Rêves et cauchemars
Titre original : Nightmares & Dreamscapes: From the Stories of Stephen King
Adaptation de Nightmares and Dreamscapes, le recueil de nouvelles d'horreur de Stephen King.Adaptation de Nightmares and Dreamscapes, le recueil de nouvelles d'horreur de Stephen King.Adaptation de Nightmares and Dreamscapes, le recueil de nouvelles d'horreur de Stephen King.
- Récompensé par 2 Primetime Emmys
- 12 victoires et 14 nominations au total
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Warner do Brasil released on DVD the following episodes:
1) "Campo de Batalha" ("Battleground"): In Dallas, the hit man Jason Renshaw (William Hurt) breaks in the headquarter of a toys company and kills Hans Morris, the manufacturer and owner of the company. He returns to his fancy apartment in San Francisco, and later he receives a package of toys with soldiers, helicopters and heavy weapon. Suddenly he is attacked by the commando, and he tries to survive.
"Battleground" is a very silly and naive episode, without dialogs and with the character performed by William Hurt being attacked by toys. The explosions and shootout on the fortieth floor of the elegant building do not bother any neighbor. My vote is six.
2) "Crouch End": The career devoted Lonnie Freeman (Eion Bailey) and his wife Doris Freeman (Claire Forlani) are in London in honeymoon. Loonie receives a message from the important client Squales inviting the young couple to have dinner with him in his house at Crouch End. While going to the dinner party, Doris is advised by the cab driver to return from Crouch End, which would be a thin spot in another dimension. Lonnie does not accept the non-sense explanation and have a weird experience with Doris.
"Crouch End" seems to be a bad homage to "Twilight Zone". The mysterious story has a great atmosphere, but an absolutely disappointing conclusion. My vote is six.
3) "O Último Caso de Umney" ("Umney's Last Case"): In 1938 in Los Angeles, Clyde Umney (William H. Macy) is a divorce private eye successful with women. On the weirdest day of his life, he sees his world turning upside-down when he discovers that he is a character of a series of novels made-up by the writer Sam Landry. Sam is grieving the loss of his son and wants to swap position with Clyde.
"Umney's Last Case" has a stylish noir production and an original story (I believe this show was produced before "Stranger than Fiction"). I liked the whole story, but the conclusion is abrupt and seems that the original intention could be to be continued. My vote is seven.
Title (Brazil): "Nightmares & Dreamscapes Vol.1 Pesadelos e Paisagens Noturnas" ("Nightmares & Dreamscapes Vol.1 Nightmares and Nocturne Landscapes")
1) "Campo de Batalha" ("Battleground"): In Dallas, the hit man Jason Renshaw (William Hurt) breaks in the headquarter of a toys company and kills Hans Morris, the manufacturer and owner of the company. He returns to his fancy apartment in San Francisco, and later he receives a package of toys with soldiers, helicopters and heavy weapon. Suddenly he is attacked by the commando, and he tries to survive.
"Battleground" is a very silly and naive episode, without dialogs and with the character performed by William Hurt being attacked by toys. The explosions and shootout on the fortieth floor of the elegant building do not bother any neighbor. My vote is six.
2) "Crouch End": The career devoted Lonnie Freeman (Eion Bailey) and his wife Doris Freeman (Claire Forlani) are in London in honeymoon. Loonie receives a message from the important client Squales inviting the young couple to have dinner with him in his house at Crouch End. While going to the dinner party, Doris is advised by the cab driver to return from Crouch End, which would be a thin spot in another dimension. Lonnie does not accept the non-sense explanation and have a weird experience with Doris.
"Crouch End" seems to be a bad homage to "Twilight Zone". The mysterious story has a great atmosphere, but an absolutely disappointing conclusion. My vote is six.
3) "O Último Caso de Umney" ("Umney's Last Case"): In 1938 in Los Angeles, Clyde Umney (William H. Macy) is a divorce private eye successful with women. On the weirdest day of his life, he sees his world turning upside-down when he discovers that he is a character of a series of novels made-up by the writer Sam Landry. Sam is grieving the loss of his son and wants to swap position with Clyde.
