Maurice

A gay classic that is situated at the beginning of the twentieth century. 'Maurice' is the story of Maurice Hall, a student at the University of Cambridge, United Kingdom. There he meets Clive Durham. Both men develop a strong friendship, which to a certain level, becomes physical. Clive is gay, but Maurice doesn't want to know anything about it. Until he admits he also has feelings for persons of the same sex, even though in intellectual circles homosexuality is 'the love that dare not speak its name'.

Maurice doesn't know how to behave. Of course he wants to be himself, but society doesn't accept gay people. When he more or less decides to live as a gay man bosom friend Clive changes his mind, frightened by a lawsuit against a gay man. According to Clive the physical friendship between Maurice and Clive must end and from that moment on he wants to experience real love: the love of a woman. The relation between Maurice and Clive gets tense.

Even Maurice tries to get his sexual preference changed by visiting a hypnotist, but the treatment fails. That becomes very clear when Maurice sleeps with Scudder, Clive's under gamekeeper. A passionate love develops between Scudder and Maurice, which makes Clive realize what kind of appearance he has to keep up as a 'converted' gay man.

'Maurice' is based on the novel of the same name written by E.M. Forster. The film is beautiful and made with a feeling for historical notion. The actors playing the leading roles are straight in real life but act the gay roles in a beautiful way. Actually everything in the film is right: image, usage of language, costumes and music.

Similar to goldilocks-78, I watched Maurice again - I saw it when I was in my 20s, when it was first released. There is some very good acting, and a very good sociological recreation of the Edwardian period. Maurice, the novel, might well not be considered as EM Forster's finest work. But similar to Lady Chatterley's Lover (not considered among Lawrence's best), the work raises issues of class, gender, and sexuality. The three leads are good - Hugh Grant gives a plausible portrayal of a more refined, upper-class man, who denies his homosexual urgings and marries. He clearly shows (after this conversion of sorts) his ambivalence and almost forced denial. Hugh Grant, almost effortlessly, shows the two sides to this character. James Wilby,as Maurice, moves from self-disgust, despair and guilt, to self-acceptance. Rupert Graves as Scudder (similar to Mellors) is really good. The scenes he shares with James Wilby are not forced. The supporting cast are good - the women, Simon Callow (who introduces us to the Edwardian conformist ideology) are equally good. And Ben Kingsley, as the hypnotherapist nicely shows the push-pull in the then-British psyche. My favourite Merchant-Ivory film is Room with a view. Maurice is darker, but just as well filmed, with enough humour to balance the seriousness of the film. The naive, happily-ever-after ending (EM Forster's) doesn't quite work, but leads to good discussion. Of all the DVD-shown deleted scenes, the final 'confrontation' between Maurice and Durham should be, in my opinion, restored. It's a fine film, both engaging and unsettling. Sensitively adapted, directed, acted and shot. Kudos

I remember I saw this movie I was about 17. I'd read the book and fell in love. It tells a love story between two men and the way they have to carry it out despite society rules (with some changes it still happens nowadays...).

The general message would be "love conquers all" but is it really so? Are Maurice and Scudder able to live happily ever after? I doubt, and on the beginning of the XXth century it would be even worse.

Despite all, it's lovely to watch the same kind of story we're used to watching in movies that portray society in different times, but now speaking about love between men! Although James Ivory's work is beyond criticism, in my point a view, there were some scenes in the book (the one when they are in London, sitting naked by the fire, for instance) that really should be in the movie.

But it's a tender and romantic approach of of book (only published after E.M. Foster's death) that surely would have pleased it's author.

This is the most emotional love story I have ever viewed. I first saw the film when I was about 14, and I had no problem sitting through the entire two and a half hours of rich period drama. Merchant and Ivory are two of the best filmmakers ever, and they treat this delicate subject with grace and tact. It makes being a gay teenager a little more bearable, because it is one of the few movies in which the gay lead finds love, and survives. An altogether edifying experience.

I ran into this movie a long, long time ago, watching the TV news one evening back in 1987. I felt as I couldn't miss it as soon as I realized it had been shot in Cambridge, my favorite place in the world, but all my feelings went much beyond that when I saw it. I didn't feel uneasy about homosexuality at all but it was with that movie that I finally realized it was only love, no matter whether it involved a man and a woman, or two men, or two women.... The set is magnificent, the actors at their best (a great Hugh Grant who was so great as to show how Mr E.M.Forster had become tired with Clive...), and I must say that Mr Ivory did a pretty good job with his version of the story, very well adapted. In fact I do believe the book is superior in many moments but, on the other hand, the film is far far superior in many other moments, and you can't really say this all the times. I suggest everybody should watch it and enjoy it, no matter what your sexual preferences are. A masterpiece, indeed!