[go: up one dir, main page]

    Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
  • FAQ
IMDbPro

Baise-moi

  • 2000
  • 16
  • 1h 17min
NOTE IMDb
4,5/10
19 k
MA NOTE
POPULARITÉ
4 280
2 642
Raffaëla Anderson and Karen Lancaume in Baise-moi (2000)
Psychological DramaCrimeDramaThriller

Victime d'un viol mortifiant, Manu et sa copine Nadine partent en vrille dans une dérive anti-mecs sanglante ; les deux filles échouent dans les Vosges au bout du bout du monde ; scènes clin... Tout lireVictime d'un viol mortifiant, Manu et sa copine Nadine partent en vrille dans une dérive anti-mecs sanglante ; les deux filles échouent dans les Vosges au bout du bout du monde ; scènes cliniques de cul et de meurtres, sans un milligramme de complaisance. [255]Victime d'un viol mortifiant, Manu et sa copine Nadine partent en vrille dans une dérive anti-mecs sanglante ; les deux filles échouent dans les Vosges au bout du bout du monde ; scènes cliniques de cul et de meurtres, sans un milligramme de complaisance. [255]

  • Réalisation
    • Virginie Despentes
    • Coralie Trinh Thi
  • Scénario
    • Virginie Despentes
    • Coralie Trinh Thi
  • Casting principal
    • Raffaëla Anderson
    • Karen Lancaume
    • Céline Beugnot
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,5/10
    19 k
    MA NOTE
    POPULARITÉ
    4 280
    2 642
    • Réalisation
      • Virginie Despentes
      • Coralie Trinh Thi
    • Scénario
      • Virginie Despentes
      • Coralie Trinh Thi
    • Casting principal
      • Raffaëla Anderson
      • Karen Lancaume
      • Céline Beugnot
    • 256avis d'utilisateurs
    • 75avis des critiques
    • 35Métascore
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 nominations au total

    Vidéos1

    Official Trailer
    Trailer 1:20
    Official Trailer

    Photos149

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 141
    Voir l'affiche

    Rôles principaux37

    Modifier
    Raffaëla Anderson
    Raffaëla Anderson
    • Manu
    Karen Lancaume
    Karen Lancaume
    • Nadine
    • (as Karen Bach)
    Céline Beugnot
    • La blonde au billard
    Adama Niane
    • Le garçon au billard
    Christophe Claudy Landry
    • Le mec au comptoir
    Tewfik Saad
    • Le serveur bar
    Delphine McCarty
    Delphine McCarty
    • La colocataire
    Ouassini Embarek
    • Radouan
    Patrick Kodjo Topou
    Patrick Kodjo Topou
    • Wanted
    • (as Patrick-Kodjo Topou)
    Simon Nahoum
    • Su copain
    Karim Chala
    • Su copain
    Lisa Marshall
    • La copine de Manu
    Hacène Beddrouh
    • Le frère de Manu
    Patrick Eudeline
    Patrick Eudeline
    • Francis
    Ian Scott
    Ian Scott
    • Mec 1 viol
    Philippe Houillez
    • Mec 2 viol
    Steven Jhonsson
    • Mec 3 viol
    Gil Stuart
    • Le client Nadine
    • Réalisation
      • Virginie Despentes
      • Coralie Trinh Thi
    • Scénario
      • Virginie Despentes
      • Coralie Trinh Thi
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs256

    4,519.1K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    3RJBose

    Coarse and Crude: the Film as Well as Its Subjects

    I first saw a poster advertising this film on a street in Helsinki, Finland in June of 2000. What caught my attention was the proud proclamation advising all readers that the movie, although itself French, had been "Banned in France". Upon returning home to New York, I discovered that one of the "Art House" movie theaters in the City was screening the film, and so (with my Finnish fiancee) decided to see what all the fuss was about. Boy, did we ever.

    From the comments read here, and the reviews I knew the movie was violent and sexually explicit. Not necessarily offended by either of these two conditions, I went with an open mind to see what had perturbed the sensibilities of our Gallic cousins. Presumably, as anyone who is reading this will know, the story involves two women who embark on a crime and murder spree in France (the movie has English subtitles). The resemblance to "Thelma and Louise" however, ends with that; the sex is unusually graphic (and in copious supply) as is the violence (a lot of stomping to death, and a lot of blood and other organic matter splattering after bullet impact).

