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IMDbPro

Autant en emporte le vent

Titre original : Gone with the Wind
  • 1939
  • Tous publics
  • 3h 58min
NOTE IMDb
8,2/10
348 k
MA NOTE
POPULARITÉ
1 178
133
Clark Gable and Vivien Leigh in Autant en emporte le vent (1939)
Trailer for Gone with the Wind
Lire trailer1:56
20 Videos
99+ photos
Costume DramaEpicPeriod DramaRomantic EpicTragic RomanceWar EpicDramaRomanceWar

Une femme manipulatrice et un homme cynique vivent une histoire d'amour tumultueuse pendant la guerre de Sécession et l'époque de la Reconstruction aux États-Unis.Une femme manipulatrice et un homme cynique vivent une histoire d'amour tumultueuse pendant la guerre de Sécession et l'époque de la Reconstruction aux États-Unis.Une femme manipulatrice et un homme cynique vivent une histoire d'amour tumultueuse pendant la guerre de Sécession et l'époque de la Reconstruction aux États-Unis.

  • Réalisation
    • Victor Fleming
  • Scénario
    • Margaret Mitchell
    • Sidney Howard
    • Oliver H.P. Garrett
  • Casting principal
    • Clark Gable
    • Vivien Leigh
    • Thomas Mitchell
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,2/10
    348 k
    MA NOTE
    POPULARITÉ
    1 178
    133
    • Réalisation
      • Victor Fleming
    • Scénario
      • Margaret Mitchell
      • Sidney Howard
      • Oliver H.P. Garrett
    • Casting principal
      • Clark Gable
      • Vivien Leigh
      • Thomas Mitchell
    • 1Kavis d'utilisateurs
    • 138avis des critiques
    • 97Métascore
  • Voir les informations de production sur IMDbPro
  • Film noté 163 parmi les meilleurs
    • Récompensé par 8 Oscars
      • 26 victoires et 10 nominations au total

    Vidéos20

    Gone with the Wind: 75th Anniversary Ultimate Collector's Edition
    Trailer 1:56
    Gone with the Wind: 75th Anniversary Ultimate Collector's Edition
    Unsung Black Heroes of Film History
    Clip 4:30
    Unsung Black Heroes of Film History
    Unsung Black Heroes of Film History
    Clip 4:30
    Unsung Black Heroes of Film History
    Ryan Murphy's "Hollywood" Re-Envisions Cinematic History
    Clip 4:24
    Ryan Murphy's "Hollywood" Re-Envisions Cinematic History
    'Gone with the Wind' | Anniversary Mashup
    Clip 1:37
    'Gone with the Wind' | Anniversary Mashup
    Gone With The Wind: 70th Anniversary Ultimate Collector's Edition (War And Waste)
    Clip 2:06
    Gone With The Wind: 70th Anniversary Ultimate Collector's Edition (War And Waste)
    Gone With The Wind: 70th Anniversary Ultimate Collector's Edition (What A Woman)
    Clip 1:25
    Gone With The Wind: 70th Anniversary Ultimate Collector's Edition (What A Woman)

    Photos373

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    + 365
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    Rôles principaux99+

    Modifier
    Clark Gable
    Clark Gable
    • Rhett Butler - Visitor from Charleston
    Vivien Leigh
    Vivien Leigh
    • Scarlett O'Hara - Their Daughter
    Thomas Mitchell
    Thomas Mitchell
    • Gerald O'Hara
    Barbara O'Neil
    Barbara O'Neil
    • Ellen O'Hara - Gerald's Wife
    • (as Barbara O'Neill)
    Evelyn Keyes
    Evelyn Keyes
    • Suellen O'Hara - Their Daughter
    Ann Rutherford
    Ann Rutherford
    • Carreen O'Hara - Their Daughter
    George Reeves
    George Reeves
    • Brent Tarleton - Scarlett's Beau
    Fred Crane
    Fred Crane
    • Stuart Tarleton - Scarlett's Beau
    Hattie McDaniel
    Hattie McDaniel
    • Mammy - House Servant
    Oscar Polk
    Oscar Polk
    • Pork - House Servant
    Butterfly McQueen
    Butterfly McQueen
    • Prissy - House Servant
    Victor Jory
    Victor Jory
    • Jonas Wilkerson - Field Overseer
    Everett Brown
    Everett Brown
    • Big Sam - Field Foreman
    Howard Hickman
    Howard Hickman
    • John Wilkes
    Alicia Rhett
    Alicia Rhett
    • India Wilkes - John's Daughter
    Leslie Howard
    Leslie Howard
    • Ashley Wilkes - John's Son
    Olivia de Havilland
    Olivia de Havilland
    • Melanie Hamilton - Wilkes' Cousin
    Rand Brooks
    Rand Brooks
    • Charles Hamilton - Melanie's Brother
    • Réalisation
      • Victor Fleming
    • Scénario
      • Margaret Mitchell
      • Sidney Howard
      • Oliver H.P. Garrett
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs1K

