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Target

  • 1985
  • Tous publics
  • 1h 57min
NOTE IMDb
5,9/10
5,4 k
MA NOTE
Target (1985)
When American Donna Lloyd is kidnapped during a trip to Europe, her son Chris and her husband Walter start searching for her.
Lire trailer1:19
1 Video
57 photos
Globetrotting AdventureActionAdventureCrimeDramaMysteryThriller

Walter Lloyd, un ancien agent de la CIA, mène une vie paisible auprès des siens, qui ignorent son précédent métier. Mais, son passé le rattrape lorsque sa femme est enlevée lors d'un voyage ... Tout lireWalter Lloyd, un ancien agent de la CIA, mène une vie paisible auprès des siens, qui ignorent son précédent métier. Mais, son passé le rattrape lorsque sa femme est enlevée lors d'un voyage à Paris. Père et fils se lancent à sa recherche.Walter Lloyd, un ancien agent de la CIA, mène une vie paisible auprès des siens, qui ignorent son précédent métier. Mais, son passé le rattrape lorsque sa femme est enlevée lors d'un voyage à Paris. Père et fils se lancent à sa recherche.

  • Réalisation
    • Arthur Penn
  • Scénario
    • Leonard Stern
    • Howard Berk
    • Don Petersen
  • Casting principal
    • Gene Hackman
    • Matt Dillon
    • Brad Williams
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,9/10
    5,4 k
    MA NOTE
    • Réalisation
      • Arthur Penn
    • Scénario
      • Leonard Stern
      • Howard Berk
      • Don Petersen
    • Casting principal
      • Gene Hackman
      • Matt Dillon
      • Brad Williams
    • 45avis d'utilisateurs
    • 15avis des critiques
    • 53Métascore
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Trailer
    Trailer 1:19
    Trailer

    Photos57

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    Rôles principaux28

    Modifier
    Gene Hackman
    Gene Hackman
    • Walter Lloyd
    Matt Dillon
    Matt Dillon
    • Chris Lloyd
    Brad Williams
    • Forklift Operator
    Gayle Hunnicutt
    Gayle Hunnicutt
    • Donna Lloyd
    Randy Moore
    • Tour Director
    Ilona Grübel
    Ilona Grübel
    • Carla
    • (as Ilona Grubel)
    Tomas Hnevsa
    • Henke
    Jean-Pol Dubois
    • Glasses
    Robert Ground
    • Marine Sergeant
    Véronique Guillaud
    • Secretary. American Consulate
    Charlotte Bailey
    • Receptionist
    James Selby
    • Ross
    Ray Fry
    • Mason
    Josef Sommer
    Josef Sommer
    • Taber
    Jacques Mignot
    • Madison Hotel Clerk
    Robert Liensol
    • Cafe Vendor
    Guy Boyd
    Guy Boyd
    • Clay
    Ullrich Haupt
    Ullrich Haupt
    • Older Agent
    • Réalisation
      • Arthur Penn
    • Scénario
      • Leonard Stern
      • Howard Berk
      • Don Petersen
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs45

    5,95.4K
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    Avis à la une

    6blanche-2

    average thriller

    From 1985: "Target," directed by Arthur Penn, stars Gene Hackman and Matt Dillon as father and son.

    "Target" concerns the abduction of Walter Lloyd's (Hackman) wife while she is in France with a tour group. Lloyd understands the implications immediately, but his son Chris (Matt Dillon) doesn't: Someone is after Lloyd, or information in his possession. Father and son leave immediately for Europe to find her. There, Chris learns information about his father that he never knew. And that's all I can say without giving the game away - which, if you've seen a lot of these films, is pretty apparent.

    The problem with "Target" is in the beginning of the film, which has a TV-movie feel to it. Plus, despite locations in Paris and Germany later on, the beginning has a cheap feel to it due to the music and credits, not to mention some trite dialogue and the usual "try to get to know your son while I'm away" speech. It's a bad set-up.

    Gene Hackman is terrific as Walter, and Matt Dillon is fine as his son. The standout performance, in my opinion, is by the great acting guru and Broadway star Herbert Berghof in a rare film appearance toward the end of the movie. There are some excellent European actors as well, including the Russian actress Viktoriya Fyodorova.

