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Chambre avec vue...

Titre original : A Room with a View
  • 1985
  • Tous publics
  • 1h 57min
NOTE IMDb
7,2/10
51 k
MA NOTE
POPULARITÉ
2 508
463
Helena Bonham Carter and Julian Sands in Chambre avec vue... (1985)
Drames historiquesDrameRomance

En 1900 à Florence, George et son père offrent leurs chambres avec vue à leurs invitées anglaises Lucy et son chaperon. Lucy et George font connaissance, mais elle doit rentrer en Angleterre... Tout lireEn 1900 à Florence, George et son père offrent leurs chambres avec vue à leurs invitées anglaises Lucy et son chaperon. Lucy et George font connaissance, mais elle doit rentrer en Angleterre. Quand ils se retrouvent, elle est fiancée.En 1900 à Florence, George et son père offrent leurs chambres avec vue à leurs invitées anglaises Lucy et son chaperon. Lucy et George font connaissance, mais elle doit rentrer en Angleterre. Quand ils se retrouvent, elle est fiancée.

  • Réalisation
    • James Ivory
  • Scénario
    • E.M. Forster
    • Ruth Prawer Jhabvala
  • Casting principal
    • Maggie Smith
    • Helena Bonham Carter
    • Denholm Elliott
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    51 k
    MA NOTE
    POPULARITÉ
    2 508
    463
    • Réalisation
      • James Ivory
    • Scénario
      • E.M. Forster
      • Ruth Prawer Jhabvala
    • Casting principal
      • Maggie Smith
      • Helena Bonham Carter
      • Denholm Elliott
    • 145avis d'utilisateurs
    • 55avis des critiques
    • 83Métascore
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompensé par 3 Oscars
      • 25 victoires et 22 nominations au total

    Vidéos1

    Trailer
    Trailer 2:20
    Trailer

    Photos108

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    Rôles principaux34

    Modifier
    Maggie Smith
    Maggie Smith
    • Charlotte Bartlett, a Chaperon
    Helena Bonham Carter
    Helena Bonham Carter
    • Lucy Honeychurch, Miss Bartlett's cousin and charge
    • (as Helena Bonham-Carter)
    Denholm Elliott
    Denholm Elliott
    • Mr Emerson, an English tourist
    Julian Sands
    Julian Sands
    • George Emerson
    Simon Callow
    Simon Callow
    • The Reverend Mr Beebe
    Patrick Godfrey
    Patrick Godfrey
    • The Reverend Mr Eager, Chaplain of the Anglican Church in Florence
    Judi Dench
    Judi Dench
    • Eleanor Lavish, a novelist
    Fabia Drake
    Fabia Drake
    • Miss Catharine Alan
    Joan Henley
    Joan Henley
    • Miss Teresa Alan
    Amanda Walker
    Amanda Walker
    • The Cockney Signora
    Daniel Day-Lewis
    Daniel Day-Lewis
    • Cecil Vyse
    • (as Daniel Day Lewis)
    Maria Britneva
    Maria Britneva
    • Mrs Vyse, Cecil's mother
    Rosemary Leach
    Rosemary Leach
    • Mrs Honeychurch
    Rupert Graves
    Rupert Graves
    • Freddy Honeychurch
    Peter Cellier
    Peter Cellier
    • Sir Harry Otway, a landlord
    Mia Fothergill
    • Minnie Beebe
    Kitty Aldridge
    Kitty Aldridge
    • New Lucy
    Brigid Erin Bates
    • Maid at Windy Corner
    • Réalisation
      • James Ivory
    • Scénario
      • E.M. Forster
      • Ruth Prawer Jhabvala
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs145

    7,250.8K
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    Avis à la une

    8koolstraykat

    WATCH THIS if your room has no view

    A sophisticated romantic story that involves an experience of a woman who finds herself in different relations in one with a stranger who make her feel special and in another where she feels like a stranger.

    I think the director of the movie did a brilliant job. James Ivory quite literally brought the Historical period like Edwardian-Era(just found out victorian era came before Edwardian-era) to us although both era had the same old royalty vibe, which feels so elegant, prosperous and rich in it's touch. The choosen Background masterfully reciprocate the respected time of era and their people.

    Acting is clean and precise. Actors doesn't over or underperform instead they keep it just right enough to tell the beautiful romantic drama that arises between the parties. There are so many actors and each of them keeps the quality of their character alive making the conflict between them intense and interesting.

    Cinematography and music is amazing. It is something to appreciate every once in a while. It makes the scenes more fun to watch and giving them a sense of sweetness and humor, which is comforting to watch.

    8/10, actually I would give it 8.5.

    And Thank you for reading this :)
    Boyo-2

    Should have been Best Picture

    This movie is completely beautiful and always fascinating to watch. Each actor does great work, with Maggie Smith (as usual) being the most memorable. Her nomination was deserved, but where was one for Daniel Day-Lewis? I thought he was more memorable than Denholm Elliot, who was nominated. This movie is one to own and take out to enjoy when the mood strikes.

    Best line - "Because she IS Charlotte Bartlett"!
    Chrysanthepop

    A Delightfully Beautiful View

    With 'A Room With A View' the Merchant Ivory duo present a splendid period piece and a smart classy romantic comedy. The writing is smooth and the characters are so wonderfully surprising. The humour is both creative and intelligent and is rather subtle when compared to the over-the-top nonsense toilet humour that is so frequently evident in films these days. Yet, there is also the in-your-face shocking humour. While I found the skinny dipping sequence ghastly, it was also hilarious.