    On an intellectual level, one could make the case that the film's very essence is the relationship of sex and violence (as manifested by the only sex these women know: one is a small-time prostitute, and the other has earned money from time to time by performing in pornographic films. When they, during their descent into crime and murder, have the upper hand over their sexual situations, they react only with the same violence and brutality that they themselves know and understand. It is important to note, however, that the victims of their rampage are not only creepy men interested in creepy sex, (of which there are several)but innocent passersby, a woman at an ATM, for example, as well.

    I myself do not really understand why the repeated "porn-movie" shots were all that necessary, (except to depict the physical contact as cruel, unpassionate and debased) and the unrelenting gore did get rather tedious after the first few violent spasms.

    It is a coarse and crude movie, but in fairness, it is dealing with coarse and crude people and equally unpleasant circumstances. From one point of view, the lives of the French underclasses is explored, and it's pretty grim; a travelogue for France it definitely is not- perhaps that's why the French banned it.
    4armando_mariani

    "Requiem" for a Pornstar.

    I've seen "Baise-Moi" on DVD several weeks ago. The movie made also a short run in Adult Theaters here in México City as "Viólame!" but I don't think it scored high. I enjoy a "pretty strong stomach" and, with the years passing by, I became more open-minded and tolerant (thank God something good comes also with the aging process...). The movie contains a graphic rape sequence, a few more explicit sex scenes and "tons" of gore and violence, without being able to deliver a message. Perhaps it was supposed to be just a provocative movie but, the violence in particular, remains almost unexplained and gratuitous and, therefore, it can only be considered pure exploitation. Graphic depiction of violence and sex in movies absolutely don't offend me (on the contrary, if well done and essential to the plot, I surely like it), but I wasn't very impressed by this one. I mostly agreed with the comment posted on IMDb so, I didn't feel any interests in posting another comment, since there was not much else I could say. However, last week, I heard on the radio, while listening to a variety program which deals with music and movies, that on January 28th, Karen Lancaume aka Karen Bach, "Nadine", one of the two main characters of this movie, took her own life at age 31. A suicide news note is always a sad note but the suicide of a person who has gained certain notoriety, usually (and unfortunately) stirs-up a process of exploitation based on bad publicity and I wouldn't be surprised at all, if the movie would make another run in theaters and the sales of the DVD would benefit of an important boost. How sad! Poor "exploited" Karen; she surely was a pretty lady and perhaps even a fine person but, at age 31, in spite of being still a young woman, she already passed "prime-time" which for an "Adult Movie Star" (that's what she was whit 28 porn-vids and one main-stream movie, also classified as porn, in her résumé), is just about around that age. The porn industry system is allegedly very cruel and burns-up those girls, who decide to go for it, very quickly. The competition of new young "hungry" starlets perhaps became unbeatable and unbearable for her or else... We shall never know why she did it; we can only guess she was profoundly unhappy and severely depressed. I wish (and I hope I'm not the only one), she has now finally found the peace and happiness she couldn't find in life. Karen: "REQUIESCAT IN PACEM"!
    4jeroenberndsen1

    a sexual and violent experience....but a very nice one

    Maybe it's because I live in Holland and have a very open mind to sex, drugs and well, maybe not to murder but I was not that shocked.

    Of course the rape scene was a bit hard and did not leave much to your imagination, but the rest.... Me and my girlfriend were just entertained by the rest of the movie.

    I just read some other 20 user comments and I was in fact shocked by those. Prudish americans and british telling you that it is shocking and garbage and so on. A 5.0 average makes also clear that most of the people are still filled with tabboos.

    Big erections and mindless sex.... so what? shooting people up there arse? surely I'd prefer that compared to what happens to the guy that rapes marsellus wallace in Pulp Fiction.

    Indeed this was a low budget movie and the camerawork was perhaps of poor quality but it suits the pic. As a student indeed a search for reasons and meaning and I find it hihgly irritating that some people complain about things left unexplained. What are you? Can't you think and maybe even guess for yourselves? Does everything have to be explained?

    We both liked it and surely I understand this is not a movie for everyone. I think more of it as an experimental piece of work, seek your own reasons for what they are doing, enjoy this wild ride and if you persist in having a monumentuous storyline, oscar performances and so on, and you are not specifically entertained by x rated sex, lots of blood and the socalled 'holes' in this story then....

    Just don't watch this movie!!!!

    The backside of the DVD or VHS gives plenty of clues that this is a controversial movie and when you have an open mind and like these kind of movies, i recommend it.

