Air Force : Bat 21

It would have been easy to turn a story like this into a cheap action flick -- heroic downed USAF Colonel fights his way through enemy territory with help of heroic self-sacrificing black pilot.

It doesn't happen, exactly. The story, as I understand it, is based on fact, but I don't know how much of it is factual. Maybe the evacuation pilot, Danny Glover, really DID take off alone in a helicopter (in which he was not qualified), rescue Colonel Hambledon (Gene Hackman) single-handedly, successfully crash the helicopter he was not qualified in, and maybe the two of them then escape a horde of North Vietnamese pursuers during a "carpet bombing" of the whole area, with Glover sustaining one of those nasty but not unphotogenic shoulder wounds in the process. Maybe it IS true but it sounds a lot like rather routine fiction to me because real life is seldom so tidy. I can believe the part that golf plays in the escape plan. It's so absurd that no writer in his right mind would dream it up.

Still -- that having been said -- this is a truly worthwhile movie. Action fans will find lots of exploding fireballs if that's what they're looking for. There will also be wounded smoking helicopters spinning drunkenly downward and a man being blown up in a minefield.

But that's not what makes the movie important. The action is usually nothing more than a means to an end. In this case, the end is the education and humanization of Colonel Iceal Hambledon, USAF.

He's your normal military men, an expert on electronic countermeasures. He is 53 years old and has spent most of his life in the military. He's never seen combat. And his being shot down constitutes his introduction to what the film shows us is a pretty ugly kind of business.

Behind enemy lines he spies a column of NV troops and vehicles and calls in an air strike. Boom. Afterward the NVA shoot one of their own wounded troops, which Hambledon finds nasty. Before he knows it, stumbling through the bush, he finds an empty hootch. While scavenging it for food and water, he is discovered by its owner. Neither man understands the other's language. A physical fight follows which Hambledon can only escape from my shooting and killing the Vietnamese farmer. The farmer's napalm-scarred family show up and rush sobbing to the dead body while Hambledon backs away, stunned, saying stupidly, "I'm sorry. I'm sorry." There follows a scene in which captured American fliers sacrifice themselves to save Hambledon and the Air Force then demolishes the nearby village full of soldiers and women and children. "Everywhere I go, people die," Hambledon comments sadly to himself. (I can't emphasize too strongly how much tragedy Hackman invests his lines with. They emerge as more than simply lines of dialogue. He's a fine, reliable, unflamboyant performer.) Hambledon vows that he's all done killing people -- and he is, even when he has to opportunity to shoot an armed enemy soldier who is chasing him. The Vietnames is disoriented, twirling about dizzily while a garden of slow motion flame sprouts around him. Hambledon has a bead on him but then shakes his head in disgust and looks away without firing.

Danny Glover is good too. As an actor he may have more range than he's usually given credit for. Here, as in the "Lethal Weapon" movies, he's more of a supportive sidekick than anything else. He's the guy on the other end of the line who is there when you must spill your emotions to SOMEONE. Not that he's given trite lines in the part. Hambledon hesitates at one point, then tell him over the radio, "I killed a man today." "Roger that," says Glover. He understands what Hambledon's getting at -- but what is there to say? It's combat, not Oprah Winfrey. Also, anyone who wants to see Glover demonstrate that range might want to check out "Switchback," in which he is a good-natured, avuncular, laid-back serial killer.

Sometimes I wonder if some of us have forgotten just how lousy an experience war is for everyone involved -- for us, for our opponents, and for the civilians drawn willy nilly into it. This film is a decent reminder.

.... this was supposed to be a "true" story, so why not tell it as it really happened? Of course, there are always budget restraints and other considerations that come into play. But I can never quite work out why Hollywood changes crucial facts of a real story when making "true-life" movies of this type. Don't get me wrong - I saw this movie for the first time just last week, a full 13 years after it first appeared, and I thoroughly enjoyed it. It didn't glorify war at all, and some of the scenes were quite shocking and moving. However, having read the TRUE story of BAT 21 some years ago, I couldn't help thinking "hang on a minute - it didn't happen like that!!!" In reality, the actual 1972 mission to rescue Lt. Col. Hambleton was a very complex affair that lasted for 12 days, the downed airman finally being rescued by a two-man team consisting of a US Navy SEAL lieutenant (who won the Medal Of Honour in the process) and a South Vietnamese Army Ranger. Why not include this in the movie if you're out to tell anything like the true story? Also, several US aircraft and choppers were shot down in the process, with 10 American airmen killed and two more captured. But apart from the superbly done abortive helicopter rescue attempt and the shooting of the captured crewmen, the movie led us to believe that the rescue mission merely consisted of Hambleton (Hackman) escaping & evading on the ground with Clark (Danny Glover) circling above and talking to him on the radio. In reality, Clark was himself shot down early in the mission and had to be rescued, and his role in the actual Hambleton rescue was therefore nothing like that depicted in the film.