    If not for the beginning, which threw me off, this would have been a better film.
    5whpratt1

    Much To Do About Nothing

    Missed seeing this film over the years as I am a big fan of Gene Hackman, (Walter Llyod/Duke Potter),"Absolute Power", who plays the role as the average husband and wife with a son who is not very close to his father at all. Matt Dillon,(Chris Llyod/Derek Potter),"Loverboy", plays the son and Gayle Hunnicutt(Donna Llyod) "Dream Lover", is the wife who tries her very best to get her Walter to become closer to their son Chris. Donna disappears while she is on a tour in a foreign country and then the story gets quite complicated with lots of guns going off and plenty of car chases and great photograph in Germany and France. This film builds you up as you start getting interested and sort of goes down hill real fast. I like Gene Hackman and that is the only reason I decided to finish seeing this film.
    Geofbob

    Misses the bullseye

    The concentration on character and family values in Arthur Penn's spy thriller ought to make it a better, more intelligent movie, but somehow it doesn't work. Gene Hackman is an ex-CIA spy who's been "in from the cold" for 15 years. But now his wife has been kidnapped in Paris, and he has to get back into top gear in order to retrieve her. He also has to tell the truth about his past to his 18 year old son (Matt Dillon), who hitherto has thought his dad as much a man of action as Mr Magoo. There are all the contrivances we expect in this genre of film - repeated attempts on Hackman's life; car chases; femmes fatales; CIA agents who might be working for the other side; etc, etc. But little tension is developed, and first the recriminations and then the bonding between Hackman and Dillon simply slow the action down. I found the climax a tad ludicrous, but by that time didn't care much.
    5PyrolyticCarbon

    Interesting plot, average entertainment, with an excellent Hackman performance.

    I'm a huge Gene Hackman fan and I remembered seeing this film many years ago and thinking it was quite cool, and when I saw the title in the paper again, I thought I would find out how right I was.

    Well Hackman is once again excellent. He has such a natural and believable way about him in his roles that I find it hard not to be drawn into his character. He's definitely one of those actors who always plays himself, but it doesn't matter as his ability and style just carry it off without a thought. A truly great actor in my mind.

    Matt Dillon is also very good, although his younger trademark look of startled deer is ever present.

    The plot itself is a good one, in that Hackman plays Dillons father, a boring and very dull man with an equally dull job, in his sons eyes anyway. What quickly transpires is that he is not the speed limit sticking man that his son first thought, he is actually a ex CIA agent.

    This change is done very well, with a short set piece in an airport. With the smallest of physical changes, Hackman flips from average father to confident and action ready agent. You can see it in his manner, and it shows his excellent capability as an actor.

    The rest of the movie reveals the story as father and son are pulled deeper and deeper into his life, revealing the true extent of his agent activities. His son quickly realises that this is not the father he knew, and quickly grows from off-handedness to total rejection and then to acceptance again.

    It is an interesting movie, and the plot is quite good with some interesting action sequences. Where it fails are some of the other actors and the hectic pace of the movie, it seems as though either in filming or editing that crucial parts of the movie have been missed or removed.

    Big shame, but it is still good to watch for a Sunday afternoon movie. I think this may kick off my <i>watch every Gene Hackman movie</i> campaign.
    Oldsport57

    Dear old Dad? MY dear old Dad?!

    The performances of Matt Dillon and Gene Hackman brought this film right over the top for me.

    Dillon's character grows from being an obnoxious teenager, who sees Dad as an un-hip set of car keys with a hand attached to them, through the astonishing realization that Dad just may be "James Bond".

    And Gene Hackman brings his blazing talent to the table, unfolding from a middle-aged, pokey, conservative, 35-mile-an-hour, aw-shucks businessman into a multilingual, multitalented super-spook.

    The two interact perfectly! As they face dangers and intrigue together in a wild ride across the globe to save Mom, it is a delight to see them discover and appreciate the depths of each others' characters and become friends and partners.

    "Saving Mom", was almost irrelevant!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Third and final collaboration between actor Gene Hackman and director Arthur Penn. The others were La fugue (1975) and Bonnie et Clyde (1967).
    • Gaffes
      Chris changes his mind and boards the Berlin plane instead of the Frankfurt plane without rebooking his ticket.
    • Citations

      Walter Lloyd: I hope you're not going to fool around because I have a lot of things to do.

      Donna Lloyd: You mean Miss Twinkle Tits in banking?

    • Connexions
      Featured in At the Movies: The Holcroft Covenant/Bring on the Night/Target (1985)
    • Bandes originales
      That Old Black Magic
      Lyrics by Johnny Mercer

      Music by Harold Arlen

      Sung by Billy Daniels

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    FAQ17

    • How long is Target?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 janvier 1986 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Français
      • Allemand
    • Aussi connu sous le nom de
      • Target - Entführt in Paris
    • Lieux de tournage
      • Corpus Christi, Texas, États-Unis
    • Sociétés de production
      • CBS Entertainment Production
      • CBS Productions
      • CBS Theatrical Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 13 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 9 023 199 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 2 670 522 $US
      • 10 nov. 1985
    • Montant brut mondial
      • 9 023 199 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 57 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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    Target (1985)
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