The Spirit

I honestly thought he would treat this much-loved and admired classic with some respect. Guess I'm naive. It certainly looks gorgeous, but that's almost regrettable in a film that's otherwise so utterly, grindingly, gone-to-hell stupid. Awful performances (except by Gabriel Macht as Our Hero, who looks great with his wide earnest eyes and buff physique, and handles the lines about his love for the city with fine, tough conviction), jaw-droppingly overdone dialogue, what seems like hours of totally unnecessary comic material ...man, it's just dreadful, and a great disappointment to me. If I ever buy the DVD I'll only watch it with the sound turned off.

Poor Will Eisner must be spinning in his grave tonight.

"His soul stretched tight across the skies/ That fade behind a city block . . .' T. S. Eliot, Preludes

Because writer Frank Miller knows a bit about comic books, his solo directorial debut (He co-directed Sin City with Robert Rodriguez and Quentin Tarantino) is a feast of comic book campy dialog, outrageously curvaceous women, and a reborn hero, Spirit, whose abs compete very nicely, thank you, with those women's notable parts. It's all about the mythological struggle of good and evil with visual delights and a bunch of bright dialog.

Denny Colt (Gabriel Macht) is a former cop, recently dead, come back as Spirit, an avenger trolling the city for the very alive bad guys, especially Octopus (Samuel L. Jackson), who kills indiscriminately, especially those who dare to look at his face (As he hits Spirit over the head, he says, "Come on! Toilets are always funny!"). Mostly his plan to wipe out the city holds Spirit's attention.

Spirit's voice-over narration about the city may not be T. S. Eliot, but it has poetry about it as Spirit extols the city's feminine qualities that make it his girl. Well, that's a bit of a stretch because Spirit spends a good deal of time seducing most of the skirts he meets with a special eye for childhood sweetheart Sand Saref (Eva Mendes), now a notorious global jewel thief and implicated in murders in Spirit's own Central City:

The Spirit: "There probably isn't a law in the books that you wouldn't break." Sand Saref: "Do I look like a good girl?"

The comparisons with Sin City are inevitable but not difficult because Miller seems to be approaching Spirit as visually more stylized and plot less complicated. Even the narration and dialog are minimized and more exaggerated, but to good effect.

Spirit is one of the best movies of the year: an imaginative take on a comic book character that visually stuns and verbally amuses.

Can't ask for more than that this Oscar year.

I love the interview with Lorenzo Semple Jnr, screenwriter for 'Flash Gordon,' when he suggests that the film would have been a big hit if only they'd been able to market it as a movie that would be a cult classic in thirty years. He goes on to explain what the core problem is: A cult film, by definition has fanatical supporters ... just not a lot of them. Those who 'get' the film will keep it alive forever, but Joe Moviegoer won't care if he ever sees it again. And so I turn to 'The Spirit,' a film which has similar qualities to 'Flash Gordon': bad enough to be awesome, tongue firmly in it's cheek and gentle satire in it's hand.

'The Spirit' manages to be wondrous and infuriating. A visual feast, Frank Miller was the perfect choice to bring the film to life. On the other hand, the dialogue is often so cheesy and the characters so over the top that the movie never allows you to be lulled into that wonderful moment of forgetting that you're watching a movie. There isn't a single character in the movie who talks like a real person. They all talk like, well, comic book archetypes: gruff commissioner, megalomaniacal super villain, brilliant evil assistant, sultry femme fatales, loyal and uninteresting love interest, and on and on. Take Samuel L Jackson's character, 'The Octopus' for example. It is a character that Jackson was born to play and Sam throws every ounce of his endlessly entertaining and over the top style into the character. It works and he plays the part brilliantly because he takes ridiculous dialogue and ridiculous material and has wild amounts of fun with it. The cast, by and large, follow his lead. Scarlett Johansson is hilariously withering with her acerbic barbs to The Octopus' clone lackeys, all of whom are played with deadpan wit and verve by Louis Lombardi. It is hard, in fact, not to feel some pity for Gabriel Macht who has to play Bud Abbott to a cast of rollicking, scene-chewing Lou Costellos in an over-acting competition. It all works wonderfully if you're willing to view the film as, uncharitably, being unintentionally funny or more genuinely as a gentle lampoon of comic book films by one of the great figures of the graphic novel genre.