But, that said, why let the truth get in the way of a good story? And despite its shortcomings on the historical accuracy front, this was a thoroughly enjoyable film that didn't gloss over or sanitize the horrors of war. Despite my nit-picking, I'd definitely recommend it.

To this day I am still amazed at how well Lt. Colonel Iceal Hambleton was able to formulate a plan on as we say in the military, "To Get the Hell out of Dodge".

This movie didn't rely on the most sophisticated special effects to make it good. It relied mainly on the two main characters to create a good dialog between them.

For any war buffs out there, this was a good movie to sit back and watch the some of the more unique tactics used to survive in bad situations.

Lt. Colonel Iceal Hambleton (Gene Hackman) is a respected, middle-aged strategist who has only seen the war from the air - and high in the air, too. During one reconnaissance mission, however, he's shot down behind enemy lines for the first time. Scared and out of his element, Hambleton must rely on Captain Clark (Danny Glover), a pilot, to help him keep his composure until a rescue can happen.

Most of the scenes are of just the two leads, almost making this a two-character action play. Both men provide stellar performances, with Hackman putting a decidedly different spin on his tough-guy, in-control persona. Glover is equally aces as the tireless pilot. And just in case you think there's going to be more talk than action in this movie, don't fret. The Vietcong are around somewhere, and they know Hambleton's in the vicinity. Not only does Clark have to get Hambleton out of there before good ol' Charlie finds him, he has to get him out of there before U.S. forces carpet-bomb the entire area! Needless to say, there are bombs bursting galore. Jerry Reed, who plays Clark's commander, also turns in a fine performance - a bit above par for Reed - and served as executive producer and composed some of the songs on the soundtrack.

It's an exciting warlike movie that contains over-the-top performances , continuous suspense , poignant vignettes and unsparing action . An American officer , Lt. Col. Iceal "Ham" Hambleton (Gene Hackman) is a weapons countermeasures expert with knowledge vital to the enemy, when his aircraft is shot down , he is stranded in the wilds of Vietnam . Alone ,he must rely on himself and a whole army after him. Trapped behind enemy lines , an only one man (captain Danny Glover) with whom he has radio contact can save him and to get him out . Based on true life of a lieutenant colonel stranded deep in Vietcong territory , nowadays retired and living in Arizona near a golf camp.

This stirring warlike movie mixes suspense , thrills , rugged action and dialog with lots of intrigue , without losing sight of the continuation of its interesting plot or necessities of war and works on all levels . Although relies heavily on the continuous relationship by means of radio talking among them and their solid interpretations through the enjoyable friendship by oral communication. It gets the right balance between the old-style ¨Objective Burma¨, ¨Battleground¨ and the modern wartime movies as ¨Hamburger Hill¨ and ¨Casualty of war¨ . Noisy action scenes punctuate the tension without breaking it . Gene Hackman is good as a stranded officer alone after his plane is gunned down and top-notch Danny Glover as reconnaissance pilot who becomes determined to save him . Gene Hackman and Danny Glover give terrific acting in this otherwise passable film . Secondary cast is frankly good as Jerry Reed , David Marshall Frank and Clayton Rohner .Atmospheric cinematography by Mark Irwin reflecting faithfully the wilds and woods from Vietnam . Moving musical score fitting to action by Christopher Young . Compassionate thinkers , lovers warfare genre , and pacifists will all find satisfaction here .

The motion picture lavishly produced by also actor Mark Damon is well directed by Peter Markle . Peter is an expert on all kind of genres as comedy as ¨Hot dog , the movie¨, ¨Wagon East¨ the last film of John Candy¨ ; Sci-Fi as ¨White dwarf¨; Sports as ¨Youngblood¨ ; ¨Drama¨ as ¨Personals¨, ¨Nightbreaker¨, and suspense as ¨Through the eyes of a killer¨ and ¨Last days of Frankie the Fly¨ , and Wartime genre as ¨Bat 21¨. Rating : 6,5 . Worthwhile seeing , better than average .