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Darkside, les contes de la nuit noire

Titre original : Tales from the Darkside: The Movie
  • 1990
  • 12
  • 1h 33min
NOTE IMDb
6,2/10
20 k
MA NOTE
Darkside, les contes de la nuit noire (1990)
Home Video Trailer from Paramount Home Entertainment
Lire trailer0:40
1 Video
50 photos
Comédie noireHorreur surnaturelleComédieFantaisieHorreurThriller

Pour empêcher une sorcière de comploter pour le manger, un garçon lui lit des histoires d'horreur traitant de la résurrection d'une momie par un collégien, d'un chat meurtrier et du pacte d'... Tout lirePour empêcher une sorcière de comploter pour le manger, un garçon lui lit des histoires d'horreur traitant de la résurrection d'une momie par un collégien, d'un chat meurtrier et du pacte d'un artiste avec une gargouille.Pour empêcher une sorcière de comploter pour le manger, un garçon lui lit des histoires d'horreur traitant de la résurrection d'une momie par un collégien, d'un chat meurtrier et du pacte d'un artiste avec une gargouille.

  • Réalisation
    • John Harrison
  • Scénario
    • Michael McDowell
    • Arthur Conan Doyle
    • Stephen King
  • Casting principal
    • Debbie Harry
    • Matthew Lawrence
    • Christian Slater
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,2/10
    20 k
    MA NOTE
    • Réalisation
      • John Harrison
    • Scénario
      • Michael McDowell
      • Arthur Conan Doyle
      • Stephen King
    • Casting principal
      • Debbie Harry
      • Matthew Lawrence
      • Christian Slater
    • 95avis d'utilisateurs
    • 66avis des critiques
    • 54Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Vidéos1

    Tales from the Darkside: The Movie
    Trailer 0:40
    Tales from the Darkside: The Movie

    Photos50

    Voir l'affiche
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    Rôles principaux31

    Modifier
    Debbie Harry
    Debbie Harry
    • Betty (segment "The Wraparound Story")
    • (as Deborah Harry)
    Matthew Lawrence
    Matthew Lawrence
    • Timmy (segment "The Wraparound Story")
    Christian Slater
    Christian Slater
    • Andy (segment "Lot 249")
    David Forrester
    David Forrester
    • Priest (segment "The Wraparound Story")
    Robert Sedgwick
    Robert Sedgwick
    • Lee (segment "Lot 249")
    Steve Buscemi
    Steve Buscemi
    • Bellingham (segment "Lot 249")
    Donald Van Horn
    • Moving Man (segment "Lot 249")
    Michael Deak
    Michael Deak
    • Mummy (segment "Lot 249")
    Julianne Moore
    Julianne Moore
    • Susan (segment "Lot 249")
    George Guidall
    • Museum Director (segment "Lot 249")
    Kathleen Chalfant
    Kathleen Chalfant
    • Dean (segment "Lot 249")
    Ralph Marrero
    • Cabbie (segment "Lot 249")
    David Johansen
    David Johansen
    • Halston (segment "Cat From Hell")
    Paul Greeno
    • Cabbie (segment "Cat From Hell")
    William Hickey
    William Hickey
    • Drogan (segment "Cat From Hell")
    Alice Drummond
    Alice Drummond
    • Carolyn (segment "Cat From Hell")
    Dolores Sutton
    Dolores Sutton
    • Amanda (segment "Cat From Hell")
    • (as Delores Sutton)
    Mark Margolis
    Mark Margolis
    • Gage (segment "Cat From Hell")
    • Réalisation
      • John Harrison
    • Scénario
      • Michael McDowell
      • Arthur Conan Doyle
      • Stephen King
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs95

    6,220.3K
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    Avis à la une

    8Brian-272

    One Of The Better Horror Movies Of The 90's!

    If your a fan of Tales From The Crypt or Creepshow then Tales From The Darkside: The Movie is a must see! All three stories are highly enjoyable the last story Lovers Vow is great a honor to the now late Michael McDowell. Lot 249 also features great performances from Christian Slater,Steve Buscemi,and Julianne Moore. The second story Cat from Hell is enjoyable and is one of William Hickey's last roles.A great horror movie to watch over and over one of the best ever made.
    7sol-kay

    Three Tales before Dinner

    ******SPOILERS****** Betty, Debbie Harry, a local witch has the newspaper delivery boy Timmy, Matthew Lawrence, locked up in her house and after giving him all the cookies that he can eat to fatten him up for her and her fellow witches, who are coming over later that evening, to have him as the main course for dinner.

    Giving Timmy a book "Tales From The Darkside" to read as Betty makes the preparations for him to be cooked Timmy tells her if he can read her some stories from the book so it would take his mind off of whats going to happen to him. Betty agrees to listen to Timmy reading the stories from "Tales From The Darkside" because it's also her favorite book and would make the mundane task of getting everything ready for the meal go a lot faster.

