Massacre à la tronçonneuse : La Nouvelle Génération
Titre original : The Return of the Texas Chainsaw Massacre
NOTE IMDb
3,4/10
28 k
MA NOTE
Un groupe d'adolescents a un accident de voiture dans les bois du Texas le soir du bal de promo, puis se promène dans une vieille ferme qui abrite Leatherface et sa famille folle de psychopa... Tout lireUn groupe d'adolescents a un accident de voiture dans les bois du Texas le soir du bal de promo, puis se promène dans une vieille ferme qui abrite Leatherface et sa famille folle de psychopathes cannibales.Un groupe d'adolescents a un accident de voiture dans les bois du Texas le soir du bal de promo, puis se promène dans une vieille ferme qui abrite Leatherface et sa famille folle de psychopathes cannibales.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Renée Zellweger
- Jenny
- (as Renee Zellweger)
Tonie Perensky
- Darla
- (as Tonie Perenski)
Lisa Marie Newmyer
- Heather
- (as Lisa Newmyer)
Tyler Shea Cone
- Barry
- (as Tyler Cone)
Avis à la une
Anyone expecting oscar caliber film material when they popped this nugget in their VCR is kidding themselves.
Saying this movie sucks is similar to the people who stand in front of me at McDonald's complaining that their burger wasn't prepared properly. This aint Western Sizzlin, ya know!
So it was mindless, laughable, and possessed all of the other attributes that all TCM movies have. So what.
Can we really say that the original TCM had any kind of cinematic value. It was intense, graphic...yes. But the dialogue, (the small amount that it required) was no more cerebral than any TCM produced after.
I agree with the viewer in Baltimore that the mechanical leg was very funny. I preferred the trailer park babe who was constantly making references to her fake breasts. She was funny. The movie did go downhill with the arrival of the freak in the limo. It became very disjointed. So did all of the others, though. All TCM movies have always been about one subject...mindless violence and shock value.
If you didn't like it...fine. I was disappointed that the two main characters are embarrassed about making the movie. It's not something to be proud of, no. But it is still a piece of film that they got paid for. Also a break that they were given, as unknown actors. Just goes to show that once actors make it to the top, they forget the mere humans at the bottom, that boosted them up.
Saying this movie sucks is similar to the people who stand in front of me at McDonald's complaining that their burger wasn't prepared properly. This aint Western Sizzlin, ya know!
So it was mindless, laughable, and possessed all of the other attributes that all TCM movies have. So what.
Can we really say that the original TCM had any kind of cinematic value. It was intense, graphic...yes. But the dialogue, (the small amount that it required) was no more cerebral than any TCM produced after.
I agree with the viewer in Baltimore that the mechanical leg was very funny. I preferred the trailer park babe who was constantly making references to her fake breasts. She was funny. The movie did go downhill with the arrival of the freak in the limo. It became very disjointed. So did all of the others, though. All TCM movies have always been about one subject...mindless violence and shock value.
If you didn't like it...fine. I was disappointed that the two main characters are embarrassed about making the movie. It's not something to be proud of, no. But it is still a piece of film that they got paid for. Also a break that they were given, as unknown actors. Just goes to show that once actors make it to the top, they forget the mere humans at the bottom, that boosted them up.
I expected this film to be extremely terrible because of all the negative reviews I'd heard about it. However, in reality, I found myself to like the film in all its warped oddness, clumsy editing, confused storyline, and mediocre to bad acting. The four teens, Jenny, Heather, Barry and Sean, were all extremely annoying, so it's not like you're really rooting for them to get out alive or anything. I myself thought Heather would have been a better leading girl than Jenny - Renee Zellweger's character almost seemed to like getting chased around by Leatherface and tortured and whatnot by the other demented family members. The best actor in this movie overall would have to be Matthew McConaughey. He was excellent as the psychotic Vilmer and seemed to take over for Leatherface, who in this entry is not scary at all and spends a lot of time screaming like a woman and putting on makeup and whatnot. Matthew's role is indeed the highlight of this confused, low-budget mess. I found myself insanely turned on by his sexy, rugged presence as the movie progressed - call me sick, but hey, Renee Zellweger seemed to want some of that when he kept going after her. Other points to mention include the strange subplot involving the FBI (I'm still trying to figure that out, I just don't get it) and also how it seems that this film was originally conceived as a remake but once it got to video they are marketing it as this all new entry in the "Chain Saw" series. Not so. It adds nothing new. It's just a rehash of the original '74 classic, which is, of course, the best out of all the "Chain Saw" movies. If you like trashy type, low budget movies, you will like this. Keep in mind, it's not really bloody at all and no one is killed with a chainsaw. Another strange and frustrating point in this mess of a film.