Frank Miller takes 'The Spirit' and has great fun with it. It is quirky at times, ham-handed at times, but lovingly made. A brilliant Noirist, Miller actually has much better luck in 'The Spirit' in moments of levity. The noir angles of this film don't work unless designed as a kind of self-righteous satire. The noir feels forced and dramatic moments are mercilessly skewered by the corny dialogue that a helpless Gabriel Macht delivers with straight-laced determination. 'The Spirit' has the look of 'Sin City' and the heart of 'Flash Gordon.' When it works, it works well, but the film is a terrible mess whenever it is trying to be serious.

So is it worth the ride? I think so if you go in with the proper expectations. There's not really anything new visually if you've seen 'Sin City' or '300' -- both Miller works of course -- but that didn't make them any less interesting to me. Plenty of humour where it may or may not have been planned and the potential to be a cult classic. This is the kind of movie you can best enjoy in the company of friends and a cold six pack. Look for diamonds and you're looking for too much. And if nothing else, Eva Mendes has never looked better on film than she does here. That's got to stand for something, right?

This movie is amazing. everything about it from the visuals to the acting to the storyline it is all just amazing. Do not listen to anyone who says this is bad it is amazing. This is definitely one of the best movies of all time. Go out and by this movie today. It's only like 10 bucks now. AND IT IS WORTH IT. GO FRANK MILLER!!!!!! By the end of the film you love the characters and if anyone tells you otherwise just ignore them and say you are wrong. wrong. wrong. wrong. wrong. wrong. No matter how busy you are just go see this movie NOW! it is very very very cool and fun. It is so good that even people that hate these kind of movie love it. Go see it today!

I must say that I was somewhat excited when my friend told me she got us tickets to the premiere of "The Spirit", especially since I've never been to a real premiere. It was an entertaining experience, all except for when the film was rolling.

I liked Sin City a lot, and I thought 300 was intriguingly well made and quite entertaining. Let's just say that compared to 300, "The Spirit" entertains more like Howard the Duck. The entire film seems like a total farce, an unfortunate mockery of Miller's unique style himself. It has been a very long time since I've seen a film with such little (to no) heart, and hardly any soul. I must say that Sarah Paulson gave the greatest performance by far of anyone else, as the Spirit's unconventional doctor. She is the sole source of any feeling or depth in the film. Macht was also at his best in the lead role when sharing scenes with Paulson, otherwise, he barely filled the part. I don't know if that was his fault however, given that the character himself was depicted with very little depth overall. I never read the graphic novel, but I'm going to go ahead and guess that this doesn't do it justice. How can I say that? Because novels build key characters into "people" that you care about, whether you hate them or love them, the characters stimulate your mind on some level or another. This is far from the case in this film. There is very poor development of the characters, which the majority of potential watchers are unfamiliar with. Sam Jackson has unfortunately chosen another terrible role, as the non-intriguing villain, the Octopus. Jackson however does give us some of his crazy wild eyed antics that we've grown to accustomed to, although his character falls flat for the most part, especially considering his opposite on the screen, Scarlett Johansen. It almost seems as if Miller was asleep on the set when her scenes were shot. She's THAT bad in this film, with a deeply sub par android-like performance. Eva Mendes did what she could to somewhat save the film from being a complete and total joke, although it's pretty close to being just that. She plays the bling digging female lead opposite Macht. Now quite possibly the most annoying character(s) ever portrayed on film are the Octopus's cloned henchmen, which were frighteningly reminiscent in annoyance levels of.......... dare i say it... Jar Jar Binks. My four year old nephew would surely find some entertainment value there.

This film ultimately succumbs to its poor writing and direction, which are almost cleverly masked by the signature visual style of Miller, which is hypnotizing at times. Unfortunately, it's hardly hypnotizing enough to mask the true, soulless identity of "The Sprit".

• Crimsonica