    Timmy starts with the story about a group of collage students entitled "Lot 249". Edward, Steve Buscemi, gets a parcel, Lot 249, delivered to his collage dorm room that has a 3,000 year old mummy in it. Edward's fellow students once tried to get him expelled from school by planting a rumor that he stole an Aztec artifact and he knows who they are Susan, Julianne Moore, and her boyfriend Lee, Robert Sedgwick, and Edward is planing to use the mummy to get more then even with them for what they did to him.

    Finding a secret scroll hidden inside the mummy Edward interprets and recites whats on that scroll to bring the mummy back to life who ends up killing both students. Susan's brother Andy, Christian Slater, finds out about Edward's actions and after he knocks out and ties up Edward to a chair he dismembers the mummy with an electric carving knife. But instead of killing Edward for what he did to his sister and his best friend Andy runs Edward out of the campus. Andy feeling that he took care of Edward and his mummy for good didn't realize that the mummy wasn't the only thing that Edward brought back to life.

    The next story "Cat From Hell" that Timmy reads is about a rich old man Drogan, William Hickey, who hires a top Mafia hit-man Halston, David Johansen. Drogan gives him $50,000.00 up front and will give him another $50,000.00 after he can prove that he killed a black cat that has been terrorizing the old man and that killed his two sisters and butler and is now targeting him for elimination. Halston at first thinks that Drogan is nuts but soon sees that this seemingly harmless kitty cat is an indestructible and ferocious monster that's far more dangerous then any of the scores of gangsters that he "hit" during his long and successful criminal career.

    The cat came to avenge what Drogan's Pharmaceutical empire did to develop a very expensive and successful drug called Tri-Dorma-Phenobarbin-Compound G. The drug is for people with heart trouble like Drogan as well as a legal stimulant like the drugs sold on the street by the mob for whom Halston works for. Drogan took the lives of 5,000 cat's over four years to perfect that drug. This mysterious cat was somehow sent to make Drogan and his family pay for what they did in regard to all those cat's that were experimented and killed to make Drogan and Co. very rich because of it. In the end the little kitty not only took care of hit-man Halston but the scared and guilt-ridden employer Drogan as well in a really gut wrenching and stomach churning final.

    The last story that Timmy reads "Lover's Vow" is about a struggling artiest Preston, James Remar, who one night in a dark alley sees his friend Gage, Mark Margolis, savagely killed by some demon. The demon makes Preston promise never to tell about what happened and anything that he saw that night for the rest of his life of else.

    Later that evening Preston meets a strange and mysterious woman Carola, Rea Dawn Chong, who he falls in love with and marries. Later Preston's artistic luck begins to change with his art work starts to get noticed by the public with him becoming a rich and very successful artiest.

    On the tenth anniversary of him meeting Carola Preston feels that he has to tell her this secret that he kept from her all these years and that by him not telling her that he thinks that he was somehow not being truthful with her. It turns out by him doing that Preston finds out that sometimes the truth is not the wises and healthiest thing to tell; even to someone that you love and feel should know about it.

    With that Timmy both out of time and stories and everything ready for him to become the main course for dinner for Betty and her witches friends there's suddenly and unsuspectingly a slip in the plot and what's for dinner that evening turns out not to be what Betty was preparing.

    Very good anthology of the TV show "Tales From The Darkside" that turns out to be much better the you would have expected on the big screen.
    6kannibalcorpsegrinder

    Fine for what it is, but not that spectacular

    Preparing for a dinner party, a witch starts to cook a young boy for the party, and when is told what will happen to him, decides to stall for time by telling her three stories while a local priest searches for a way to stop the whole thing.

    The Good Stor(ies): Lot 249-Receiving a special package, a professor enlists several friends to open his newest prize, lot 249 from a special auction that contains the remains of an ancient Egyptian mummy, and becomes obsessed with trying to bring it to life using the magical scrolls sent along with it. Went a string of murders around their college campus appears to have them befuddled, they learn the secret of why the lot was bid on and try to get away from it. This is a light and breezy tale, mostly centered around the mummy's antics, as the few killings are quite eerie and creepy. The attack in the dorm, which includes the graphic killing where it removes the brain with a wire hanger through the nose, and a later one inside a living room is really great. The special effects on the mummy are great, making it look effectively rotten and crumbling, and it's destruction scene is great, playing that off as well. It ends predictably, but that's a minor after-thought here.

    The Bad Stor(ies): Cat from Hell-Summoned to a giant mansion, a hit-man finds that his charge wants him to kill a cat. Surprising and a little befuddled over the request, he explains that the creature has had a long-standing habit of killing those in its path, including the former inhabitants of the house. Left alone to deal with it, he finds that killing the cat isn't the easiest assignment of his career. This here had a lot of potential, with an intriguing story and some really inspired ideas, notably the idea of the cat's motive for coming back. The flashback scenes are good fun, and the fact that a major attack sequence is shot through the cat's POV is really great. The main thing that stops this one is that it's way too long. The majority of the segment consists of the two talking about what the cats' done to deserve the punishment, taking a lot of drama out of the chase. The conclusion is also foretold from the beginning, which all of the stories consists of and makes it feel really uninspired.