I had a few glasses of wine and let me just tell you that this made me laugh so hard my stomach hurt. Probably not worth it if you don't have alcohol handy. By the way... Renee and Matthew have OSCARS. THEY HAVE OSCARS and they were IN THIS FILM. So , never give up, okay hunny? <3
At one point, a terrorized Jenny screams "I don't understand!" And Vilmer replies "Welcome to the real world." For me, this sums up everything I like about this movie.
The TCM series has -- at the best of times -- been about random violence...usually for the sake of sensationalism. But underneath it all is the creepy realization that not everybody thinks like you do. Some of them do things which make no sense to you. When you step into their reality, you're at their mercy, and you'll never understand exactly why.
This installment plays the "why?" theme to the hilt, eventually copping out somewhat near the end when they should have just left us wondering. Darla is wonderful as Vilmer's girlfriend, alternately getting hung up about seemingly trivial things -- having a quiet dinner for a change -- and goading Vilmer into continuing their twisted, mutually abusive relationship. Vilmer himself has fantastic moments, though none of the actors quite live up to Perensky & Zellweger's standards of convincing nuttiness and terror, respectively. Though Newmyer is also great in a role which is too small.
Outside of the mayhem, there's some wonderful dialogue, especially the first few lines in the movie: the teacher who simpers around the students and then gripes, "f*** I hate kids." Heather's friend with the absolutely bizarre mannerisms explaining that the gossip-monger is just trying to cause trouble. Heather saying that they might end up slaughtered and hidden away in somebody's basement, with Sean retorting, "that's stupid, the houses around here don't have basements." And finally, my favourite line: "Too bad about her face, Leather, but you can have her shoes!"
Despite all the bad press this movie's received, I hope Kim Henkel enjoys what she created as much as I enjoy watching it. Goofy, funny, real, unreal, terrifying and witty: good job.
The TCM series has -- at the best of times -- been about random violence...usually for the sake of sensationalism. But underneath it all is the creepy realization that not everybody thinks like you do. Some of them do things which make no sense to you. When you step into their reality, you're at their mercy, and you'll never understand exactly why.
This installment plays the "why?" theme to the hilt, eventually copping out somewhat near the end when they should have just left us wondering. Darla is wonderful as Vilmer's girlfriend, alternately getting hung up about seemingly trivial things -- having a quiet dinner for a change -- and goading Vilmer into continuing their twisted, mutually abusive relationship. Vilmer himself has fantastic moments, though none of the actors quite live up to Perensky & Zellweger's standards of convincing nuttiness and terror, respectively. Though Newmyer is also great in a role which is too small.
Outside of the mayhem, there's some wonderful dialogue, especially the first few lines in the movie: the teacher who simpers around the students and then gripes, "f*** I hate kids." Heather's friend with the absolutely bizarre mannerisms explaining that the gossip-monger is just trying to cause trouble. Heather saying that they might end up slaughtered and hidden away in somebody's basement, with Sean retorting, "that's stupid, the houses around here don't have basements." And finally, my favourite line: "Too bad about her face, Leather, but you can have her shoes!"
Despite all the bad press this movie's received, I hope Kim Henkel enjoys what she created as much as I enjoy watching it. Goofy, funny, real, unreal, terrifying and witty: good job.
Let's be frank. You don't complain to the manager of your local McDonald's when you don't get a five star meal. Guess what folks, you just ordered the value meal that's been sitting in the warmer just a little too long. The fourth installment of the Texas Chainsaw Massacre sucks... appropriately so.
