Suite à l'accident d'un camion citerne, Beverly Hills est sous les flammes . Boomer Hayes, quaterback vedette de son équipe, découvre que l'évacuation de la ville cache un complot.Suite à l'accident d'un camion citerne, Beverly Hills est sous les flammes . Boomer Hayes, quaterback vedette de son équipe, découvre que l'évacuation de la ville cache un complot.Suite à l'accident d'un camion citerne, Beverly Hills est sous les flammes . Boomer Hayes, quaterback vedette de son équipe, découvre que l'évacuation de la ville cache un complot.
- Réalisation
- Scénario
- Casting principal
- Cop
- (as Michael Kehoe)
- …
Avis à la une
I had to give credit to Ken Wahl on the lead performance as a quarterback football player. To me, whenever I see this movie, it kind of asks me this question... "How can one man go through an entire night of running from the bad guys that are robbing the city of Beverly Hills as if this is some kind of real life-or-death football game all of a sudden?" Well, I don't have the answer to that one just yet.
Overall rating: 6 out of 10.
Make no mistake though, it's still a fun movie to watch, it's just a shame it wasn't a bit more solid. If it had been, then maybe it could have been built out into a Die Hard-like franchise with Boomer Hayes getting into more and more unlikely situations.
As it is, though, you could do worse for a switch-off-your-brain actioner. Ken Wahl is decent enough in the lead role, Branscombe Richmond is predictable as a somewhat unhinged hitman, Robert Davi puts in some good work as the mastermind behind the heist, and Lee "Mr Boddy" Ving is...there? Matt Frewer deserves better though, and Harley Jane Kozak feels like an afterthought...
With all the remakes and reboots and reskins being made at the moment, I'd like to see this get a remake on the condition that whoever took it on put a bit of actual effort into it, though.
Boomer Hayes (Ken Wahl) is a star quarterback for a fictitious L.A. team (since L.A. doesn't have a pro football team...why not?). He gets snookered into a benefit for the homeless at a swank Beverly Hills party. Amongst the party-goers is football team's owner and Boomer's boss, Robert Masterson (Robert Davi). Which the minute you see Davi's smarmy face...it's no surprise he'll be up to smarm. Anyway, that's all you need to know going in. Rich and poor. Have and have nots. And that's when the have-nots want the haves. A bizarre conspiracy to take over a business veiled in a heist (sound familiar...I 'aint ruining anything).
They also turn it into a buddy cop movie. Which, oddly enough, is narrated by Matt Frewer...yes, Max Headroom Frewer. His voice over to introduce Beverly Hills is anemic, to be kind, and silly. And odd, since the point of view is from Boomer...I think. But these two go off to try to thwart this crime, even though they are battling an army that is essentially the L.A.P.D.
As dumb action movies of this generation goes, if you've exhausted all your options, THIS movie is a perfect compendium to something like "Action Jackson." It holds zero logic but has a pretty sweet soundtrack. Faith No More's "Epic" or Janet Jackson's "Black Cat" to name a few hits (how did they get these songs is beyond me).
Wahl is fun, but the dialogue is corny (as it should be) and there are some solid moments of male bonding. Overall, on a slow night or if your copy of "Road House" is worn out, check this out.
The Taking of Beverly Hills is a 1991 action film by Sidney J. Furie. A big budget blockbuster developed towards the end of Orion Pictures' life, the film was an attempt by Ken Wahl to transition to film after the conclusion of his TV series Wiseguy with Wahl becoming an executive producer and even bringing along several crew from his series. With Orion's bankruptcy the film wound up in limbo and after being acquired as a fire sale acquisition by Nelson Entertainment and Columbia Pictures, it was given a token release making just under $1 million against an estimated $25 million budget. Critics barely acknowledged the film's existence upon release with what little reception noted praising the effects and action while calling the script and performances silly. The Taking of Beverly Hills is absolute ridiculousness and depending on what you're looking for this might be the answer.
