Angela, immigrante clandestine à Los Angeles, tombe sur Bill, un banquier en fuite, qui, à travers le sexe, les conversations politiques, la philosophie et d'autres plaisirs mondains, lui fa... Tout lireAngela, immigrante clandestine à Los Angeles, tombe sur Bill, un banquier en fuite, qui, à travers le sexe, les conversations politiques, la philosophie et d'autres plaisirs mondains, lui fait découvrir une autre vision du monde.Angela, immigrante clandestine à Los Angeles, tombe sur Bill, un banquier en fuite, qui, à travers le sexe, les conversations politiques, la philosophie et d'autres plaisirs mondains, lui fait découvrir une autre vision du monde.
- Réalisation
- Scénario
- Casting principal
Keller Wortham
- Bill
- (as James Wortham)
Adrian Quiñonez
- Diego
- (as Adrian Quinonez)
Avis à la une
The male lead in this film is a doctor in real life and apparently quite accomplished in a number of fields. What he is doing in this miserable piece of tripe is beyond me. This guy must really want to be an actor which would be great if he could only act which he cannot. He's tall, dark and handsome and sports quite a package which is shown in all its glory, yet you never really believe this guy because he cannot stop being a doctor. There's even a scene where he's in bed with another man as well as a woman and even then it's almost as though he's in an examining room. When he takes hold of the other fellow's appendage I fully expected him to pull out some medical instrument to deal with the matter, but he does not. Yet one has the distinct feeling that the slab of beef in his hand is simply there for examination and nothing else. The female lead in this film is almost beside the point, playing second fiddle to the doctor's package which gets most of the attention in the film.
I liked the film very much. The whole story unfolds under the echo of the word "now". Now we live, love, die, fall and rise. Past is too far and future is hidden behind the dreams. It is such a relief when you realize that the only constant thing in life is the inconstancy. And there is no time enough for regrets and despair, no time for loosing yourself in the cave of greed for getting more and more. You should appreciate every single moment and never forget it is a gift.
The main actors managed to inspire all these thoughts. Same feelings inspired the music and some camera decisions. I liked the scene with the bird-kite. And about the sex scenes I find them erotic, not vulgar or rude.
The main actors managed to inspire all these thoughts. Same feelings inspired the music and some camera decisions. I liked the scene with the bird-kite. And about the sex scenes I find them erotic, not vulgar or rude.
What can I say. Sex always sells. Good political touching. Straight up colossal waste of time. Sadly, any hardcore porno offers better acting and sex you might actually enjoy.
I could analyze this film as a critique of the American Dream and a very good one it is.
I could also point out the mass of very good social commentary and analysis of modern Western ethics.
And I'm sure the prudes will be put off by the very intimate sex scenes while the pervy types will be distracted from the story by them. So I could implore you not to let this happen and, instead, just allow these scenes to draw you into a feeling of intimacy with the characters.
I could also go on about how much the two lead actors must have put into this to bring their characters to life so vividly.
But instead I'll just say "Enjoy what is a very beautiful film on several levels".
btw I reserve 10 points for really, REALLY excellent films that stand out well above others. Otherwise I would have given this 10.
I could also point out the mass of very good social commentary and analysis of modern Western ethics.
And I'm sure the prudes will be put off by the very intimate sex scenes while the pervy types will be distracted from the story by them. So I could implore you not to let this happen and, instead, just allow these scenes to draw you into a feeling of intimacy with the characters.
I could also go on about how much the two lead actors must have put into this to bring their characters to life so vividly.
But instead I'll just say "Enjoy what is a very beautiful film on several levels".
btw I reserve 10 points for really, REALLY excellent films that stand out well above others. Otherwise I would have given this 10.
At the very beginning we are welcomed with Wilhelm Reich's quote: "A sexually repressed society will resort to violence". He is an international trader - a speculator who grew up in a typical American family devoted to power and success. She is an illegal immigrant from Nicaragua, and works as a volunteer in a free clinic. When they meet it's a collision of worlds (quite literally) with plenty of sex and conversations about politics, philosophy, and other worldly pleasures. This movie very effectively raises its voice against the culture in which violence is considered to be top-notch entertainment, while sex is taboo and shame.
Le saviez-vous
- AnecdotesShari Solanis said the sex in the movie was all simulated except one scene. "We kept it professional. We didn't want the dynamic or energy of porn. It was all simulated except the blowjob scene - but that was it. It was not about [porn]. It was about showing a slice of life, and sex being very natural. We tried to capture that and not be exploitative," she said.
- GaffesEven assuming that Anglea has some kind of off-screen arrangement/lease with the building owner(s) to make her residency on the roof legitimate, that is not the only factor that makes her situation untenable. Rain is admittedly sometimes rare in the Los Angeles area, but it is certainly not unheard of, and Angela seemingly has no provision whatsoever for protecting all of her rooftop possessions from being ruined every time it rains, or whenever some other inclement weather occurs.
- Bandes originalesAna Touiri
Performed by Fadhéla Dziria
Written by Al-habib Hachlafe
Composed by Haddad Al-Jilali
Edition de la paix / Royal Music
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- How long is Now & Later?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 1 808 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 516 $US
- 20 févr. 2011
- Montant brut mondial
- 1 808 $US
- Durée1 heure 39 minutes
- Couleur
- Rapport de forme
- 1.78 : 1
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