À bord d'un sous-marin nucléaire américain, un jeune officier en second organise une mutinerie pour empêcher son capitaine à la gâchette facile de lancer ses missiles avant de confirmer ses ... Tout lireÀ bord d'un sous-marin nucléaire américain, un jeune officier en second organise une mutinerie pour empêcher son capitaine à la gâchette facile de lancer ses missiles avant de confirmer ses ordres.À bord d'un sous-marin nucléaire américain, un jeune officier en second organise une mutinerie pour empêcher son capitaine à la gâchette facile de lancer ses missiles avant de confirmer ses ordres.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 3 Oscars
- 5 victoires et 9 nominations au total
Jaime Gomez
- Ood Mahoney
- (as Jaime P. Gomez)
Lillo Brancato
- Russell Vossler
- (as Lillo Brancato Jr.)
Ricky Schroder
- Lt. Paul Hellerman
- (as Rick Schroder)
Avis à la une
As CRIMSON TIDE opens we visit various crew members of the USS Alabama as they bid farewell to their loved ones. For one man, Lt. Cmdr. Ron Hunter (Denzel Washington), it will be his first time as second in command of a nuclear submarine. Capt. Frank Ramesy (Gene Hackman) is in charge and is not shy about letting everyone know. He is a seasoned veteran, as juxtaposed with the young idealistic Hunter. The early scenes do much to set up the main conflict of the film. For example when members of the crew discuss Carl Von Clausewitz, and his 1832 work Vom Kriege ("On War"), the intellectual showdown occurs between Ramesy and Hunter. This scene not only heightens the tension, but also reveals the different philosophies of these two men, what they believe in, why they are there. This short scene goes a long way to setting up why each of these characters are so unbending when the crisis presents itself.
The Crisis: The ship has been damaged and the EAM contact that has been received is disjointed. The Russian force (who is never very carefully explained) is fueling rockets for use against the US. That's all they know. The captain wants to surface and fire, Hunter thinks he's wrong. Factions form, but the film does a good job presenting a good argument for both desicions (although you get the sense that the film makers lean towards the "dove" side rather than the "hawks"). As tensions mount, there are various shifts in power and the crew stands divided. Every member of the crew watching as the minutes tick by, closer and closer to the final moment of truth...
Hackman is at the top of his form here as the relentlessly tough Ramesy. When given a good script with room to work, there is few better at creating a solid performance. The looks he gives, the way he uses his eyes, his speech patterns, simply wonderful to watch. Washington is just as good as Hunter, and the showdown between these two men, near the end, sends sparks flying off the screen. The rest of the cast is filled out with strong actors: Matt Craven, George Dzundza, (pre LOTR's) Viggo Mortensen, and (pre 'Sopranos') James Gandolfini.
As is well known, the script received various rewrites from Robert Towne (the Clausewitz scene), Steve Zaillian, and Quentin Tarantino (the Silver Surfer references, the scene where the crew chimes in about other submarine movies). All these different contributions blends fairly well together. The story is tough and direct, and touches on points that heighten the tension. The photography, by Dariusz Wolski (DARK CITY, THE CROW), is tight and atmospheric; Hans Zimmer's score pounding and reflective. The VIP vote, however, goes to Tony Scott, who proves himself with this film. He knows when to hold shots and doesn't rush the action (as he did with TOP GUN); he paces the film well and let's his actors work for him. CRIMSON TIDE is an entertaining and challenging film that, along with films like THE HUNT FOR RED OCTOBER and DAS BOOT, may set the high water mark (forgive the pun) for the genre. 9/10.
The Crisis: The ship has been damaged and the EAM contact that has been received is disjointed. The Russian force (who is never very carefully explained) is fueling rockets for use against the US. That's all they know. The captain wants to surface and fire, Hunter thinks he's wrong. Factions form, but the film does a good job presenting a good argument for both desicions (although you get the sense that the film makers lean towards the "dove" side rather than the "hawks"). As tensions mount, there are various shifts in power and the crew stands divided. Every member of the crew watching as the minutes tick by, closer and closer to the final moment of truth...
Hackman is at the top of his form here as the relentlessly tough Ramesy. When given a good script with room to work, there is few better at creating a solid performance. The looks he gives, the way he uses his eyes, his speech patterns, simply wonderful to watch. Washington is just as good as Hunter, and the showdown between these two men, near the end, sends sparks flying off the screen. The rest of the cast is filled out with strong actors: Matt Craven, George Dzundza, (pre LOTR's) Viggo Mortensen, and (pre 'Sopranos') James Gandolfini.
As is well known, the script received various rewrites from Robert Towne (the Clausewitz scene), Steve Zaillian, and Quentin Tarantino (the Silver Surfer references, the scene where the crew chimes in about other submarine movies). All these different contributions blends fairly well together. The story is tough and direct, and touches on points that heighten the tension. The photography, by Dariusz Wolski (DARK CITY, THE CROW), is tight and atmospheric; Hans Zimmer's score pounding and reflective. The VIP vote, however, goes to Tony Scott, who proves himself with this film. He knows when to hold shots and doesn't rush the action (as he did with TOP GUN); he paces the film well and let's his actors work for him. CRIMSON TIDE is an entertaining and challenging film that, along with films like THE HUNT FOR RED OCTOBER and DAS BOOT, may set the high water mark (forgive the pun) for the genre. 9/10.
Enjoyable, good tension, good dilemma, good cast. But:
You have a movie like this where either Washington's or Hackman's character side could be right about their course of action. The aim of the movie, ostensibly, is to present both sides and let the viewer figure out which is the correct course.