Much like Die Hard, The Taking of Beverly Hills tries to employ an unlikely hero in that Ken Wahl isn't a traditional action hero but a football player who happens to be at the wrong place at the wrong time. You can see a kind of logic on display in how much like Bruce Willis had been in an acclaimed TV series prior to Die Hard, there was most likely a similar line of thinking that with Ken Wahl's involvement with the hit series Wiseguy that maybe there was a formula in place for success. Unlike Die Hard however The Taking of Beverly Hills doesn't really have the strong characters or tight plotting and is considerably more over the top with "Boomer" Hayes being about as over the top as his nickname suggests and his pairing with Matt Frewer's Kelvin is more likely to elicit laughs than thrills or tension. There's also a thankless love interest role by Harley Jane Kozak as Laura Sage who doesn't really serve much purpose storywise and Robert Davi after an unimpressive turn as a Bond villain in License to Kill shows himself to be a discount take on Han Gruber. While story and character aren't exactly this movie's greatest strengths, the movie does at least deliver on scope and action setpieces. With Wahl playing a character who's not used to using guns the movie has to find other ways of letting him fight against the bad guys and we get some fun action beats like use of tackling dummies, Molotov cocktails made from decanters, and a car chase involving a Rolls-Royce. The production built a duplicate of Rodeo Drive in Mexico City and you better believe they find every imaginable way and then some to demolish Beverly Hills.
This movie is entertaining but it's also incredibly stupid. This is an example of a B-movie given an A-level budget and it makes an ideal pairing with something like Tango & Cash due to its commitment to present over the top ridiculousness with a straight face. If you're looking for carnage and destruction delivered in a way that doesn't overstay its welcome and allows you to laugh at (not with) it, look no further.
Le saviez-vous
- AnecdotesThough the movie is set in Beverly Hills, the majority of the movie was filmed in Mexico. Rodeo Drive was reconstructed out of Styrofoam in a lot outside of Mexico City.
- GaffesWith the many location changes throughout the film, Beverly Hills is not that flat nor does it have that many wide roads in the neighborhoods.
- Citations
Ed Kelvin: [opening monologue] Beverly Hills, California. The perfect marriage of beauty and money... Especially money... There is ten billion dollars tucked away in the banks here. Not bad for a population of only thirty-three thousand people. This whole place reeks of luxury. It's all about living the good life. Twenty million dollars anywhere else can buy you a small country. Here you get a nice two bedroom... No yard. More, if you're prepared to pay for it. This place is an oasis in the middle of L.A. sprawl. And it has its own city council. It's own mayor! And fire department. And of course... Its very own police force. Beverly Hills has about a thousand lawyers and... about as many gardeners. It's home sweet home to movie stars and rock stars! Millionaires, billionaires, Arab oil magnates, Japanese tycoons and... A few crooks. Of course if you're a Beverly Hills cop like me you just can't afford to live here... makes you think doesn't it?
- Crédits fousThe first part of the credits scrolls over a scene, showing Boomer coaching kids football. Ed drives up in flashy Sports car wearing expensive casual clothes and sporting shades. Boomer is seen talking to the kids who suddenly rush and chase Ed through the park.
- ConnexionsReferenced in Psych : Enquêteur malgré lui: Death Is in the Air (2010)
- Bandes originalesBe Thankful for What You Got
Written by William DeVaughn
Performed by Peter Blakeley
Published by Purple Records Distributing Corp., Fun City Music Corp. and Delicious Apple Music Corp.
Produced by Andrew Gold
Meilleurs choix
- How long is The Taking of Beverly Hills?Alimenté par Alexa
Détails
Box-office
- Budget
- 19 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 939 277 $US
- Week-end de sortie aux États-Unis et au Canada
- 525 936 $US
- 14 oct. 1991
- Montant brut mondial
- 939 277 $US
- Durée1 heure 36 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1