    'A Room With A View' has class.The Italian and English locations are stunning and the costumes are intriguing. The cinematography is delightful and the score, especially the piano pieces, are marvelous. The cast is superb as it includes a very young Helena Bonham Carter, a brash Julian Sands, a gossipy Judi Dench, a pompous Daniel Day-Lewis, an opinionated Maggie Smith, a funny Denholm Elliot, an eccentric Simon Callow and a wild Rupert Graves. To sum it up, 'A Room With A View' is a delightfully beautiful little film. It became a surprise smash hit in the U.S. which helped gain the much-deserved international acclaim.
    victor7754

    Edwardian love

    A Room with a View possesses a fabulous cast, beautiful cinematography, an awesome adapted script, and a tale of oppressed desire during the paradigm shift from the repressive Victorian age to the more liberal Edwardian time. The film moves at a deliberate pace of country strolls and carriage rides filling the viewer with literary awakenings and music compositions. Poppies, barley, and Florence architecture decorate the screen.

    The film is witty if anything with carefree individuals roaming about with leisure on their minds. Pure love and desire aches throughout and Italy is the place to bring the lovers together.

    It is a handsome picture. Detailed period pieces and costumes. The cast is phenomenal! Helena Bohnam Carter portrays the peevish Lucy Honeychurch on her way to becoming her prudish Cousin and chaperone, Charlotte Bartlett (The Great Maggie Smith.) However The spirit of Italy will prevent such an occurrence and fill Miss Honeychurch with pure desire for George, the man who was brought up from the evils and hate of the world.

    The adaptation is superb. Fun. It is a film to live in and swim in the sacred lake. One of the best films of the 80's. Terrific!
    pekinman

    It's aging well

    I have enjoyed 'A Room with a View' since it arrived on the scene in 1985. I have watched it many times and the video is wearing out and I fully intend to get the DVD of it soon. I saw it again the other night and am still charmed by it, in fact, I enjoyed it more than ever. Yes, it's a costume drama under glass, but it's a very well-done example of that popular genre. Films like this are greatly appealing to people like me who yearn for a gentler society and manners, though without the uptight staidness as exemplified by Aunt Charlotte (Maggie Smith) and Cecil Vyse (Daniel Day-Lewis). So this movie falls under the category of "comfort" film for me, and it is one of the very best.

    Often Merchant/Ivory productions ring false ('Remains of the Day', for example), when they attempt to make a political statement; in that case regarding the under-current in Britain that led to the surprisingly popular British Union of Fascists created by Sir Oswald Mosley prior to WW2. But when James Ivory and his team stick to romance and the pretty manners of Edwardians, they are hard to beat.

    Of the performers, Julian Sands seems the most "improved" in my opinion from earlier viewings. He is wonderful as the Byronic lover and has a ton of chemistry with Helena Bonham-Carter's lovely, spicey Lucy Honeychurch. Daniel Day-Lewis's Cecil Vyse seems a bit more contrived as time passes but is in the end a touching portrayal of a type of man that I despise.

    There isn't weak link in the entire cast. The Puccini arias and Beethoven piano sonatas are beautiful and enhance the story. The photography is gorgeous and the other technical aspects are flawless.

    This is the pinnacle of Merchant/Ivory films, I cannot imagine them producing anything better in the future, but who knows. They do seem to be in a cultural rut now, however.

    The fringe film crowd will probably descry this sort of populist cinema, but I think that is narrow-minded snobbery, as boorish as Cecil Vyse and his insufferable intolerance to "the plebians."

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Theatrical movie debut of Helena Bonham Carter (Lucy Honeychurch) and Rupert Graves (Freddy Honeychurch).
    • Gaffes
      In the plaza scene when the man who was killed in the scuffle falls to the pavement, a cigarette butt with a filter is shown between the bricks. Filters were invented in the 1920s and were not in widespread use until the early 1950s.
    • Citations

      George Emerson: He's the sort who can't know anyone intimately, least of all a woman. He doesn't know what a woman is. He wants you for a possession, something to look at, like a painting or an ivory box. Something to own and to display. He doesn't want you to be real, and to think and to live. He doesn't love you. But I love you. I want you to have your own thoughts and ideas and feelings, even when I hold you in my arms.

    • Connexions
      Featured in Siskel & Ebert & the Movies: The Best Films of 1986 (1987)
    • Bandes originales
      O mio babbino caro
      from the opera Gianni Schicchi

      by Giacomo Puccini

      Performed by Kiri Te Kanawa with the London Philharmonic Orchestra

      Conducted by John Pritchard (as Sir John Pritchard)

      Courtesy CBS Masterworks

      (from the album "Kiri Te Kanawa - Puccini & Verdi Arias") (uncredited)

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    FAQ20

    • How long is A Room with a View?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 19 novembre 1986 (France)
    • Pays d’origine
      • Royaume-Uni
      • États-Unis
    • Sites officiels
      • Merchant Ivory Productions (United States)
      • StudioCanal International (France)
    • Langues
      • Anglais
      • Italien
    • Aussi connu sous le nom de
      • Chambre avec vue
    • Lieux de tournage
      • Fiesole, Florence, Toscane, Italie(Florentine countryside)
    • Sociétés de production
      • Goldcrest Films International
      • National Film Finance Corporation (NFFC)
      • Curzon Film Distributors
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 3 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 20 966 644 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 42 970 $US
      • 9 mars 1986
    • Montant brut mondial
      • 21 065 980 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 57min(117 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Stereo
    • Rapport de forme
      • 1.66 : 1

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