Fei Ying

In this movie, Michelle Yeoh plays Lulu Wong, a much-idolised rock star and philanthropist by day, and a super heroine, Silver Hawk, who fights injustice in skin-tight black leather outfit as her alter-ego. Richie Ren plays police detective Richman, who has an uncanny instinct and incredible wit, but he hates Silver Hawk for being always two steps ahead of the police. Both of them, however join hands to fight a baddie, Wolfe (Luke Goss) who wants to dominate the world through a special microchip in mobile phones which will broadcast subliminal message to users.

Directed by cinematographer-turned-director Jingle Ma (Hot War, Tokyo Raiders, Summer Holiday, Goodbye,Mr.Cool and Para Para Sakura), the action scenes are beautifully choreographed, especially the one where a group of bungee jumpers armed with hockey sticks attacking our heroine in an outdoor arena. The opening sequence is also awesome with Yeoh riding a motorcycle and jumping over the Great Wall of China. There's also ample use of CGI to enhance the action sequences throughout the movie. Although the script is pretty straight forward, Ma succeeds in presenting the story in an entertaining way with constant flashbacks to the past when Lulu and Richman were studying at a Shaolin Temple. The two kids who play them are excellent, especially the boy.

Yeoh is a delight to watch. She looks great in her well-designed outfits and executes her fighting scenes with style and finesse. Her experience in martial arts helped tremendously. Providing comic relief is Brandon Chang, who plays a computer whiz kid who constantly pops up to annoy Richie Ren. Wolfe's role was downplayed. Instead his two assassins played by Bingbing Li and Michael Jai White (Universal Soldier: The Return and Spawn) got most of the action. Surprisingly, both of them had no dialogue in the movie.

Nonetheless, Silver Hawk is an entertaining movie which promises good laughs and visual delights for this Lunar New Year.

Michelle Yeoh is apparently trying to kill herself, or at least damage something. The woman will do anything, regardless of how potentially painful it can be. This movie is a little bit tamer than other things I've seen her do, but still. She induces flinching. (I loved watching my mother's face when I made her watch Supercop--the scene where Michelle hung off the side of a van, only to fall off and crash through Jackie Chan's windshield caused Mom some anxiety. I of course piped up, "Michelle Yeoh does all of her own stunts. Jackie Chan isn't the only one.")

Anyway, this movie is about Lulu Wong, a hugely famous woman--she's famous because she's rich, apparently. (What's nifty about Michelle Yeoh playing Lulu is that you can see Michelle being stylish. She isn't usually--it's also interesting that Lulu seems to be MUCH younger than Michelle actually is. Good acting there, Michelle!) Lulu wears all white, and has all kinds of wigs and different hairdos. She knows everyone, everyone loves her, she's perfect. That's her main identity. When criminals strike, she dons a silver mask, a silver suit, a silver jacket, and dashes to the scene on a silver BMW motorcycle. (Gorgeous bike.) Silver Hawk is an appropriate name, as you can see. She has little silver blade things, like Batman's batarangs, or whatever they were called, but she only uses those to disarm people. Once they're empty-handed she starts the a**kicking. The first scene of the movie is the best--the movie starts off with Michelle (I'm assuming it's The Stuntwoman herself) jumping over the Great Wall of China on her bike in pursuit of some poachers. The cinematography here is marvelous. Once she catches them she beats them mercilessly, but it looks beautiful. It doesn't seem like wire-work, but if it isn't then Michelle Yeoh isn't affected by gravity. She does an incredible kick on several of the poor criminals--she runs up the front of a van, then does some sort of pinwheeling roundhouse kick in midair. All of this is in slow-motion, and I actually think real-time would have been more effective. Once the crooks are in a heap on the ground, Silver Hawk reveals her disappointment. "Give me ten more minutes," she asks. Five? Two? By this time the criminals have tied themselves up and completely surrendered. See, Lulu has to put herself in danger to get excited, but since she's such a great fighter she's never really in a perilous situation. (When I said excited, I didn't mean that this is a porno movie. I mean that some people ride roller coasters, others fight crime.)