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    Résumé

    Reviewers say 'Gone with the Wind' captures the Civil War's impact through Scarlett O'Hara's eyes, highlighting Southern grandeur and devastation. It's lauded for its epic scale, Technicolor visuals, and stellar performances by Vivien Leigh and Clark Gable. Yet, it's criticized for romanticizing the antebellum South and its portrayal of slavery and race. Despite this, it stands as a cultural milestone, celebrated for its artistic merits and influence on cinema, with themes of love, survival, and societal transformation resonating deeply.
    Généré par IA à partir de textes des commentaires utilisateurs

    Avis à la une

    10IshtiaqAhmed

    Miracle in Film Making - Can't believe they did it in 1939!

    This movie was on my watch list since 1996 or 1997 when I read its review in a local newspaper. I though it must be a dull movie as it is very old and procrastinated to watch until Dec 2019.

    And friends, I can't tell you how much I am impressed with this movie - wonderful story, superb acting, mesmerizing cinematography and direction. And they did it in 1939 - which is really hard to digest.

    I am stupid enough to miss this glory for so many years.
    9PCC0921

    Margaret Mitchell won the Pulitzer Prize for her novel on May 3rd, 1937

    The year 1939 was a busy year for the Hollywood industry. Large-scale, majestic epics were front and center that year. You should look up the list of films released in 1939. It was a very, busy year, with huge titles from the golden age. Lots and lots of entertainment for a pre-WW2 audience. The Wizard of Oz (1939), Stagecoach (1939), Son of Frankenstein (1939), Drums Along the Mohawk (1939) and this little film, are just some of the titles on that list. Everyone was competing for perfection in the film industry. The first two hurtles, being sound and color film, had been implemented into the technical side of the filmmaking process, to this point in film history. Technicolor had been utilized for, about, five years to this point and it was perfectly utilized in this film too. Technicolor always was a good film stock, rich with colors, that pop on the screen. Head cinematographer, Ernest Haller's camera, captures images, not seen before on film and blazes colors across the screen, in Gone With the Wind (1939).

    I'm sure everyone knows the basic premise of the film. It boils down to a story about the life of woman, a daughter of a rich cotton plantation owner in 1860s, Georgia, who's life interweaves with the real life events of the American Civil War and the recovery and reconstruction years. It is a fictitious story utilizing events from the real world. Of course, most of us remember the picture on the movie posters of Scarlett O'Hara (Vivien Leigh) and Rhett Butler (Clark Gable), locked in that emotional, romantic embrace, plus it's on the cover of every DVD and Blu-Ray out there these days, but the film is really about Scarlett and all the other characters come into her circle. And, the film needs to be about Scarlett in order to be successful, because it is her spoiled, selfish, smug demeanor that energizes the whole film. Everyone who comes into her circle feels her wrath, even Rhett. Rhett isn't really a very likeable character either and watching these two unlikeable characters square off, through various parts of this film, is something to see. These are the reasons, that make this film so good. A plot involving two unlikeable characters, who eventually, reach a certain amount of maturity, that they earn some respect from the audience, doesn't deter from the overall quality of the film, because it is such a unique character study, while chaos is happening all around them.