Let me reiterate that this is the third sequel to the Texas Chainsaw Massacre. If anyone is still surprised that it didn't land any Oscars, please please seek help. Personally, for yet another recycled dimestore drive-in flick, I thought this one paid off quite nicely... true, the writing was just this side of atrocious (although I had heard word of an original cut of the film I have had neither the luck to procure one nor the drive to even attempt to), the acting - for the most part - was terrible, but it's still fun to single out the future stars who actually did give performances of startling quality. I must say that I enjoyed the movie for being a regurgitated horror film... I got a few good scares out of it and quite frankly some scenes flat out disturbed me. Sound design was nice, and there were quite a few decent shots here and there, making good (though endless) use of lighting through dust and fog. Editing was nothing superb but oftentimes, the better the cutting, the less we notice it. Altogether, it was a technically aware movie. Not one to expect the unexpected I wasn't disappointed with the film's shortcomings, and when you try to dissect the plot there are some pretty substantial ones. Still, a fine delivery, particularly after the style-sterile attempt of the third film.
Not the greatest film ever, but far from being the worst.
Let me reiterate that this is the third sequel to the Texas Chainsaw Massacre. If anyone is still surprised that it didn't land any Oscars, please please seek help. Personally, for yet another recycled dimestore drive-in flick, I thought this one paid off quite nicely... true, the writing was just this side of atrocious (although I had heard word of an original cut of the film I have had neither the luck to procure one nor the drive to even attempt to), the acting - for the most part - was terrible, but it's still fun to single out the future stars who actually did give performances of startling quality. I must say that I enjoyed the movie for being a regurgitated horror film... I got a few good scares out of it and quite frankly some scenes flat out disturbed me. Sound design was nice, and there were quite a few decent shots here and there, making good (though endless) use of lighting through dust and fog. Editing was nothing superb but oftentimes, the better the cutting, the less we notice it. Altogether, it was a technically aware movie. Not one to expect the unexpected I wasn't disappointed with the film's shortcomings, and when you try to dissect the plot there are some pretty substantial ones. Still, a fine delivery, particularly after the style-sterile attempt of the third film.
Not the greatest film ever, but far from being the worst.
Le saviez-vous
- AnecdotesMatthew McConaughey had just graduated college and planned on moving to California when he auditioned for this movie. He read for the part of a young motorcyclist who rescues Jenny at the end and rides off with her into the sunset (a role that was eventually eliminated). Before he left, writer / producer / director Kim Henkel asked if he knew of anyone who might be right for the role of the villain, Vilmer. McConaughey suggested two friends from acting class and left. He was about to get in his truck and drive to California when he stopped and realized, "What was I thinking?" He immediately turned around and asked Henkel, "Hey, can I audition for Vilmer?" Henkel gave him a spoon from the kitchen, told him to pretend it's a knife and tasked him with scaring his secretary. Then, in the middle of the audition, he told him to pretend his mechanical leg was malfunctioning. McConaughey was so convincing that he won the role of Vilmer on the spot.
- GaffesWhen Vilmer says to Jenny, "I asked you a goddamn question," Darla is looking inside a cabinet in the background. In the next shot she's at the table putting make-up on.
- Crédits fousIn the end credits, the "Patient on Gurney" actress was credited as ANONYMOUS.
- Versions alternativesThe Finnish video version excludes numerous scenes including violence. Cut by more than 15 minutes.
- ConnexionsFeatured in The Return of the Texas Chainsaw Massacre: The Documentary (1996)
- Bandes originalesTorn And Tied
Written by David Derrick, Jared Toten, Kyle Ellison and Sims Ellison
Performed by Pariah
Produced by Tom Werman
Killingbird Music (ASCAP)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Texas Chainsaw
- Lieux de tournage
- 16493 Cameron Road, Pflugerville, Texas, États-Unis(Family House)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 600 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 185 898 $US
- Week-end de sortie aux États-Unis et au Canada
- 28 235 $US
- 24 sept. 1995
- Montant brut mondial
- 185 898 $US
- Durée
- 1h 27min(87 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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