    We give it a 7.0
    Reggie_Charan

    Definitely not for everyone

    Don't be swayed by all the negative comments, Baise Moi is a worthwhile film. Yes the sex is explicit, and much of the violence simply pointless, but underneath it all remains a compelling vision of two people on a road trip to hell. Both leads may come from porn, but their acting skills are totally credible. One of the most nihilistic movies ever made.
    Rathcoole

    It's got nobs in and I don't mean rich people

    Baise-moi is the second example of the recent French Graphic Rape Wave of cinema. Like a skanky French Natural Born Killers but without the talent, irony or indeed entertainment, the heavy-handed symbolism and maddening acting should have you turning off after the first 40 minutes. You continue to watch however, mainly though a fascination as to how far the director is willing to push the boundaries of good taste in order to convince us of his point. Something to do with society raping people and by-products of the system, a reflection of the perversity at the root of civilisation, monkeys with guns and Girl Power.

    Joining the sensational release of Irreversible, with its centrepiece a nine minute rape scene, it could look to some that modern French cinema had found itself in a quandary, desperately seeking its next big theme in the rapidly thinning file of the last taboos. Thankfully, L'Homme du train dispelled those fears,at least for now. And maybe just two films don't make a wave, perhaps just a ripple.

    However, nothing changes the fact that when the closing credits finally arrived, I was angry. Because it was rubbish. Not a patch on the glory of La Haine which dealt with a similar rage, but with far more heart and intelligence. Baise-Moi also has the worst soundtrack ever. I've got to stop wasting my life watching all these terrible films.

    Vous aimerez aussi

    LelleBelle
    5,4
    LelleBelle
    Romance
    5,2
    Romance
    9 Songs
    4,8
    9 Songs
    La donna lupo
    4,3
    La donna lupo
    All About Anna
    4,3
    All About Anna
    Clip
    5,6
    Clip
    Now & Later
    5,1
    Now & Later
    Ma mère
    5,0
    Ma mère
    Diet of Sex
    4,3
    Diet of Sex
    We Are the Flesh
    4,7
    We Are the Flesh
    Pola X
    5,7
    Pola X
    Fallo!
    4,9
    Fallo!

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In Canada, the Ontario Film Review Board originally banned the film because it was too pornographic. The film was re-submitted under a pornographic license, and banned because it was too violent. By then, it had been selected for the Toronto Film Festival, and was approved in British Columbia and Québec. On March 8, 2001, the Ontario Film Review Board approved the film, with an R rating.
    • Gaffes
      (at around 40 mins) They shoot the gun shop owner in broad daylight and no one outside hears the gunshots.
    • Citations

      Manu's friend: [after Manu and her friend are brutally raped]

      [crying]

      Manu's friend: How could you? How could you have let them do that to you? How could you do that?

      Manu: It's nothing to what they could have done. At least we're still alive.

      Manu's friend: How could you... how could you say that?

      Manu: I can say it because I don't give a flying fuck about their faggot dicks anyway! I've taken others inside me, so fuck them! It's like if you park a car in the middle of the city, you don't leave your treasures inside if you can't stop people from taking it. I can't stop assholes from going inside my pussy, but I didn't leave anything valuable in it.

    • Versions alternatives
      Although rated 18, the UK theatrical release was cut by 10 seconds by the BBFC, removing a shot of sexual penetration during an early rape sequence. In addition to the cuts to the theatrical release, the UK DVD also cut out an additional 2 seconds. This occurs when a man gets a gun stuck up his anus. In 2013, all previous cuts were waived by the BBFC for the DVD release distributed by Arrow Film.
    • Connexions
      Edited into Die Geschichte des erotischen Films (2004)
    • Bandes originales
      Ouvre-Moi
      Written and Performed by Virago

      With kind permission from Vicious Circle

      (P) Pan-Européenne Musique

      ©2000 Pan-Européenne Musique

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    FAQ

    • How long is Baise-moi?
      Alimenté par Alexa
    • What are the differences between the British BBFC 18 Version and the Original Version?

    Détails

    Modifier
    • Date de sortie
      • 28 juin 2000 (France)
    • Pays d’origine
      • France
    • Langue
      • Français
    • Aussi connu sous le nom de
      • Viólame
    • Lieux de tournage
      • Marseille, Bouches-du-Rhône, France
    • Sociétés de production
      • Toute Premiere Fois
      • Canal+
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 420 224 $US
    • Montant brut mondial
      • 940 944 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 17 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby SR
    • Rapport de forme
      • 1.66 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    Raffaëla Anderson and Karen Lancaume in Baise-moi (2000)
    Lacune principale
    What is the Japanese language plot outline for Baise-moi (2000)?
    Répondre
    • Voir plus de lacunes
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.