"Umney's Last Case" has a stylish noir production and an original story (I believe this show was produced before "Stranger than Fiction"). I liked the whole story, but the conclusion is abrupt and seems that the original intention could be to be continued. My vote is seven.
Title (Brazil): "Nightmares & Dreamscapes Vol.1 Pesadelos e Paisagens Noturnas" ("Nightmares & Dreamscapes Vol.1 Nightmares and Nocturne Landscapes")
1.] "The End of the Whole Mess" - Very well done. Spot on adaptation of a neat little story. Livingston's performance is perfect - heartfelt and desperate. Henry Thomas was good too.
2.] "Battleground" - When I first read this story (about 15 years ago) I thought it would make a great TV movie - not a feature film - but at the time, I didn't think the SFX of the day could pull it off. This was a pretty good effort though, and I loved the lack of dialog. Hurt is not too bad either.
3.] "You Know They Got a Hell of a Band" - Not bad adaptation. This was a good short story, one I always try to read when I pick up Nightmares & Dreamscapes.
4.] "Umney's Last Case" - Not bad story, Macy's performance pulled it off. I always wondered why the chose to adapt this one though, especially over some of Kings other classics.
5.] "Autopsy Room Four" - Again, great story, but the adaptation leaves a lot to be desired, and only because of the hokey performances, especially from Richard Thomas and Greta Scacchi.
6.] "The Fifth Quarter" - Good performance from Sisto, but again, why do this story over something like "Grandma" or "The Jaunte".
7.] "The Road Virus Heads North" - The only thing they got right was the painting. Everything else, including Berringer's performance, was cheesy.
8.] "Crouch End" - This was a good story, but the adaptation did not capture the creepy feel King brought out in the narrative. The performances were OK, and it started off on the right foot, but things quickly went south after they started wandering around the empty streets. I think director Mark Haber, just couldn't put his finger on what the point of that story was.
2.] "Battleground" - When I first read this story (about 15 years ago) I thought it would make a great TV movie - not a feature film - but at the time, I didn't think the SFX of the day could pull it off. This was a pretty good effort though, and I loved the lack of dialog. Hurt is not too bad either.
3.] "You Know They Got a Hell of a Band" - Not bad adaptation. This was a good short story, one I always try to read when I pick up Nightmares & Dreamscapes.
4.] "Umney's Last Case" - Not bad story, Macy's performance pulled it off. I always wondered why the chose to adapt this one though, especially over some of Kings other classics.
5.] "Autopsy Room Four" - Again, great story, but the adaptation leaves a lot to be desired, and only because of the hokey performances, especially from Richard Thomas and Greta Scacchi.
6.] "The Fifth Quarter" - Good performance from Sisto, but again, why do this story over something like "Grandma" or "The Jaunte".
7.] "The Road Virus Heads North" - The only thing they got right was the painting. Everything else, including Berringer's performance, was cheesy.
8.] "Crouch End" - This was a good story, but the adaptation did not capture the creepy feel King brought out in the narrative. The performances were OK, and it started off on the right foot, but things quickly went south after they started wandering around the empty streets. I think director Mark Haber, just couldn't put his finger on what the point of that story was.
This fares better than much of Stephen King made-for-TV adaptations, though the episodes are hit or miss:
BATTLEGROUND 8/10 - easily the best episode AND an homage to the greatest made-for-TV horror ever, "Trilogy of Terror." There's even a cameo by our friend the Zuni Doll! It goes the "no dialogue" route, and William Hurt pulls it off well. The FX are ace. Loved this one. Unfortunately, it's mostly downhill from here.
CROUCH'S END 5/10 - this is pretty awful and Claire Forlani has got to be the worst working "name" actress, but there's something eerie in it's Lovecraft-ness that I appreciated for a bit.
THE ROAD VIRUS HEADS NORTH 4/10 - Meh. It's good to see Tom Berenger and Marsha Mason working again. I guess.
UMNEY'S LAST CASE 7/10 - It has a neat noir-ish feel, mostly created by the inimitable character acting of William H. Macy.
THE END OF THE WHOLE MESS 6/10 - eh, this didn't translate too well, but it's watchable.
