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Now & Later

  • 2011
  • Unrated
  • 1h 39min
NOTE IMDb
5,1/10
2,4 k
MA NOTE
POPULARITÉ
4 281
155
Now & Later (2011)
Angela (Shari Solanis) is an illegal Latina immigrant living in Los Angeles who stumbles across Bill (James Wortham), a disgraced banker on the run. She takes him in. Through passionate sex, soul-searching conversations ranging from politics to philosophy, and other worldly pleasures, Angela introduces Bill to another worldview. As their affair heats up, the course of Bill's life begins to take an abrupt and unexpected turn.
Lire trailer2:36
1 Video
6 photos
Drama

Angela, immigrante clandestine à Los Angeles, tombe sur Bill, un banquier en fuite, qui, à travers le sexe, les conversations politiques, la philosophie et d'autres plaisirs mondains, lui fa... Tout lireAngela, immigrante clandestine à Los Angeles, tombe sur Bill, un banquier en fuite, qui, à travers le sexe, les conversations politiques, la philosophie et d'autres plaisirs mondains, lui fait découvrir une autre vision du monde.Angela, immigrante clandestine à Los Angeles, tombe sur Bill, un banquier en fuite, qui, à travers le sexe, les conversations politiques, la philosophie et d'autres plaisirs mondains, lui fait découvrir une autre vision du monde.

  • Réalisation
    • Philippe Diaz
  • Scénario
    • Philippe Diaz
  • Casting principal
    • Keller Wortham
    • Shari Solanis
    • Luis Fernandez-Gil
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,1/10
    2,4 k
    MA NOTE
    POPULARITÉ
    4 281
    155
    • Réalisation
      • Philippe Diaz
    • Scénario
      • Philippe Diaz
    • Casting principal
      • Keller Wortham
      • Shari Solanis
      • Luis Fernandez-Gil
    • 15avis d'utilisateurs
    • 21avis des critiques
    • 24Métascore
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Now & Later
    Trailer 2:36
    Now & Later

    Photos5

    Voir l'affiche
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    Rôles principaux48

    Modifier
    Keller Wortham
    Keller Wortham
    • Bill
    • (as James Wortham)
    Shari Solanis
    • Angela
    Luis Fernandez-Gil
    Luis Fernandez-Gil
    • Luis
    Adrian Quiñonez
    Adrian Quiñonez
    • Diego
    • (as Adrian Quinonez)
    Marcellina Walker
    • Sally
    Anas Khalaf
    • Clinic Doctor #1
    Kenneth Alan James
    • Clinic Doctor #2
    Antonieta Velasquez
    • Flower Lady
    Hernaldo Guiterrez
    • Eddie
    Greg Arrowood
    • Police #1
    Mary Keeler
    • Police #2
    Bo Ballentine
    • Worker
    Jose Gonzalez
    • Worker
    Elias Jauregruif
    • Worker
    Erwin Elian Arauz
    • Restaurant Patron
    Danila Cabrera
    • Clinic Patron
    Hugo Cabrera
    • Clinic Patron
    Maria Cabrera
    • Clinic Patron
    • Réalisation
      • Philippe Diaz
    • Scénario
      • Philippe Diaz
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs15

    5,12.4K
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    10

    Avis à la une

    1wc1996-428-366101

    Size does matter

    The male lead in this film is a doctor in real life and apparently quite accomplished in a number of fields. What he is doing in this miserable piece of tripe is beyond me. This guy must really want to be an actor which would be great if he could only act which he cannot. He's tall, dark and handsome and sports quite a package which is shown in all its glory, yet you never really believe this guy because he cannot stop being a doctor. There's even a scene where he's in bed with another man as well as a woman and even then it's almost as though he's in an examining room. When he takes hold of the other fellow's appendage I fully expected him to pull out some medical instrument to deal with the matter, but he does not. Yet one has the distinct feeling that the slab of beef in his hand is simply there for examination and nothing else. The female lead in this film is almost beside the point, playing second fiddle to the doctor's package which gets most of the attention in the film.
    4petkovalora

    Presence is the only thing we have...