    The film does contain many sub-plots, involving politically, socially, culturally and racially charged tones, which would be expected, considering the time this period piece takes place. Which, brings up another interesting point to this film. Even though this film is approaching 85 years old now in the 21st century, it is still considered a period piece. The interesting part is the filmmakers had a more recent memory of the events used in the film, being only 75 years before, as opposed to our view, which is roughly 150 years later. In fact, there probably were a couple of Civil War veterans still alive in 1939. Another amazing thing about this film is, they started shooting this thing in January, 1939 and released it just before Christmas that same year. That is impressive, considering the massive runtime of this film. It is the runtime of this film that really hurts it from being a perfect film.

    The images the filmmakers (I would list names, but you should see the Crew List on this film), are able to show us on the screen, is incredible. The color you will have stuck in your head, for a week after viewing this film, will be the color of orange, red fire, that is seen throughout the movie and obviously, mostly comes from the burning of Atlanta. A technical achievement, that hadn't been seen in the movies yet. The special effects, art direction, costuming and lighting is fantastic. You still don't notice, even today, that most of this movie was just filmed, out in the Los Angeles countryside and on sound stages. So much is going on in this film, you don't notice it. The performances by the cast is perfect. This is an epic journey about redemption and maturing. A maturity that helps the characters and a nation begin to grow. This film would roll through the Oscars in 1940, including winning the Best Picture Oscar.

    9.3 (A MyGrade) = 9 IMDB.
    10planktonrules

    About as good as it gets in 1930s Hollywood

    I've done so many reviews on IMDb and despite this, I can't believe I never reviewed this super-famous film. Well, much if this is because with so many reviews, I truly doubt if anyone will ever read this! I was surprised that when I perused the reviews, there were quite a few knuckleheads that gave the film a score of one!! While I do agree that the film is rather dated in the way it deals with minorities, it is truly insane to trash a film just because it offends your easily damaged sensibilities. One person even compared the film to PLAN 9! Come on, folks,...this is an amazing film. And what makes it even more amazing is that the film had several different directors because producer Selznick was so difficult to work with on this film! And, despite this, the film wins (among many other awards), the BEST DIRECTOR Oscar! While I do think that many Oscars should have been earned, giving it to just one man seemed pretty cheeky! Despite this, this is a magnificent sweeping spectacle about the South--but even more about a selfish beauty who ultimately creates chaos of her decent life. Magnificent, well-acted and memorable--this is one of the greatest films of all time.
    10jotix100

    Georgia on my mind

    This film shows the best of the American cinema. Whether we like the film, or not, one has to recognize the greatest achievement, perhaps, of the creative talent of the people working in the movie industry. "Gone with the Wind" represents a monumental leap, as well as a departure, for the movies, as they were done prior to this film.

    The vision of David O. Selznick, the power behind bringing Margaret Mitchell's massive account about the South, before and after the Civil War, pays handsomely with the film that Victor Fleming directed. This movie will live forever because it reminds us of how this great nation came into being, despite the different opinions from the two stubborn factions in the war.

    "Gone with the Wind" brought together the best people in Hollywood. The end result is the stunning film that for about four hours keep us interested in the story unfolding in the screen. Of course, credit must be due to the director, Victor Fleming, and his vision, as well as the adaptation by Sydney Howard, who gave the right tone to the film. The gorgeous cinematography created by Ernest Haller gives us a vision of the gentle South before the war, and the Phoenix raising from the ashes of a burned Atlanta. The music of Max Steiner puts the right touch behind all that is seen in the movie.

    One can't conceive another Scarlett O'Hara played by no one, but Vivien Leigh. Her beauty, her sense of timing, her intelligent approach to this role, makes this a hallmark performance. Ms. Leigh was at the best moment of her distinguished career and it shows. Scarlett goes from riches to rags, back to riches again and in the process finds an inner strength she didn't know she possessed. Her impossible love for Ashley will consume her and will keep her away from returning the love to the man that really loves her, Rhett.

    The same thing applies to the Rhett Butler of Clark Gable. No one else comes to mind for playing him with the passion he projects throughout the movie. This is a man's man. Captain Butler was torn between his loyalty to the cause of the South and his sense of decency. His love for Scarlett, the woman he knows is in love with a dream, speaks eloquently for itself.

