Massacre à la tronçonneuse : La Nouvelle Génération
Titre original : The Return of the Texas Chainsaw Massacre
NOTE IMDb
3,4/10
28 k
MA NOTE
Un groupe d'adolescents a un accident de voiture dans les bois du Texas le soir du bal de promo, puis se promène dans une vieille ferme qui abrite Leatherface et sa famille folle de psychopa... Tout lireUn groupe d'adolescents a un accident de voiture dans les bois du Texas le soir du bal de promo, puis se promène dans une vieille ferme qui abrite Leatherface et sa famille folle de psychopathes cannibales.Un groupe d'adolescents a un accident de voiture dans les bois du Texas le soir du bal de promo, puis se promène dans une vieille ferme qui abrite Leatherface et sa famille folle de psychopathes cannibales.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Renée Zellweger
- Jenny
- (as Renee Zellweger)
Tonie Perensky
- Darla
- (as Tonie Perenski)
Lisa Marie Newmyer
- Heather
- (as Lisa Newmyer)
Tyler Shea Cone
- Barry
- (as Tyler Cone)
Avis à la une
The makers of THE TEXAS CHAINSAW MASSACRE: THE NEXT GENERATION missed a huge opportunity by not setting it to music. All the elements are there, including Matthew MCconaughey as a deranged, bug-eyed hillbilly with a remote-controlled leg, and Renee Zellweger as a "teen" victim, running, screaming, and jumping through windows!
Annnd, who could forget the 9' tall Leatherface (Robert Jacks), constantly squawking and screeching like he's on fire!
Plus, there's domestic violence as foreplay, skeletal remains as home decor that works, and an old man who just might be dead!
The dialogue simply begs to be belted out in song! Example: "You're a bona fide Mo-ron!".
Indeed, this could / should have been the next HAIR or JESUS CHRIST SUPERSTAR! Alas, we shall never know...
Annnd, who could forget the 9' tall Leatherface (Robert Jacks), constantly squawking and screeching like he's on fire!
Plus, there's domestic violence as foreplay, skeletal remains as home decor that works, and an old man who just might be dead!
The dialogue simply begs to be belted out in song! Example: "You're a bona fide Mo-ron!".
Indeed, this could / should have been the next HAIR or JESUS CHRIST SUPERSTAR! Alas, we shall never know...
Let's be frank. You don't complain to the manager of your local McDonald's when you don't get a five star meal. Guess what folks, you just ordered the value meal that's been sitting in the warmer just a little too long. The fourth installment of the Texas Chainsaw Massacre sucks... appropriately so.
Let me reiterate that this is the third sequel to the Texas Chainsaw Massacre. If anyone is still surprised that it didn't land any Oscars, please please seek help. Personally, for yet another recycled dimestore drive-in flick, I thought this one paid off quite nicely... true, the writing was just this side of atrocious (although I had heard word of an original cut of the film I have had neither the luck to procure one nor the drive to even attempt to), the acting - for the most part - was terrible, but it's still fun to single out the future stars who actually did give performances of startling quality. I must say that I enjoyed the movie for being a regurgitated horror film... I got a few good scares out of it and quite frankly some scenes flat out disturbed me. Sound design was nice, and there were quite a few decent shots here and there, making good (though endless) use of lighting through dust and fog. Editing was nothing superb but oftentimes, the better the cutting, the less we notice it. Altogether, it was a technically aware movie. Not one to expect the unexpected I wasn't disappointed with the film's shortcomings, and when you try to dissect the plot there are some pretty substantial ones. Still, a fine delivery, particularly after the style-sterile attempt of the third film.
Not the greatest film ever, but far from being the worst.
Let me reiterate that this is the third sequel to the Texas Chainsaw Massacre. If anyone is still surprised that it didn't land any Oscars, please please seek help. Personally, for yet another recycled dimestore drive-in flick, I thought this one paid off quite nicely... true, the writing was just this side of atrocious (although I had heard word of an original cut of the film I have had neither the luck to procure one nor the drive to even attempt to), the acting - for the most part - was terrible, but it's still fun to single out the future stars who actually did give performances of startling quality. I must say that I enjoyed the movie for being a regurgitated horror film... I got a few good scares out of it and quite frankly some scenes flat out disturbed me. Sound design was nice, and there were quite a few decent shots here and there, making good (though endless) use of lighting through dust and fog. Editing was nothing superb but oftentimes, the better the cutting, the less we notice it. Altogether, it was a technically aware movie. Not one to expect the unexpected I wasn't disappointed with the film's shortcomings, and when you try to dissect the plot there are some pretty substantial ones. Still, a fine delivery, particularly after the style-sterile attempt of the third film.
Not the greatest film ever, but far from being the worst.
The latest Texas Chainsaw Massacre, is absolutely no rest from the bizarre first three horror films. Leatherface here is performed just like Gunnar Hansen's take in the 1974 granddaddy of all horror films, " The Texas Chainsaw Massacre." The actors seem to overact sometimes, it's pretty corny...still the humor and craziness of the flick are entertaining, as well as the music and atmosphere. Definitely the best film of the two leading stars, who would go on to become Hollywood heartthrobs. You'll have a lot of fun if you're a horror fan who likes to see some weird B-ish stuff.
