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Le talisman

Titre original : Tian mai zhuan qi
  • 2002
  • PG-13
  • 1h 43min
NOTE IMDb
4,6/10
1,8 k
MA NOTE
Michelle Yeoh in Le talisman (2002)
ActionAventureRomanceArts martiauxAventure dans le désert

Ajouter une intrigue dans votre langueA sister and brother, the last heirs of a family of acrobats, are called upon by a Buddhist monk sect to retrieve an artifact that their ancestors have protected throughout the ages.A sister and brother, the last heirs of a family of acrobats, are called upon by a Buddhist monk sect to retrieve an artifact that their ancestors have protected throughout the ages.A sister and brother, the last heirs of a family of acrobats, are called upon by a Buddhist monk sect to retrieve an artifact that their ancestors have protected throughout the ages.

  • Réalisation
    • Peter Pau
  • Scénario
    • Julien Carbon
    • Thomas Chung
    • Laurent Courtiaud
  • Casting principal
    • Michelle Yeoh
    • Ben Chaplin
    • Richard Roxburgh
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,6/10
    1,8 k
    MA NOTE
    • Réalisation
      • Peter Pau
    • Scénario
      • Julien Carbon
      • Thomas Chung
      • Laurent Courtiaud
    • Casting principal
      • Michelle Yeoh
      • Ben Chaplin
      • Richard Roxburgh
    • 38avis d'utilisateurs
    • 16avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 2 nominations au total

    Photos12

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    Rôles principaux62

    Modifier
    Michelle Yeoh
    Michelle Yeoh
    • Pak Yin Fay
    Ben Chaplin
    Ben Chaplin
    • Eric
    Richard Roxburgh
    Richard Roxburgh
    • Karl
    Sihung Lung
    Sihung Lung
    • The Monk-Dun Huang
    Brandon Chang
    Brandon Chang
    • Pak Yeuk Tong
    Margaret Wang
    Margaret Wang
    • Lily
    Dane Cook
    Dane Cook
    • Bob
    Emmanuel Lanzi
    • Draco
    Kenneth Tsang
    Kenneth Tsang
    • Ping
    Gabriel Harrison
    • Sam
    • (as Gabriel Hoi)
    Winston Chao
    Winston Chao
    • Yin's Father
    Zhenhai Kou
    Zhenhai Kou
    • Silvio
    Changsheng Liu
    Changsheng Liu
    • Pang
    • (as Chang Sheng Liu)
    Hua Qin
    • Fat-Wah
    Sua Lang Rao Deng
    • The monk - 700 Yrs. Ago
    Dawangdui
    • Tibet Senior Lamas
    Ya Dong Duo Ji
    • Tibet Senior Lamas
    Zhong Bian Ba Ci Ren
    • Tibet Senior Lamas
    • Réalisation
      • Peter Pau
    • Scénario
      • Julien Carbon
      • Thomas Chung
      • Laurent Courtiaud
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs38

    4,61.8K
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    10

    Avis à la une

    4thr33penny

    Michelle Yeoh is better than her movies

    After TOMORROW NEVER DIES Michelle Yeoh was on top of the world. But instead of continuing her Hollywood career (which knowing Hollywood would have been restricted to very stereotypical Asian woman roles anyway), she began her own new production company and launched THE TOUCH, an Indiana Jones like caper, as her first picture. International distributors lined up around the block to get dibs on this hot property, shot mostly in English to get that international angle. But what was finally released was poorly paced by director Peter Pau, who seems unable to bring energy to a scene to save his life, and saddled with the worst CGI effects I have seen in any movie in a long, long time. The retro-oriental adventure concerns a map which reveals the location of some magic Tibetan artifact which looks like a glowing snow-cone, and retrieval of the artifact by Yeoh's family of acrobats, specially trained through many generations for that purpose. Hint to the filmmakers: When making a movie about a band of acrobats, please cast people who can actually do a little acrobatics. Instead, we have the likes of newcomer Brandon Chang, who not only does not seem capable of a somersault, is a terrible actor to boot. Ben Chaplin is Yeoh's love interest, and Richard Roxburgh is the British bad guy. Although improving the CGI won't improve the bad acting and plodding direction, maybe it would fix the climactic ending, in which fire, stone, rope, and bodies in motion all absolutely refused to obey any known laws of physics. Michelle Yeoh deserves better than starring in her own vanity pictures.
    ruriks

    An amazing film !!