But you can't possibly side with Hackman, can you?
After all, his character goes nuts when everything starts happening. His character is possibly racist. And his character is prepared to launch nukes. Washington's character is, quite nobly, none of those things.
Ho hum. Hollywood audience manipulation at its finest.
Would it kill these writers and producers to present a dilemma movie in an intelligent fashion for once? I'd like to struggle with "who's right and who's wrong?" just once in my moviegoing life.
You have a movie like this where either Washington's or Hackman's character side could be right about their course of action. The aim of the movie, ostensibly, is to present both sides and let the viewer figure out which is the correct course.
But you can't possibly side with Hackman, can you?
After all, his character goes nuts when everything starts happening. His character is possibly racist. And his character is prepared to launch nukes. Washington's character is, quite nobly, none of those things.
Ho hum. Hollywood audience manipulation at its finest.
Would it kill these writers and producers to present a dilemma movie in an intelligent fashion for once? I'd like to struggle with "who's right and who's wrong?" just once in my moviegoing life.
Tense little action thriller on par with "The Hunt for Red October" has a nuclear submarine commander (Gene Hackman) and his new second-in-command (Denzel Washington) getting in a chess match of words and wits ala "Mutiny on the Bounty". Russian rebels may be about to launch nuclear missiles at any moment. Commands come through for Hackman to detonate the weapons from their ship, but then another message after that one which is incomplete splits the entire crew. Hackman thinks it is time to take control with aggression while Washington believes that this is way too important without knowing everything there is to know. A wide range of characters on the submarine (which includes Viggo Mortensen, Steve Zahn, James Gandolfini, Rick Schroeder, George Dzundza) must decide which of the all-world performers they are going to side with. The screenplay is mediocre really, but Hackman and Washington know how to overcome that and director Tony Scott keeps the pulse of his audience in high over-drive. Definitely an acceptable piece from the genre. 4 stars out of 5.
I love this film for it's intensity,particularly the intense relationship of the characters portrayed by Gene Hackman and Denzel Washington.They are two men at odds in the worst of situations;the possibility of war.It all involves an incomplete transmission.It could mean war,it could mean nothing at all.What do you do?You could strike your enemy before he strikes you,but would the strike be uncalled for? It's the not knowing that creates the intensity.Hackman and Washington are excellent actors,which goes without saying since they are both Oscar winners,and they play off of each other extremely well in this film. This fact alone makes it a must see,but the film's content is equally as impressive.
I saw a picture of 93 year-old Gene Hackman the other day riding a bicycle. He still has the youthful energy. I'll bet he could act if he still wanted to. We lost Michael Caine to retirement this last year and Jack Nicholson hasn't come back either. Three of the best to ever do it. Well...make that four with Denzel Washington. Hope he goes for many more years.
We don't appreciate these guys when we have them. I was a kid when this movie came out but I remember the fight between Hackman and Washington like it was 10 minutes ago. I've never seen a more intense scene. It might even be one of the best square offs in cinematic history and there's only one punch! Two of the greatest actors to ever walk the Earth and in the same scene. What a climax. Thank you Denzel and thank you to Gene Hackman. I hope you un-retire for one last go.
We don't appreciate these guys when we have them. I was a kid when this movie came out but I remember the fight between Hackman and Washington like it was 10 minutes ago. I've never seen a more intense scene. It might even be one of the best square offs in cinematic history and there's only one punch! Two of the greatest actors to ever walk the Earth and in the same scene. What a climax. Thank you Denzel and thank you to Gene Hackman. I hope you un-retire for one last go.
Le saviez-vous
- AnecdotesThe refusal of an executive officer to agree in launching nuclear weapons due to a fragment order is based on a similar incident within the Soviet Navy. During the Cuban Missile Crisis, the Soviet submarine B-59 attempted to infiltrate the US Navy blockade by running submerged. By doing so they had been out of contact for several days with Moscow at the depth they ran at. When US destroyers dropped signal depth charges to force the sub to surface, the Soviet captain, Valentin Grigorievitch Savitsky, believed war had broken out between the US and the Soviet Union. His sentiments were concurred by the on board political officer, Ivan Semonovich Maslennikov. However, Savitsky's second-in-command, Vasily Arkipov, who also was the flotilla commodore, refused. All three needed to agree before launching. Being out of contact for so long and with no clear orders, Arkipov convinced Captain Savitsky to surface and they found themselves surrounded by US destroyers. Their communication was reestablished with Moscow and they received orders to return home, thereby averting nuclear war.
- GaffesBoomers have two requirements while out on patrol: remain undetected and maintain communications. They carry as many radios as they do missiles. There is ALWAYS a backup should one fail.
- Versions alternativesThe English language version includes a scene where Lt. Cmdr. Hunter (Denzel Washington) breaks up a fight between two sailors. One of the two men tells Hunter that they were arguing over which version of the character Silver Surfer was best, the one drawn by Jack Kirby or the one by Moebius. In the Italian version the comic book character over which the two men are fighting have been changed to Betty Boop and Felix the Cat.
- ConnexionsEdited into Time Under Fire (1997)
- Bandes originalesPiano Sonata No.14 Op.27 No.2
Written by Ludwig van Beethoven
Performed by Tatiana Nikolayeva
Courtesy of Olympia Compact Discs, Ltd.
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Détails
Box-office
- Budget
- 53 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 91 387 195 $US
- Week-end de sortie aux États-Unis et au Canada
- 18 612 190 $US
- 14 mai 1995
- Montant brut mondial
- 157 387 195 $US
- Durée
- 1h 56min(116 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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