the film you would say not a lot is happening, at least in terms of action. Fascinating characters and brilliant dialogue are what create this. I had a great time with 'Parasite' and I think most that give it a chance will too.
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
Le saviez-vous
- AnecdotesKi-woo's job, at-home tutor, was chosen because director Bong Joon Ho realized that sadly the job is the only way that families from two extreme ends of the class spectrum in modern-day South Korea can cross their paths convincingly in the story arc.
- Gaffes(at around 1h 30 mins) When the Kims are sneaking out of the house while the Parks are sleeping on the couch, the Kim's are barefoot. When seen running home they somehow now have their shoes. If they had left their shoes at the entrance the Parks would likely have noticed them. It would be more likely they would have left them in the garage.
- Citations
Ki-taek: [to his son] You know what kind of plan never fails? No plan. No plan at all. You know why? Because life cannot be planned. Look around you. Did you think these people made a plan to sleep in the sports hall with you? But here we are now, sleeping together on the floor. So, there's no need for a plan. You can't go wrong with no plans. We don't need to make a plan for anything. It doesn't matter what will happen next. Even if the country gets destroyed or sold out, nobody cares. Got it?
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Parásitos
- Lieux de tournage
- Jahamun-ro, Buam-dong, Jongno-gu, Séoul, Corée du Sud(Ki Taek and family enter Jahamun tunnel, walking back home in the rain)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 11 400 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 53 847 897 $US
- Week-end de sortie aux États-Unis et au Canada
- 393 216 $US
- 13 oct. 2019
- Montant brut mondial
- 262 619 107 $US
- Durée
- 2h 12min(132 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1