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Now & Later

  • 2011
  • Unrated
  • 1h 39min
NOTE IMDb
5,1/10
2,4 k
MA NOTE
POPULARITÉ
4 281
155
Now & Later (2011)
Angela (Shari Solanis) is an illegal Latina immigrant living in Los Angeles who stumbles across Bill (James Wortham), a disgraced banker on the run. She takes him in. Through passionate sex, soul-searching conversations ranging from politics to philosophy, and other worldly pleasures, Angela introduces Bill to another worldview. As their affair heats up, the course of Bill's life begins to take an abrupt and unexpected turn.
Lire trailer2:36
1 Video
6 photos
Drama

Angela, immigrante clandestine à Los Angeles, tombe sur Bill, un banquier en fuite, qui, à travers le sexe, les conversations politiques, la philosophie et d'autres plaisirs mondains, lui fa... Tout lireAngela, immigrante clandestine à Los Angeles, tombe sur Bill, un banquier en fuite, qui, à travers le sexe, les conversations politiques, la philosophie et d'autres plaisirs mondains, lui fait découvrir une autre vision du monde.Angela, immigrante clandestine à Los Angeles, tombe sur Bill, un banquier en fuite, qui, à travers le sexe, les conversations politiques, la philosophie et d'autres plaisirs mondains, lui fait découvrir une autre vision du monde.

  • Réalisation
    • Philippe Diaz
  • Scénario
    • Philippe Diaz
  • Casting principal
    • Keller Wortham
    • Shari Solanis
    • Luis Fernandez-Gil
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,1/10
    2,4 k
    MA NOTE
    POPULARITÉ
    4 281
    155
    • Réalisation
      • Philippe Diaz
    • Scénario
      • Philippe Diaz
    • Casting principal
      • Keller Wortham
      • Shari Solanis
      • Luis Fernandez-Gil
    • 15avis d'utilisateurs
    • 21avis des critiques
    • 24Métascore
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Now & Later
    Trailer 2:36
    Now & Later

    Photos5

    Voir l'affiche
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    Rôles principaux48

    Modifier
    Keller Wortham
    Keller Wortham
    • Bill
    • (as James Wortham)
    Shari Solanis
    • Angela
    Luis Fernandez-Gil
    Luis Fernandez-Gil
    • Luis
    Adrian Quiñonez
    Adrian Quiñonez
    • Diego
    • (as Adrian Quinonez)
    Marcellina Walker
    • Sally
    Anas Khalaf
    • Clinic Doctor #1
    Kenneth Alan James
    • Clinic Doctor #2
    Antonieta Velasquez
    • Flower Lady
    Hernaldo Guiterrez
    • Eddie
    Greg Arrowood
    • Police #1
    Mary Keeler
    • Police #2
    Bo Ballentine
    • Worker
    Jose Gonzalez
    • Worker
    Elias Jauregruif
    • Worker
    Erwin Elian Arauz
    • Restaurant Patron
    Danila Cabrera
    • Clinic Patron
    Hugo Cabrera
    • Clinic Patron
    Maria Cabrera
    • Clinic Patron
    • Réalisation
      • Philippe Diaz
    • Scénario
      • Philippe Diaz
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs15

    5,12.4K
    1
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    10

    Avis à la une

    8daliou

    Deserves watching and reflection

    Comparing the movie to the critic reviews is like talking about another film: this very true and provocative cinematique angle is nearly a threat to todays society, just because it is honest enough. Unlike what is written in the other user reviews, I think that the explicit sex scenes are NOT the main reason why this film has been chopped up by the critics, but they eventuallly add up to all its superficially called "negative points". Briefly:

    1. The sex scenes: it is true that a sexually repressed society will eventually turn out being violent and its people being miserable. The film underlines the oxymoron of how we are "taught" to hypocritically "hide" our need for sex and love, as if it is something bad and anethical, whereas in the end, if openly cultivated, leads to self-fulfilment, joy and mental balance. And reduces hatred and violence.

    2. The social point of view: The two leads are surrounded by poverty, social discrimination and injustice in what we think is our "modern equal world". And their relationship is indeed determined by those differences, as they both serve as representatives of two opposite social classes, the upper-class banker and the illegal immigrant. Poverty IS a reality and people ARE being exploited to death for others to consume and win millions. And the film cares to remind us that even if the two protagonists don't exist in reality, there are many many people who are like them.

    3. The "we are the heroes" part: now this is a turning point in the film. Sadly enough, politics ARE a way of expressing power and greediness, and some countries/ people are the unlucky victims. The main lead, as a former banker, a former "master of the universe", approaches the most painful part of the movie, the realisation that our political leads may not be so "saint" at all, that our country may have erred, that wars are being provoked just for the profit, that a poor country's future may be a toy in the hands of those who are in power (financially and politcally), that people die for others to get richer etc... All those are issues we are trying to forget or neglect or doubt, and this film makes us look straight up to them, or at least it tries.