THE FIFTH QUARTER 7/10 - This one's sort of a heist story with great performances (Sisto, Samantha Mathis) and a surprising homoerotic subplot. Good stuff here.
AUTOPSY ROOM FOUR 4/10 - another King adaptation ruined by Richard Thomas! YOU KNOW THEY GOT A HELL OF A BAND 4/10 - I remember reading this as a youngster and finding it REALLY eerie. What's not to be scared of by evil dead rocknroll icons? Well, how about really lame evil dead rocknroll icon impersonators? This does not translate well to film.
BATTLEGROUND 8/10 - easily the best episode AND an homage to the greatest made-for-TV horror ever, "Trilogy of Terror." There's even a cameo by our friend the Zuni Doll! It goes the "no dialogue" route, and William Hurt pulls it off well. The FX are ace. Loved this one. Unfortunately, it's mostly downhill from here.
CROUCH'S END 5/10 - this is pretty awful and Claire Forlani has got to be the worst working "name" actress, but there's something eerie in it's Lovecraft-ness that I appreciated for a bit.
THE ROAD VIRUS HEADS NORTH 4/10 - Meh. It's good to see Tom Berenger and Marsha Mason working again. I guess.
UMNEY'S LAST CASE 7/10 - It has a neat noir-ish feel, mostly created by the inimitable character acting of William H. Macy.
THE END OF THE WHOLE MESS 6/10 - eh, this didn't translate too well, but it's watchable.
THE FIFTH QUARTER 7/10 - This one's sort of a heist story with great performances (Sisto, Samantha Mathis) and a surprising homoerotic subplot. Good stuff here.
AUTOPSY ROOM FOUR 4/10 - another King adaptation ruined by Richard Thomas! YOU KNOW THEY GOT A HELL OF A BAND 4/10 - I remember reading this as a youngster and finding it REALLY eerie. What's not to be scared of by evil dead rocknroll icons? Well, how about really lame evil dead rocknroll icon impersonators? This does not translate well to film.
The first episode of Dreamscapes & Nightmares was an acceptable adaption of Stephen King's short-story, but not more. The second episode contains everything what makes a short-story by Stephen King fun to read. It is not what you see so often in nowadays' horror-movies. In those, let me call them modern, horror movies there's a lot of shockers and blood, but the episode "Crouch End" doesn't need that. Like the short-story it creates an atmosphere of horror, which neither the protagonists, nor the viewers can escape from. And this "all-around-horror-atmosphere" is what's missing in so many horror movies, but in not one of Stephen King's stories/novels and particularly not in the episode "Crouch End". Because of that, this is a show worth watching for everyone who loves the atmosphere and feeling Stephen King creates in his pieces of art! I'm very curious, if the following episodes are an exceptional adaption of Stephen King's style of writing, because this one definitely is!
10whpratt1
The beginning of this film held my interest because William Hurt,(John Renshaw),"Body Heat", makes a bad mistake with a CEO of a large Toy Manufacturing Company. Apparently, John Renshaw is a sort of high class hit man and paid very well for his services, because his apartment suite is out of this world with a large indoor pool and more than the comforts of the average person. As John sits back and has a nice cocktail and enjoys having accomplished one of his tasks, he is taken by surprise and his entire life is completely changed. John becomes trapped in his own world and almost feels like he has been in an actual battlefield. Great story by Stephen King and I look forward to more of this Mini-Series.
Le saviez-vous
- AnecdotesDuring the entire episode of "Battleground," not a single word is spoken.
- GaffesIn the "Crouch End" segment the Freemans are at an outdoor café in London the afternoon before heading to Crouch End. There is a clear shot of a passing Melbourne (Australia) tram in the background.
- Citations
Willie Evans: Where's the gun you shot him with?
Keenan: It was self defense.
Willie Evans: Alright, where's the self defense weapon you shot him with?
- ConnexionsFeatured in The 59th Annual Primetime Emmy Awards (2007)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Nightmares & Dreamscapes
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée48 minutes
- Couleur
- Mixage
- Rapport de forme
- 16:9
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What is the Brazilian Portuguese language plot outline for Rêves et cauchemars (2006)?
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