After that great opening sequence, we're treated to a plot. Professor Ho Chung (one of Lulu's love interests) has developed a completely idiotic artificial intelligence chip that supposedly increases the wearer's standard of living. We see it tested on a young lady--a holographic English butler appears and informs her that she is 48 days pregnant. A co-worker of hers confirms this, yelling, "That's incredible! We only found out yesterday.!" I found myself wondering if the transparent English butler had Tact 2000, a program few people seem to possess. What if the lady didn't want everyone to know she was pregnant? Could the AI detect that, or will it just humiliate everyone endlessly? The guinea pig doesn't seem to mind, she just smiles. An assistant brings her a drink, and the butler explains that the AI taps into your most primitive impulses, in this case thirst. (That amused me--what would it do if someone had a certain other primitive impulse?!?) Finally, it demands that she do some prenatal exercises. She doesn't want to, but the butler isn't taking no for an answer. Finally, the demonstration is concluded. When Professor Chung asks Lulu what she thought, she tells him flat out that she doesn't like it. I don't blame her--she isn't fond of people telling her what to do. HOWEVER... ...enter Alexander Wolfe, a nut with an English accent. He is very fond of telling people what to do, via secret subliminal messaging, preferably. This new device seems to be perfect for his plan, so he sends MICHAEL JAI WHITE to kidnap the professor. (Don't send a Spawn to do a kung-fu master's job.) Once that's done, Wolfe reveals his silly plan--he is going to place the chip into millions of cell phones, and at a certain time he will play the aforementioned subliminal messages. A technology mogul's daughter is kidnapped also, so that Wolfe can force the mogul to place the chips into a new phone model. He does, and Lulu (remember her?) wonders why. She decides to take matters into her own silver-gloved hands.

As it happens, the new police superintendent used to be a friend of Lulu's, and even more coincidentally, he despises Silver Hawk. How can they work together, you ask? Not very well, is how. He has no idea that Lulu and Silver Hawk are the same person, even though anyone with at least one sense could figure it out. (Silver Hawk looks like Lulu, she sounds like her, she might even smell like her, I'm not sure. You get my point.) So, while they have to save the world they also have to contend with each other. The superintendent, Rich Man, is more interested in arresting Silver Hawk than anything else, especially when she humiliates him in front of some teenagers. (He dressed himself in drag, so maybe he shouldn't be so hard on her.) Eventually it comes to the point where Rich Man has to knuckle under and just deal with it.

This was a good action movie, with several nifty fights and some funny parts. I had a couple of gripes, though, and I might as well vent. First--Michelle didn't get to do all the cool stuff the bad guys go to do. For instance, when Silver Hawk first runs into Alexander Wolfe, his minions bounce around and fly through the air using huge rubber bands. It looks incredibly fun, but Michelle is grounded. She has to run around getting kicked in the face. By the time she gets her leg up to kick back, the person has already flown away. It's just that she could have done wonders with that. This same problem pops up in the last fight with Wolfe's goons. They zoom around on rollerblades with hockey sticks. Not Michelle. She has to hit them as they fly by. Again. It could be that Michelle Yeoh didn't want to do these things. That's okay. If for some reason behind the scenes they just decided that she wouldn't do it, that's not okay. She is Silver Hawk--she should fly. Second--this movie falls prey to another problem that's rampant in Michelle Yeoh's films. She's absent for long stretches at a time. Eventually, you get wrapped up in something else and then she pops up again just when you least expected her. That happened in "Royal Warriors," "Supercop," "Supercop 2," "Butterfly and Sword," and gosh, even "Crouching Tiger Hidden Dragon." I don't want to sit there wondering what happened to her. Did her character die, or just get fed up? Maybe if I had an explanation of why this is done. I realize that Michelle Yeoh gets injured frequently, and that's understandable. Is that the deal? Do they have to shoot around her? Someone fill me in, please. I guess I'm used to Brigitte Lin's films--there is rarely a moment where she doesn't appear. Even if one pops up the filmmaker makes darn sure that you'll think about her. Someone please give Michelle Yeoh the same courtesy.

