La tempête du siècle

Castle Rock, a recent series also by Stephen King, also has a stranger in town/trouble premise, though not the only one. There's something about both shows that really makes one think, as if such horror was not quite as far away as other horror movies you might have seen, sort of eerily familiar. Anyway, that's how it bites me. Nuts and bolts is easier. The acting holds this piece above many others. It's very very good. And it's a very large cast, so hats off to casting as well. There are so many (necessary) close-ups that any hint of wooden or uncommitted performance would be tagged straight away. As that never happens, hats off to the director too, it must have been gruelling. I could only get hold of the second half, and I thought that was too long. In the third quarter the effects are brilliant, and nicely edited as well, particularly where two timelines needed to be related. The last quarter is where I docked a point. There were effects that simply did not need to exist, as if the director had an incurable soft spot for old theatre pulley effects. If ever this movie is redone that needs to be thought about. It didn't spoil the ending in any intellectual way, I enjoyed the ending, but I thought it noticeably old-fashioned. On the plus side, the storm itself is a marvel of cinematography. All up this is classic horror from a very inventive mind, and, if you are lucky enough to run across it, well worth chasing.

No Spoilers here. One of my favorite 10 movies, and easily the best made for TV movie ever. Storm of the Century reaches the highest level of suspense of any movie I have ever seen. I have watched it 5 times now, and am amazed at how linear it is for its length. Not a minute is wasted.

As with every great film it is not for everyone, but keep in mind that no movie is rated above 9.0 here, and that some people will not like it because it was made for TV, is Stephen King, is long, isn't packed with CGI or gore, or isn't a comfortably predictable Hollywood story. Don't let the fact it isn't rated 8.0+ fool you-this is an outstanding movie.

Absolutely anti-Hollywood (I love it for that as well), this is much more like an independent film not trying to be artsy. Few big name stars, no wasted sub-plots to draw in general audiences, no special effects wedged awkwardly in, not packed with pretty people who cannot act or out-of-place one-liners. This is a pure horror/suspense movie.

If you want a movie you can predict the ending to within 10 minutes, or settle down comfortably to another familiar rehashed horror story, pass on this one-it is original, chilling, and as gripping and memorable as any movie you will see. Like any horror suspense movie, you won't get the full effect if you have it on at noon while surfing the net and chatting on the phone. I most closely would compare it to Silence of the Lambs or The Ring in tension and flow, but without the shock value. The tension and eeriness this movie creates is palpable.

This is not a slasher/gore movie, and you will get a chance to know the main characters of Little Tall Island, as well as see an original portrayal of antagonist Colm Feore (who perfectly nailed his role). Yes, Anthony Hopkins would have ALSO been great for this role, but I don't think better. If you are chilled by hearing "I'm a Little Teapot, short and stout..." afterwards, you'll be here posting great reviews as well.

Stephen King created an unnerving miniseries with "Storm of the Century", about a blizzard in a Maine town bringing a stranger (Colm Feore) who tells everyone "Give me what I want and I'll go away." And this guy isn't kidding. Not only does he know everything about everyone, but he's got something ugly in store for anyone who challenges him. Some scenes in the movie are very likely to make your blood freeze. And I agree with a previous reviewer that people shouldn't complain about the ending: things can't always be sugar-coated (this is Stephen King, remember).

All in all, this is really impressive, and you're sure to like it. You may never trust anyone again after watching this. Also starring Debrah Farentino, Casey Siemaszko and Jeffrey DeMunn.

I guess that we're all little teapots in some way or other...

Always liked Stephen Kings books and some of his films were great and others not as interesting, with horrible endings which made very little sense. This film in my opinion was fantastic and held my interest right to the very end and his conclusion to the film was even better than I expected. Storm of the Century was very creepy with all the snow covering this small lobster town and then a man with an ugly cane coming to the door of a very old home; and an old lady drinking tea inside hears the door bell and struggles to use a walker to see who is at her door. It is from this point on that the film never stops giving you the creeps and chills up and down your spine. This strange man keeps saying: "Give Me What I Want and I will Go Away" and the guy really means it. Stephen King even makes an appearance on a broken TV Screen, so watch out for his brief showing. Enjoy

"Give me what I want and I'll go away," demands the black-eyed, stocking-capped stranger Linoge (Colm Feore), who appears in a quiet island community on the verge of the worst storm in decades and brutally bludgeons an old lady to death. Tim Daly, the town sheriff and voice of reason and moral strength, locks up the quiet madman, but the deaths pile up as Linoge acts them out from his cell like a murderous mime pulling psychic strings. Stephen King, whose original teleplay is his best work for the screen since The Stand, transforms the sleepy burg into a Peyton Place of guilty secrets and criminal activity ripped from under a blanket of small town normality while the white-out of the snowstorm completely cuts them off from civilization. Director Craig R. Baxley nicely maintains an icy tension while the waiting game goes on, perhaps a little too long, before Linoge finally reveals "what he wants" and the drama turns into a struggle for man's soul in miniature. The more ambitious special effects and set pieces sometimes disappoint but are more than made up for in King's knack for turning the mundane into the macabre (the children's song "I'm a Little Teapot" has never sounded more sinister) and a few brilliantly realized sequences, the best of which occurs when townspeople are literally yanked out of existence while watching the storm. Storm of the Century is one of the most successful translations of King's brand of horror to the screen.