Southern Belles

This gem of a film is intelligent without taking itself too seriously, effortlessly hilarious, and genuinely touching, without the emotional manipulation so common to romantic comedies. With tongue-in-cheek homages to Gone with the Wind, Thelma and Louise and other screen gems, these debut screenwriters show depth of knowledge of southern life, and deep compassion for their characters. The true joy of the film, however, is in watching such talented young actors! Laura Breckenridge and Anna Faris bring their characters subtly and beautifully alive.

I am generally not a fan of romantic comedies or buddy-pictures, which I usually find to be predictable and forgettable. This is one of those rare films that combines the story of a beautiful, believable friendship, and a love story with complexity and chemistry.

This film has been a hit at film festivals all over the country; it is clear that audiences have fallen for a visually beautiful, brilliantly acted, and thoroughly entertaining film.

In southern Georgia, two "belles" are floundering in their twenties. Belle Scott (Anna Faris) works for the local warehouse store, where she must hawk customers in the hot July 4th sun, dressed in patriotic garb. HER most fervent wish is to move to Atlanta and start life over again. Her closest friend, Bell Granger (Laura Breckenridge) is a more content resident of their small town but has been having problems with her country-rap boyfriend who treats her with little respect. This Bell may decide to move north with Belle after all. That is, until she is stopped for a minor traffic violation from a handsome trooper, Rhett Butler (Justin Chambers). What luck to find the second coming of a famous literary man! Yet, even then, problems arise and the ladies try to raise funds for their move to Atlanta. They babysit, they sell cosmetics door to door and try hard to fill a money jar to purchase their tickets to the Big City. Will it be so for these beautiful belles? This independent film has its moments but, as a first effort for the writer-director, has problems, too. Its story is uneven and similar to various other get-out-of-Dullsville story lines. However, there are very humorous moments. Paris and Breckenridge do great as the put-upon belles while the rest of the cast is fine, too. Add on nice sets and costumes and the final result is a film indie-flick lovers might embrace. Folks in the deep South might get a kick out of it, too.

With all due respect to jessicacarter7, I think she (?) missed the point here. This was a very good movie in the vein of Raising Arizona. It might not be as ingenious but it's close. In a movie that purposefully over states the stereotype of southerners you simply can't say that someone is using clichés. That's the point. The performances of the leads were far above 'barely good' and the movie was very good if you have an open mind. I'm not sure about her take on the directing; I don't know what 'inspired' or 'uninspired' directing is. I'm also not sure about the 'very loose' editing. What does that mean? If you liked Raising Arizona I think you'll find it to be a quite enjoyable film. It's not meant, I think, to be a serious work of art, just something to enjoy.

The first time I saw this movie, I came into it where the girls were wearing matching pink suits. Something about it immediately grabbed my interest, and I was glued to the set.

I managed to find it again and got to watch it from the beginning. Still love it! My only complaint is that it's too short. Well, there was also one little side storyline that came out of nowhere and was left hanging.

The characters have a depth you wish could be explored further. I'd love to see a sequel that follows up with Belle and Margery. And maybe even Kevin.

This movie is hilarious. I was glad to see Judah Friedlander expand his body of work beyond The Best Week Ever shows. And Laura Breckenridge and Ana Faris were really good as the lead characters. Plus they're both smoking hot, so that is worth the price of admission on its own. The movie is about two trailer trash girls from Southern Georgia who want to make it to Atlanta to start a new life. One has a delinquent boyfriend who is convinced he's the next big "hill hop" star, which is a funny subplot in itself. When he gets arrested after fighting at a bar, the cop charms Laura Bredkenridge's character and she falls for him. Meanwhile, Ana Faris is trying a million different schemes to raise money for the big trip. I'd put this one on my Netflix list right away.