Déjà vu

I had never heard of this movie, but it appeared on cable and when I saw the cast, I figured "how bad could it be?". I thought it was terrific. Nothing of great dramatic or historical significance, of course, but who cares? Denzel is his usual infinitely watchable self, Val Kilmer is quirky with yet another interesting dialect and Adam Goldberg is fantastic. All three are smooth, assured and entertaining. A lot of posters and reviewers talked about how "unbelievable" the science fiction aspect of the plot was, but that never bothers me. Once I figure out what I'm supposed to suspend my disbelief about, I just do so and enjoy what the filmmakers are doing. I actually found this particular sci-fi plot quite intriguing and really liked having to try to follow its twists and turns through the action.

As has been said before, this is definitely a Sci Fi/ Film Noir/Action/Romance. How many of those have you come across? Highly recommended. Big fun and smart besides.

First glance of Déjà Vu's DVD cover presents what appears to be another action flick with a bunch of good looking people looking too cool for school. Not that there's anything wrong with that, they can't all be "Agent PW" (Peewee Herman), but with the oversaturation of such action flicks it's easy to let one slip past you. Then I noticed who directed this film: the late, great Tony Scott.

Tony Scott committed suicide by jumping off a bridge in 2012. We'll get to that in a minute. First let's go back in time, as this movie does (speaking of which, here's all you need to know about Déjà Vu's plot in 1 sentence: the movie opens with a tragedy in the first 5 minutes, and the remaining 121 minutes take our hero on a wild ride to unravel the truth and possibly... change it?).

Tony Scott, younger brother of Ridley Scott ("Alien", "Blade Runner", "Prometheus"), was just as stylish and atmospheric with his films. Although best known for the more mainstream "Top Gun", "Days of Thunder" and "Beverly Hills Cop II", he first turned heads with his phenomenal debut "The Hunger", which was to vampire flicks what Kubrick's "2001: A Space Odyssey" was to scifi flicks. It brought a degree of sobriety and realism to a genre dominated by fantasy and cheesy special effects. Or in other words: "sh!t gets real."

Here in Déjà Vu, we get the same sober treatment of "time travel" movies. It's not just Marty McFly flooring a suped up Delorean and cruising into the past. Rather, we are presented the somewhat credible idea of being able to observe the past in real-time, similar to the way our telescopes allow us to observe the past of stars unfolding in real-time even though they have burned out billions of years ago. That's about all we get as far as explanations which I think is good. Nobody wants to spend 15 minutes talking about flux capacitors and stuff when people are about to get killed.

The action doesn't let up for a single moment. That doesn't mean that there are continuous car chases and shootouts, but what I mean is that there's a thick air of tension that Tony Scott achieves even during quiet moments because there is always a sense of impending peril. Take the opening 5 minutes, for example. Even if you hadn't read the IMDb description (which I always advise people not to!) and even if I hadn't told you that there's a tragedy in the first 5 minutes, you can feel something is going to happen because that's what Tony Scott conveys to us from the 1st frame.

A quick word about the acting, even though it should be obvious with Denzel Washington: fantastic. He reprises his signature action role of a loner who's somewhat cynical but not above showing tremendous humanity and compassion in addition to explosive outbursts. He also adds some great comedic moments, although most of the film's comic relief is handled by the excellent Adam Goldberg (remember Chandler's psycho roommate for 3 episodes of "Friends"?) who plays the fast talking, sarcastic, pop-culture-quoting computer nerd "Denny" who throws out zingers referencing everything from "Saturday Night Live" to "Airplane!" Now back to director Tony Scott and his suicide (you thought I had forgotten).

The undisputed power of this film is carried by its mystery. I'm not just talking about whodunnit, but more importantly: whydunnit? Powerful themes of fatalism vs. free will, acceptance vs. action, and even a tasteful dose of logic vs. spiritualism are thrown at us around every corner. The result is a thriller where we can't figure out the director's strategy or motive until the very last scene. Some filmmakers are somewhat predictable (you always know Disney will end happy, you always know John Carpenter will end with a few gallons of blood). But here Tony Scott plays with his cards so close to his chest, and not only that but he fakes us out quite a few times, that your fingernails will be deeply imprinted in the armrest of your chair or the flesh of the unlucky person sitting next to you. And isn't that how Tony Scott left this world? An unexplained suicide (although some family members mentioned a secret battle with cancer, the coroner's official report showed no cancer, no serious medical conditions), the only thing that everyone could agree on was that Tony's leap from the bridge was "inexplicable". Who knows, maybe watching this film will give you some insight into the mind of the great director. Perhaps coincidentally, a bridge figures into this movie as a prominent symbol.

Who knows, maybe you just wanted to watch a run-of-the-mill action flick with a bunch of good looking people looking too cool for school. But there's so much more here. Déjà Vu will definitely make you do a double-take.

I usually like sci-fi when it's pure sci-fi. I usually like present day drama when it's believably real. Disaster, at least for me, looms large when sci-fi meets real life drama. So here we have a present day crime thriller crossed with sci-fi time travel...And, this movie kicks butt, works so well, in fact, it's nuances should be studied in film school. It's original enough to be compelling-where we are not in some distant future, but the here and now.

The story, the characters, and the effects mesh well to suspend belief to the point that you "get on-board" and enjoy the ride. This is the way to do sci-fi with believable real life situations. The cinematography, the implementation of technology, and even a beautiful (but presently dead) damsel in distress, combine to give the actors, who are uniformly good to excellent, the boost to put this in rarefied good sci-fi territory. Genre fans are shoo-ins and those who think they don't like sci-fi should enjoy this one too. 7.5 to 8 out of 10.

I'll start by saying that I was reluctant to even see this movie but after some insistence by family, I sat and watched in pure enjoyment.

Articles, reviews, trailers, TV spots, DO NOT do this film justice. Denzel Washington pulls out another great performance as well as an aged Val Kilmer. While some will point out that the plot is hard to swallow, it doesn't matter because it's wrapped up in sheer entertainment. You feel for these characters. There are no holes to be found in either the plot or it's twists. It's believable at the same time unbelievable. If you can get past the middle 20 minutes or so while they explain what the team can do, you're in for a great ride.

I can't, in three paragraphs, paint a picture like Deja Vu. Of the many films Mr.Washington has put out over the last 4 years or so, this is by far his best if not one of the best of the year.

Highly recommended for the open-minded.

Continuing my plan to watch every movie in Denzel Washington's filmography, I come to Deja Vu

If you can get on board with a lot of the technology (the ability to watch the past, through walls with audio) and time travel aspects, a lot of fun can be had with Deja Vu.

It's totally illogical, with incomprehensible definitions of how things work, and I still don't know how many time lines there were, but I recommend turning your brain off and just going with it, as it is entertaining, enough.'

Deja Vu grossed $64 million at the domestic box office and was the 42nd highest grossing movie of 2006.