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Ajouter une intrigue dans votre langueA veteran hit man, Dekker is ready to call it quits and leave the profession. Dekker's final job, however, proves to be trickier than expected when the sadistic Zidzyck recruits the assassin... Tout lireA veteran hit man, Dekker is ready to call it quits and leave the profession. Dekker's final job, however, proves to be trickier than expected when the sadistic Zidzyck recruits the assassin to kill his wife.A veteran hit man, Dekker is ready to call it quits and leave the profession. Dekker's final job, however, proves to be trickier than expected when the sadistic Zidzyck recruits the assassin to kill his wife.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Jim Belushi
- Shandy
- (as James Belushi)
Avis à la une
Diary of a Hit-man is directed by Roy London and adapted to screenplay by Kenneth Pressman from his own play, Insider's Price. It stars Forest Whitaker, John Bedford-Lloyd, Sherilyn Fenn, Seymour Cassel, James Belushi and Sharon Stone.Music is by Michel Colombier and cinematography by Yuri Sokol.
Hit-man Dekker is contracted to kill the wife and baby of his latest client, but he starts to seriously question the ethics of the job...
"you're your own worst witness"
The ingredients for a high end neo-noir piece are all in place here, with the pic at times threatening potency to strike a telling blow, sadly it rounds out as very unfulfilling. Its stage origins are all too obvious, and the blend of quirky and wry humour with the more dramatic core of the story never sits well. Cast also come off as a little awkward, no doubt straining to deliver the goods for their acting coach director.
On the plus side for noir fans there's stuff to savour. Pic is driven by a Dekker narration, and the character is in contact with interesting characters. Be it a mime artist, his psychiatrist, a kid in a tumble dryer, a busy body tarty sister or the weasel villain who hires him, the human contact is straight out of noir land. The places he goes are also in keeping, the local bar with neon lighting, the church where "business" is conducted, Jain's (Fenn) apartment, which is a bizarre concoction of scatterbrain living and mummy housewifery, or a peekaboo strip joint. Elsewhere there's an extended session of film where Dekker has double vision, this putting a nice off-kilter vibe on things, while the whole time where the pic takes place in the apartment - with just Dekker and Jain in conflab - holds considerable interest. But then there's the finale, which is so far removed from noir it may make some want to set fire to the TV...
Just above average neo-noir, but not one to recommend with any sort of confidence. 6/10
Hit-man Dekker is contracted to kill the wife and baby of his latest client, but he starts to seriously question the ethics of the job...
"you're your own worst witness"
The ingredients for a high end neo-noir piece are all in place here, with the pic at times threatening potency to strike a telling blow, sadly it rounds out as very unfulfilling. Its stage origins are all too obvious, and the blend of quirky and wry humour with the more dramatic core of the story never sits well. Cast also come off as a little awkward, no doubt straining to deliver the goods for their acting coach director.
On the plus side for noir fans there's stuff to savour. Pic is driven by a Dekker narration, and the character is in contact with interesting characters. Be it a mime artist, his psychiatrist, a kid in a tumble dryer, a busy body tarty sister or the weasel villain who hires him, the human contact is straight out of noir land. The places he goes are also in keeping, the local bar with neon lighting, the church where "business" is conducted, Jain's (Fenn) apartment, which is a bizarre concoction of scatterbrain living and mummy housewifery, or a peekaboo strip joint. Elsewhere there's an extended session of film where Dekker has double vision, this putting a nice off-kilter vibe on things, while the whole time where the pic takes place in the apartment - with just Dekker and Jain in conflab - holds considerable interest. But then there's the finale, which is so far removed from noir it may make some want to set fire to the TV...
Just above average neo-noir, but not one to recommend with any sort of confidence. 6/10
Forrest Whitaker turns in a measured performance of a hitman as does Sherilyn Fenn as the potential victim. That's the bottom line with 'Diary of a Hitman'. A low budget, but effectively acted film that features quick appearances from established names Jim Belushi (as a cop) and Sharon Stone (as Fenn's characters sister).
Dekker (Whitaker) is a pro who often tells his victims "it's just business" before the final deed. Lately however those are the words he's barely able to hold onto as he sours on his line of work - the mental effects taking their toll. Looking to get out, he takes on 'the last job' from his employer Koenig (Seymour Cassel). It's an ugly number of taking out a man's wife Jain (Fenn) and child (who he says isn't his).
I gave 'Diary' a go exclusively because of Whitaker and ultimately it's the film's strongest asset. Fenn is effective, but also irritates you with her character's mannerisms and ploys to stay alive. Belushi & Stone are fun to see pop up, but don't really contribute much else. Being boxed up in one location for an extended period of the film provides tense atmosphere, but isn't visually pleasing.
Some sparse narration and visible mental deterioration from the hitman come across as convincing, but the last act is both hollow, more than a little trite. Leaving this film decidedly average, underwhelming in many regards, but still worthy of a view for Whitaker's performance. If you don't find yourself a fan you can keep moving and not have missed much.
Dekker (Whitaker) is a pro who often tells his victims "it's just business" before the final deed. Lately however those are the words he's barely able to hold onto as he sours on his line of work - the mental effects taking their toll. Looking to get out, he takes on 'the last job' from his employer Koenig (Seymour Cassel). It's an ugly number of taking out a man's wife Jain (Fenn) and child (who he says isn't his).
I gave 'Diary' a go exclusively because of Whitaker and ultimately it's the film's strongest asset. Fenn is effective, but also irritates you with her character's mannerisms and ploys to stay alive. Belushi & Stone are fun to see pop up, but don't really contribute much else. Being boxed up in one location for an extended period of the film provides tense atmosphere, but isn't visually pleasing.