    The other two principals, Olivia de Havilland and Leslie Howard, give performances that are amazing to watch. Ms. de Havilland's Melanie Hamilton is perfect. Melanie is loyal to the woman that does everything to undermine her marriage to Ashley. Mr. Howard's Ashley gives a perfect balance to the man in love with his wife, while Scarlett keeps tempting him.

    The rest of the cast is too numerous to make justice to all the actors one sees on the screen, but omitting the contribution of Hattie McDaniel to the film would be sinful. Ms. McDaniel was such a natural actress that she is excellent no matter in what movie she is playing. This huge talent is a joy to watch.

    Comments to this forum express their objections to the way the race relations play in the movie, but being realistic, this movie speaks about the not too distant past where all kinds of atrocities, such as the slavery, were the norm of the land. While those things are repugnant to acknowledge, in the film, they are kept at a minimum. After all, this film is based on a book by one of the daughters of that South, Margaret Mitchell, who is presenting the story as she saw it in her mind, no doubt told to her from relatives that lived in that period of a horrible page in the American history.

    Enjoy this monumental classic in all its splendor.
    10Turanic

    The tragedy of Scarlet the wise 2020 review

    At first you would think, the main theme of the film is the horrors of war and the idea that both sides suffer , but that is not the only case in "Gone with the Wind", the war is just a background... Scarlet lives almost her entire life in an illusion of love... She has a target she want to achieve and she thinks if she achieves it she will be happy, while missing the point on the way to that target... Something that I realised on a 2nd viewing is that Scarlet is a pretty selfish person with sociopaths behaviour. She can easily manipulate men and sometimes women in order to achieve her goal. She can kill a person and not feel that bad about it,she can exploit prisoners rather than hire free men. The goal is what pushes her forward and sometimes makes her do good things, but these deeds are never done out of big heart, they are usually done in self interest. You would think she ends up achieving everything she wanted, but she does not. Scarlet lives in a personal hell which partially she created herself and only when the last obstacle to her big love, the female friend that loves her is gone, she realises that all this time, she lived the illusion of love, she was hurting the people that loved her. Is scarlet a horrible person? Probably... Does she pay for her sins? She does more than anyone... Does she understand what true love is? Yes in the end she does... What makes this film so great, it's a tragedy like "War And Peace" with monumental character development ...Any scenes of war and racism fade compared to the tragedy of Scarlet which lives in personal hell...

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Hattie McDaniel became the first Black person to be nominated for - and win - an Academy Award.
    • Gaffes
      After Ashley Wilkes is carried into his room from a night at Belle's place, Melanie picks up a lamp with an electric cord attached.
    • Citations

      Scarlett: Rhett, Rhett... Rhett, if you go, where shall I go? What shall I do?

      Rhett Butler: Frankly, my dear, I don't give a damn.

    • Crédits fous
      Opening credits prologue: There was a land of Cavaliers and Cotton Fields called the Old South... Here in this pretty world Gallantry took its last bow.. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and Slave... Look for it only in books, for it is no more than a dream remembered. A Civilization gone with the wind...
    • Versions alternatives
      When originally released theatrically in the UK in 1940, the BBFC made cuts to secure a 'A' rating.
    • Connexions
      Edited into L'arbre de vie (1957)
    • Bandes originales
      Selznick International Theme
      (1937) (uncredited)

      Written by Alfred Newman

      Played for the Selznick International Logo

    Meilleurs choix

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    FAQ43

    • How long is Gone with the Wind?Alimenté par Alexa
    • A Note Regarding Spoilers
    • How much sex, violence, and profanity are in this movie?
    • What is 'Gone with the Wind' about?

    Détails

    Modifier
    • Date de sortie
      • 20 mai 1950 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Lo que el viento se llevó
    • Lieux de tournage
      • Big Bear Lake, Big Bear Valley, San Bernardino National Forest, Californie, États-Unis(shantytown attack)
    • Sociétés de production
      • Selznick International Pictures
      • Metro-Goldwyn-Mayer (MGM)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 3 977 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 200 882 193 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 1 192 593 $US
      • 28 juin 1998
    • Montant brut mondial
      • 402 382 193 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      3 heures 58 minutes
    • Mixage
      • Magnaphone Western Electric
      • Blue Seal Noiseless Recording
    • Rapport de forme
      • 1.37 : 1

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