    I just saw The Touch at a theater here in China. That movie is fantastic !! Michelle Yeoh is great, amazingly charismatic, beautiful, and a remarkable martial artist. Ben Chaplin is great too, really at ease and perfectly believable. the movie itself is an amazing adventure flick, very funny by moments, and with an intense ending. Don't miss it, really !
    6unbrokenmetal

    Genre movie without big surprises

    "The Touch" is an adventure movie in the tradition of "Raiders of the Lost Ark". It tells the story of a Chinese family of artists who specialized in difficult jumps for many generations. Only such a jump, seeming impossible to anyone else, will make it possible to obtain a holy treasure. Two family members are kidnapped by a treasure hunter (Richard Roxburgh) to get the treasure for him. Yin (Michelle Yeoh), being the head of the family after the demise of her father, pursues them into the desert.

    Genre movie without big surprises, but well made (except for the final fight which looks like computer game inspired green screen effects), featuring a female star who successfully avoids any Lara Croft similarities and uses her scarf both as a weapon and a swing rope. "The Touch" was shot in places where nobody else was allowed to film before. The landscapes of Tibet are impressive and make the movie more memorable than the thin plot deserves.
    5vw_hk89

    "Just" average

    As a fan of Yeoh's films, I desperately felt I needed to see this film, I was impressed with the trailer but then it all led to disappointment when I saw the film. I was aware that the film was receiving bad reviews but when I saw it, it was not as bad as I thought it was but there were some major faults.

    The use of incredible locations in the film was a plus, the story line sounded perfect for an adventure film and there was that wonderful combination of action, romance and comedy

    I felt that one of the main flaws with the film was the ensemble of actors; though they do look good in their roles, the way they portrayed their characters was rather poor.

    Yeoh's performance was not of a satisfactory level, but provided she got to use some martial arts in the film, I was happy.

    Ben Chaplin, who plays Eric,provides most of the comic relief for the film, particularly when he attempts to sing a love song in Mandarin Chinese but forgets the words half way through the song. I am still wondering whether the character Bob was even meant to be funny at all as he was just pathetic throughout the film.

    Brandon Chang and Margaret Wang who play Lily and Tong are newcomers, of all the actors in the film, their performances were the most disappointing; my reason is mainly that when they spoke, it sounded as if they were on a "lets talk English programme", they were expressionless and bland with their acting.

    Another flaw was the use of special effects in the film, particularly in the climax that takes place in the burning cave, at the beginning of the scene, the flames looked real, but whoever was in charge of the cinematography made a huge mistake after applying the flames because the fire looked incredibly fake afterwards as well as a list of other faults concerning the CGI.

    Despite the faults outweighing the good points, I did enjoy the film, but it was merely average.
    4devinabellon

    Crouching Tiger and the Last Crusade

    Unoriginal, poorly produced, poorly acted, and ultimately disappointing, this film takes the beautifully orchestrated acrobatic moves of Crouching Tiger (not to mention the leading lady), but executes them with an awkwardness surpassed only by the overused blue-screen and computer-generated special effects. Some of the action scenes were well done, but as a whole, it failed to bring anything more than what most low-grade action films offer.

    The many attempts to inject humor into the film, via the classic "moronic American idiot" who bumbles around the film acting like he just left the set of latest Police Academy installment, is so out of place that it annoyinging disrupts the flow of the film and leaves the audience to wonder, "what the hell is that guy doing in this movie?"

    Perhaps most disappointing were the performances of the two lead characters, who after promising roles in "Crouching Tiger" and "Birthday Girl" seemed to have settled for whatever script was tossed their way.

    I rated this film a 4. It was compelling enough that I stayed to see the ending, but in the end, I wish that I hadn't. Utterly forgettable and disappointing...

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The film marked Basil Poledouris' final theatrical film he composed in his lifetime.
    • Citations

      Eric: Look, I only steal from the rich.

      Pak Yin Fay: Only because the poor don't have anything worth taking.

      Eric: There's an element of truth to that.

    • Versions alternatives
      Gala Film Distribution handled the distribution in Hong Kong and Solar Pictures in the Philippines for a 2002 theatrical release. Miramax also bought the rights to the film in 2002, removing 20 minutes of footage for a 83-minute version for 2003 and 2004 US theatrical releases, and completed the special effects CGI scenes. The theatrical release was shelved and instead was released via Netflix and Aol On network; it was released on DVD in 2009.

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    FAQ17

    • How long is The Touch?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 13 août 2003 (France)
    • Pays d’origine
      • Chine
      • Hong Kong
      • Taïwan
      • Japon
    • Site officiel
      • Mythical Films (United Kingdom)
    • Langues
      • Anglais
      • Mandarin
    • Aussi connu sous le nom de
      • The Touch
    • Lieux de tournage
      • Pékin, Chine
    • Sociétés de production
      • Aruze
      • China Film Co-Production Corporation
      • Han Entertainment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 20 000 000 $US (estimé)
    • Montant brut mondial
      • 2 262 168 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 43min(103 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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