At one point, a terrorized Jenny screams "I don't understand!" And Vilmer replies "Welcome to the real world." For me, this sums up everything I like about this movie.
The TCM series has -- at the best of times -- been about random violence...usually for the sake of sensationalism. But underneath it all is the creepy realization that not everybody thinks like you do. Some of them do things which make no sense to you. When you step into their reality, you're at their mercy, and you'll never understand exactly why.
This installment plays the "why?" theme to the hilt, eventually copping out somewhat near the end when they should have just left us wondering. Darla is wonderful as Vilmer's girlfriend, alternately getting hung up about seemingly trivial things -- having a quiet dinner for a change -- and goading Vilmer into continuing their twisted, mutually abusive relationship. Vilmer himself has fantastic moments, though none of the actors quite live up to Perensky & Zellweger's standards of convincing nuttiness and terror, respectively. Though Newmyer is also great in a role which is too small.
Outside of the mayhem, there's some wonderful dialogue, especially the first few lines in the movie: the teacher who simpers around the students and then gripes, "f*** I hate kids." Heather's friend with the absolutely bizarre mannerisms explaining that the gossip-monger is just trying to cause trouble. Heather saying that they might end up slaughtered and hidden away in somebody's basement, with Sean retorting, "that's stupid, the houses around here don't have basements." And finally, my favourite line: "Too bad about her face, Leather, but you can have her shoes!"
Despite all the bad press this movie's received, I hope Kim Henkel enjoys what she created as much as I enjoy watching it. Goofy, funny, real, unreal, terrifying and witty: good job.
The TCM series has -- at the best of times -- been about random violence...usually for the sake of sensationalism. But underneath it all is the creepy realization that not everybody thinks like you do. Some of them do things which make no sense to you. When you step into their reality, you're at their mercy, and you'll never understand exactly why.
This installment plays the "why?" theme to the hilt, eventually copping out somewhat near the end when they should have just left us wondering. Darla is wonderful as Vilmer's girlfriend, alternately getting hung up about seemingly trivial things -- having a quiet dinner for a change -- and goading Vilmer into continuing their twisted, mutually abusive relationship. Vilmer himself has fantastic moments, though none of the actors quite live up to Perensky & Zellweger's standards of convincing nuttiness and terror, respectively. Though Newmyer is also great in a role which is too small.
Outside of the mayhem, there's some wonderful dialogue, especially the first few lines in the movie: the teacher who simpers around the students and then gripes, "f*** I hate kids." Heather's friend with the absolutely bizarre mannerisms explaining that the gossip-monger is just trying to cause trouble. Heather saying that they might end up slaughtered and hidden away in somebody's basement, with Sean retorting, "that's stupid, the houses around here don't have basements." And finally, my favourite line: "Too bad about her face, Leather, but you can have her shoes!"
Despite all the bad press this movie's received, I hope Kim Henkel enjoys what she created as much as I enjoy watching it. Goofy, funny, real, unreal, terrifying and witty: good job.
I can't believe this is rated as a bad film by so many. It is one of my favorites. It's pretty twisted and sick in a realistic way. Indeed it's not like the other TCMs but it's the same plot line , but completely different in a way. Mr. McConaughey has a great role and is acting like never before. Try seeing the movie and finding the good qualities instead of searching for whats bad about it like everyone else does. The psycholigy is brilliant. A must see for all !
Le saviez-vous
- AnecdotesMatthew McConaughey had just graduated college and planned on moving to California when he auditioned for this movie. He read for the part of a young motorcyclist who rescues Jenny at the end and rides off with her into the sunset (a role that was eventually eliminated). Before he left, writer / producer / director Kim Henkel asked if he knew of anyone who might be right for the role of the villain, Vilmer. McConaughey suggested two friends from acting class and left. He was about to get in his truck and drive to California when he stopped and realized, "What was I thinking?" He immediately turned around and asked Henkel, "Hey, can I audition for Vilmer?" Henkel gave him a spoon from the kitchen, told him to pretend it's a knife and tasked him with scaring his secretary. Then, in the middle of the audition, he told him to pretend his mechanical leg was malfunctioning. McConaughey was so convincing that he won the role of Vilmer on the spot.
- GaffesWhen Vilmer says to Jenny, "I asked you a goddamn question," Darla is looking inside a cabinet in the background. In the next shot she's at the table putting make-up on.
- Crédits fousIn the end credits, the "Patient on Gurney" actress was credited as ANONYMOUS.
- Versions alternativesThe Finnish video version excludes numerous scenes including violence. Cut by more than 15 minutes.
- ConnexionsFeatured in The Return of the Texas Chainsaw Massacre: The Documentary (1996)
- Bandes originalesTorn And Tied
Written by David Derrick, Jared Toten, Kyle Ellison and Sims Ellison
Performed by Pariah
Produced by Tom Werman
Killingbird Music (ASCAP)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Texas Chainsaw
- Lieux de tournage
- 16493 Cameron Road, Pflugerville, Texas, États-Unis(Family House)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 600 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 185 898 $US
- Week-end de sortie aux États-Unis et au Canada
- 28 235 $US
- 24 sept. 1995
- Montant brut mondial
- 185 898 $US
- Durée
- 1h 27min(87 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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