    Lover's Vow-Trying to create new artwork, a struggling artist is told by his agent that his work can no longer be represented through his agency. Walking through an alley, he runs into a strange woman out alone in the night and offers help. Becoming obsessed with a strange creature he saw that spared his life for the secrecy of its existence, he allows it to become his sole desire to his own detriment. What really hurts this one is the inordinate amount of cheese on display. The design of the gargoyle, with the large eyes, big mouth and intricate designs on the side of his head, make it more cute than fearsome. The easily determinable rubber used for the creation makes it another strike. There's also the fact that it takes way too long to get to its really good parts, concentrating on the romance angle way too much, and the way they get together also is a little unbelievable. As with the others, the ending is way too predictable and doesn't really get the chance to become the possible shock it could've had.

    Rated R: Graphic Violence, Graphic Language, Brief Nudity and children-in-jeopardy.
    7Gislef

    aka Creepshow 3

    Okay, not officially, but basically this Romero/King joint effort is a successor to their Creepshow movies as much as a movie-length version of the TV series Tales from the Darkside. Maybe they avoided calling it Creepshow 3 due to the poor take from the second movie? Regardless, while the framing device is merely adequate, all three of the stories are chilling enough. The first two stories are in the fine old EC Comics/Creepshow tradition of bad people getting their comeuppance in memorable style. The third is a rather touching romance, all things considered. The best segment is probably the first, with performances from Christian Slater doing his best Jack Nicolson impression, and cult-fave Steve Buscemi as a murderous grad student. But it's all pretty enjoyable if you like that kind of thing.
    willywants

    Pretty good.

    This is really three shorter movies, bound together by a fourth tale in which the other three stories are read. The first segment features an animated mummy stalking selected student victims; the second tale tells the story of a "cat from hell" who cannot be killed and leaves a trail of victims behind it; the third story is about a man who witnesses a bizarre killing and promises never to tell what he saw and the "in-between" bit is the story of a woman preparing to cook her newspaper boy for supper. Not the best king adaption, but hey, it ain't bad either. A good cast and some nice special effects. The Gargoyle was nasty! Plenty of gore here, but used in just enough moderation to be effective. A couple of tense moments, some god scares (Especially in the story about involving an elusive, seemingly immortal cat.) and pretty good music. Pretty good movie, just nothing really spectacular or life-changing. My rating for "Tales from the Darkside: The Movie"--6/10.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      "Tales from the Darkside: The Movie" is considered by many fans and Tom Savini himself to be the 'official' "Creepshow 3". Following the success of Stephen King and George A. Romero's Creepshow (1982), Laurel Entertainment (Creepshow & Creepshow 2 (1987)'s production company) toyed with the idea of a Creepshow television series. After several negotiations and changes (due to rights holders etc.), the decision was made to change the title for the series to "Tales from the Darkside" (to be helmed by none other than Creepshow director and Creepshow 2 screenwriter, George A. Romero). After the series' great success, just roughly three short years after Creepshow 2 hit theatres, Tales from the Darkside: The Movie came to fruition in 1990 as the successor to the original two Creepshow installments, sharing many of the same crew as the Creepshow installments.
    • Gaffes
      (at around 5 mins) In preparing to cook Timmy, Betty remarks that she could never do long division and asks aloud how much is 75 divided by 12. When Timmy answers and asks why, she indicates that she is trying to determine his cooking time. But if she is, she must multiply 75 by 12. (The answer is 900, or 15 hours.)
    • Citations

      Carola: You promised you'd never tell!

    • Connexions
      Featured in The Tonight Show Starring Johnny Carson: Robert Klein/Kevin Spacey/Mary Peyton Meyer (1990)
    • Bandes originales
      Tales from the Darkside (Original Theme)
      Composed by Donald Rubinstein (as Donald A. Rubinstein) and Erica Lindsay

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    FAQ21

    • How long is Tales from the Darkside: The Movie?Alimenté par Alexa
    • Is "Tales from the Darkside: The Movie" considered to be the the official "Creepshow 3?"
    • How does this movie differ from the Creepshow movies?

    Détails

    Modifier
    • Date de sortie
      • 15 mai 1991 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Historias del lado obscuro
    • Lieux de tournage
      • Bronxville, New York, États-Unis
    • Sociétés de production
      • Paramount Pictures
      • Laurel Productions
      • Darkside Movie
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 3 500 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 16 324 573 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 5 028 096 $US
      • 6 mai 1990
    • Montant brut mondial
      • 16 324 573 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 33min(93 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Stereo
    • Rapport de forme
      • 1.85 : 1

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