My wife and I didn't expect much from this film, knowing that it has the worst box office in the past ten years for a Chinese New Year release and how much we loathed "The Touch"... However, being a sucker for bad movies, I opted for the action movie rather than the other usual comedies and I wasn't disappointed at all. Yes, the dialogues might be a bit dodgy, a common flaw amongst Hong Kong production nowadays, trying to look "Hollywood-esque" but we were there for the action and we got what we were looking for, great fight sequence with each character having his/her own fighting style.

I have seen most of Yeoh's movies and this one ranked right at the top with "crouching tiger hidden dragon". Most of her film roles were forgettable but "silver hawk" at least leaves a more lasting impression albeit Yeoh really begin to look her years. I certainly hope that a sequel would follow but judging from the box-office, I might be pushing too far.

I wasn't expecting much after Michelle Yeoh's last flop "the Touch". "Silver Hawk" doesn't have such a great story, but the action scenes were really well done. the part where Yeoh flew over the Great Wall with her motorcycle was particularily amazing. Jingle Ma once again proves his talent as an action movie director a few years after "Tokyo Raiders" (skip "Goodbye Mister Cool" and "Para Para Sakura" unless you're really desperate). Another good reason to go see "Silver Hawk" is the absence of Ekin Cheng from the cast. That guy seems to star in too many HK movies since the mid 1990s. Worth mentioning is "Yin Xiong"'s Chen Daoming, who delivers a great performance. "Silver Hawk" is by far the most successful HK attempt at adapting a comic superhero to the big screen after "Hak Hap" and the mediocre "Hak Hap 2: City of Masks". Just for that I would give it a 7/10.

Silver Hawk is an enjoyable Cantonese take on the superhero genre. As such it's much more enjoyable than recent US additions like Spiderman 2 or Daredevil, taking a very Blade-like 'Good vs Evil in a knock-down drag out fight' approach as opposed to going for the 'tortured hero' take on things American directors seem to dig. If you want depth you are firmly looking in the wrong place (go for the original 80s Batman maybe?), but if you want action, humour and incredibly sharp fight choreography, you've come to the right place.

It's similar in style to both Blade and Sam Raimi's Darkman, also taking cues from recent Hong Kong movies like Twins Effect. It has a fantastic look, good strong characters and a simple but effective plot that keeps you glued to your seat. Additional praise must be heaped on leading lady Michelle Yeoh. Much like Jackie Chan, despite many would-be successors coming and going since her debut in the 80s, she still has what it takes to front an action movie in spades. She not only makes Silver Hawk a genuinely likable and unique presence, she's also still a mesmerizing fighter to watch. The fights in this movie are really good, some of the best non-period kung-fu I've seen since the likes of Versus. They're played with humour by Yeoh, with Silver Hawk cockily dancing around baddies before kicking their teeth in, but they're still imbued with an impact missing from many similar films.

So why the 6? Firstly, Silver Hawk is incredibly lightweight. If it wasn't for the balletic and convincing fight scenes, this movie could probably have been a 12A or even a PG, it's like a Bond movie only with a female lead. Get boy, send bad guys home with bloody nose, end. It's simple, and that's why it works so well, but it doesn't have much depth, and I'll mainly re-watch it to enjoy the great fights and Yeoh being cool as she always is.

Then there's the dub. It's not, as I originally thought, an entirely Americanised dub. It's like Gen X Cops 2, in that it's dual language, always has been, and was intended for dual release. However, much like a lot of Jackie Chan's movies and Jet Li's earlier films, it's dubbed in quite a slapdash fashion, in a sloppy manner that makes it obvious all the actors except Yeoh and Luke Goss have been re-dubbed by voice-over actors, and that Yeoh and Goss voices were added at post-production instead of using the original recordings. It's not awful, and it compares favourably with some more suspect re-dubs, but it's still glaringly obvious that most characters are not being voiced by the original actors, and that the voice-over wasn't done in sync with the film, it was done off in some studio somewhere with just a script. If you think you can put up with that better than I did (I couldn't help wincing during certain scenes, such was the complete disconnection between dialogue and on-screen action) add a point to the score, and if you don't watch subs, add two. That's the best way to approach it really.

Basically Silver Hawk is really good fun, a cool superhero movie with a great heroine played by a great actress. It's fast, funny and has really good fight scenes, but you could get put off by the awkward dub. It's good enough that I think it's worth the effort, and I'll definitely be watching it again soon.