    Some would rather look straight up to the provocative sex scenes, there is, though, i think, a natural coherency between all the issues addressed by the film (the sex, the politics, the freedom, the social critic) that lead up to a compact, intimate and philosophical end result.

    P. S. Give it a try and watch it, with honesty and open mindedness. As all authentically non-Hollywood approaches, the characters in this film are not the great heroes we have to admire and immitate. We merely learn from them. Besides, for instance, I don't see why the sexual theme in "Vicky, Chrsistina, Barcelona" should be more justifiable, less shocking or "intellectual" enough to win an oscar and get plenty of praising critic reviews.
    10chris-chasely

    Powerful movie

    This movie is an amazing movie, depicting intense varied emotions. It encapsulates liberation and freedom along with spirituality which is so much the essence of humanity. I found the sex to be so much a natural part, yet which is so often regarded as 'unnatural'to show in our society. The movie really teaches one to get in touch with his own spirituality instead of the dogma we have created for ourselves. A really powerful and enchanting movie, added by the superb acting by Shari Solanis - an actor with unparell emotional appeal. All in all, a must watch movie with kudos to the director and producer and the rest of the cast as well. Definitely 10 points - more if possible.
    4petkovalora

    Presence is the only thing we have...

    I liked the film very much. The whole story unfolds under the echo of the word "now". Now we live, love, die, fall and rise. Past is too far and future is hidden behind the dreams. It is such a relief when you realize that the only constant thing in life is the inconstancy. And there is no time enough for regrets and despair, no time for loosing yourself in the cave of greed for getting more and more. You should appreciate every single moment and never forget it is a gift.

    The main actors managed to inspire all these thoughts. Same feelings inspired the music and some camera decisions. I liked the scene with the bird-kite. And about the sex scenes I find them erotic, not vulgar or rude.
    10politfilm

    A sexually repressed society will resort to violence

    At the very beginning we are welcomed with Wilhelm Reich's quote: "A sexually repressed society will resort to violence". He is an international trader - a speculator who grew up in a typical American family devoted to power and success. She is an illegal immigrant from Nicaragua, and works as a volunteer in a free clinic. When they meet it's a collision of worlds (quite literally) with plenty of sex and conversations about politics, philosophy, and other worldly pleasures. This movie very effectively raises its voice against the culture in which violence is considered to be top-notch entertainment, while sex is taboo and shame.
    10rodnywww

    Good film

    This is a very good film. I totally liked it. The plot is different; but one of the best I have every found.I specially liked the leading actress; not just because she is good looking; but because she is a talented actress. She does a great job to attract viewers to the film. The leading actor is also a talented person. He is totally justifying his character. This story is actually making us to think twice about our fast faced life. It influence us to explore the true meaning of life and living. Aren't we all chasing after a dream? Which sometimes making us nothing but zombies who don't have hearts. This film is one of the best I have ever watched. I recommend for anybody who has time to watch a film with patient.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Shari Solanis said the sex in the movie was all simulated except one scene. "We kept it professional. We didn't want the dynamic or energy of porn. It was all simulated except the blowjob scene - but that was it. It was not about [porn]. It was about showing a slice of life, and sex being very natural. We tried to capture that and not be exploitative," she said.
    • Gaffes
      Even assuming that Anglea has some kind of off-screen arrangement/lease with the building owner(s) to make her residency on the roof legitimate, that is not the only factor that makes her situation untenable. Rain is admittedly sometimes rare in the Los Angeles area, but it is certainly not unheard of, and Angela seemingly has no provision whatsoever for protecting all of her rooftop possessions from being ruined every time it rains, or whenever some other inclement weather occurs.
    • Citations

      Bill: You know, when I was a teenager, we used to say, "Life's a bitch and then you die." I guess I'm beginning to understand what it means.

      Angela: Well, we say the same thing, but at the end we had it, so fuck the bitch.

    • Bandes originales
      Ana Touiri
      Performed by Fadhéla Dziria

      Written by Al-habib Hachlafe

      Composed by Haddad Al-Jilali

      Edition de la paix / Royal Music

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    FAQ14

    • How long is Now & Later?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 18 février 2011 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • Official Amazon Site
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Şimdi ve Sonra
    • Lieux de tournage
      • Los Angeles, Californie, États-Unis
    • Sociétés de production
      • Cinema Libre Studio
      • Imago-Creata
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 1 808 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 1 516 $US
      • 20 févr. 2011
    • Montant brut mondial
      • 1 808 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 39 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.78 : 1

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