Some sparse narration and visible mental deterioration from the hitman come across as convincing, but the last act is both hollow, more than a little trite. Leaving this film decidedly average, underwhelming in many regards, but still worthy of a view for Whitaker's performance. If you don't find yourself a fan you can keep moving and not have missed much.
Diary of a Hitman (1991) is a movie that I recently watched on Tubi. The storyline follows a Hitman that is going blind and is about to retire. He has one last job that breaks all his codes and rules which causes him to get sloppy. Will he be able to get back on track or will this assignment be his demise?
This movie is directed by Roy London (Episodes of The Larry Sanders Show) and stars Forest Whitaker (The Butler), Sharon Stone (Casino), Jim Belushi (Res Heat) and Sherilyn Fenn (Wild at Heart).
The cast in this is really good and I enjoyed the characters. The narration was entertaining and Forest Whitaker was a good main character. Sharon Stone was perfectly cast in her bit role too. The storyline and some of the sub plots didn't work for me. I'm not sure I ever felt the Hitman breaking his rules aligned to the character. A lot of the decisions seemed like a stretch. The dialogue is good. There's a church scene that is well executed. The way they portrayed his eye site was really good. The ending also felt unrealistic.
Overall, this was worth a watch but doesn't overly standout within the movies about hitmen (it's not Leon: The Professional). I would consider this an average to slightly above average movie and score this a 5.5/10.
This movie is directed by Roy London (Episodes of The Larry Sanders Show) and stars Forest Whitaker (The Butler), Sharon Stone (Casino), Jim Belushi (Res Heat) and Sherilyn Fenn (Wild at Heart).
The cast in this is really good and I enjoyed the characters. The narration was entertaining and Forest Whitaker was a good main character. Sharon Stone was perfectly cast in her bit role too. The storyline and some of the sub plots didn't work for me. I'm not sure I ever felt the Hitman breaking his rules aligned to the character. A lot of the decisions seemed like a stretch. The dialogue is good. There's a church scene that is well executed. The way they portrayed his eye site was really good. The ending also felt unrealistic.
Overall, this was worth a watch but doesn't overly standout within the movies about hitmen (it's not Leon: The Professional). I would consider this an average to slightly above average movie and score this a 5.5/10.
This is an excellent movie, Whittaker is so underrated. They rave about the same actors, being so gifted. Whittaker is so powerful, soft spoken, not with mumbling so many actors do. I enjoyed this movie very much. It was very human and touching.
Fenn was so good, in a role that could have been wasted on other beautiful actresses.
Fenn was so good, in a role that could have been wasted on other beautiful actresses.
Forest Whitaker is an incredible actor. He is truly an amazing actor. One of the best actors of this generation.
And in this movie, he really shines. He does a really strong performance. His voice over is really good. He plays a very troubled hit man with an identity crisis and maybe a mid life crisis. He's very troubled by his job. Troubled by his purpose in life. He gets paid well for his hitman job and he's very good at his job.
But he's very tired and very troubled by his routine. We get a lot of monologues of his inner thoughts. And I really loved this part of the movie. Forest Whitaker is talking to himself and to the audience. We get to hear everything he's feeling. We get to hear his inner conflict. We get to connect with him and his inner feelings.
The second part of the movie all deals with him taking a job and having a hard time finishing the job, having an inner conflict in hurting innocents. The second part of the movie is the conflict and turmoil between him and Sherilyn Fenn. They have a very strong and dark confrontation and the dilemma of Forest Whitaker hurting two innocents.
He has a job to do but his conscience won't let him do it. There's a lot of money on the line but he is troubled by his morality.
I really liked this movie and everyone gave good strong performances. Even the smaller roles like the psychologist was very good.
And in this movie, he really shines. He does a really strong performance. His voice over is really good. He plays a very troubled hit man with an identity crisis and maybe a mid life crisis. He's very troubled by his job. Troubled by his purpose in life. He gets paid well for his hitman job and he's very good at his job.
But he's very tired and very troubled by his routine. We get a lot of monologues of his inner thoughts. And I really loved this part of the movie. Forest Whitaker is talking to himself and to the audience. We get to hear everything he's feeling. We get to hear his inner conflict. We get to connect with him and his inner feelings.
The second part of the movie all deals with him taking a job and having a hard time finishing the job, having an inner conflict in hurting innocents. The second part of the movie is the conflict and turmoil between him and Sherilyn Fenn. They have a very strong and dark confrontation and the dilemma of Forest Whitaker hurting two innocents.
He has a job to do but his conscience won't let him do it. There's a lot of money on the line but he is troubled by his morality.
I really liked this movie and everyone gave good strong performances. Even the smaller roles like the psychologist was very good.
Le saviez-vous
- AnecdotesThe only feature film directed by Roy London.
- GaffesRevolvers can not be suppressed. There's a gap between the rotating part and the barrel. The sound just from that is deafaning.
He also refers to the revolver as satin stainless steel when in the movie it's obviously non stainless blue steel.
- ConnexionsFeatured in Sharon Stone - Una mujer de 100 caras (1998)
- Bandes originalesLuther
Written by Gregory Haughey
Performed by Gregory Haughey
Copyright 1990 Rhythm Method Music Services
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- How long is Diary of a Hitman?Alimenté par Alexa
Détails
Box-office
- Budget
- 2 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 31 815 $US
- Week-end de sortie aux États-Unis et au Canada
- 17 388 $US
- 3 mai 1992
- Montant brut mondial
- 31 815 $US
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