    I liked the film very much. The whole story unfolds under the echo of the word "now". Now we live, love, die, fall and rise. Past is too far and future is hidden behind the dreams. It is such a relief when you realize that the only constant thing in life is the inconstancy. And there is no time enough for regrets and despair, no time for loosing yourself in the cave of greed for getting more and more. You should appreciate every single moment and never forget it is a gift.

    The main actors managed to inspire all these thoughts. Same feelings inspired the music and some camera decisions. I liked the scene with the bird-kite. And about the sex scenes I find them erotic, not vulgar or rude.
    5andrewchristianjr

    SEX ALWAYS SELL.

    What can I say. Sex always sells. Good political touching. Straight up colossal waste of time. Sadly, any hardcore porno offers better acting and sex you might actually enjoy.
    9kimdino-1

    Ignore the distractions, just relax & enjoy this beautiful film

    I could analyze this film as a critique of the American Dream and a very good one it is.

    I could also point out the mass of very good social commentary and analysis of modern Western ethics.

    And I'm sure the prudes will be put off by the very intimate sex scenes while the pervy types will be distracted from the story by them. So I could implore you not to let this happen and, instead, just allow these scenes to draw you into a feeling of intimacy with the characters.

    I could also go on about how much the two lead actors must have put into this to bring their characters to life so vividly.

    But instead I'll just say "Enjoy what is a very beautiful film on several levels".

    btw I reserve 10 points for really, REALLY excellent films that stand out well above others. Otherwise I would have given this 10.
    10politfilm

    A sexually repressed society will resort to violence

    At the very beginning we are welcomed with Wilhelm Reich's quote: "A sexually repressed society will resort to violence". He is an international trader - a speculator who grew up in a typical American family devoted to power and success. She is an illegal immigrant from Nicaragua, and works as a volunteer in a free clinic. When they meet it's a collision of worlds (quite literally) with plenty of sex and conversations about politics, philosophy, and other worldly pleasures. This movie very effectively raises its voice against the culture in which violence is considered to be top-notch entertainment, while sex is taboo and shame.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Shari Solanis said the sex in the movie was all simulated except one scene. "We kept it professional. We didn't want the dynamic or energy of porn. It was all simulated except the blowjob scene - but that was it. It was not about [porn]. It was about showing a slice of life, and sex being very natural. We tried to capture that and not be exploitative," she said.
    • Gaffes
      Even assuming that Anglea has some kind of off-screen arrangement/lease with the building owner(s) to make her residency on the roof legitimate, that is not the only factor that makes her situation untenable. Rain is admittedly sometimes rare in the Los Angeles area, but it is certainly not unheard of, and Angela seemingly has no provision whatsoever for protecting all of her rooftop possessions from being ruined every time it rains, or whenever some other inclement weather occurs.
    • Citations

      Bill: You know, when I was a teenager, we used to say, "Life's a bitch and then you die." I guess I'm beginning to understand what it means.

      Angela: Well, we say the same thing, but at the end we had it, so fuck the bitch.

    • Bandes originales
      Ana Touiri
      Performed by Fadhéla Dziria

      Written by Al-habib Hachlafe

      Composed by Haddad Al-Jilali

      Edition de la paix / Royal Music

    Meilleurs choix

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    FAQ14

    • How long is Now & Later?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 18 février 2011 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • Official Amazon Site
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Şimdi ve Sonra
    • Lieux de tournage
      • Los Angeles, Californie, États-Unis
    • Sociétés de production
      • Cinema Libre Studio
      • Imago-Creata
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 1 808 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 1 516 $US
      • 20 févr. 2011
    • Montant brut mondial
      • 1 808 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 39 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.78 : 1

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