Un flic à Chicago

Patrick Swayze, coming off the heels of 'Dirty Dancing', did a couple of somewhat cult action films back in 1989. One was 'Road House' and the other was this film; 'Next of Kin'. My memory of this was better to say the least. This is a bad movie. Basically it's a revenge flick that makes no sense whatsoever. It's a country vs. the city movie, as hillbilly rednecks take on the mafia. I won't bother with the plot, other than to say it's badly written. What is interesting about this movie is the cast.

You have Swayze of course as the lead, Helen Hunt as his love interest, and a relatively unknown Liam Neeson playing Swayze's older brother in a heroic role. Adam Baldwin, Ted Levine, Bill Paxton and a young Ben Stiller are in this movie as well. Out of the cast, Neeson's Briar is the most interesting character, and Neeson delivers the goods. Always worth checking out films you remember from your youth if you are someone like me, but this is just essentially a cheesy action film from the 80s that you can easily skip.

** out of *****!

"Next of Kin" is pretty much the standard vigilante movie. Only the actors were changed to protect Charles Bronson in "Death Wish" (1974) and Sylvester Stallone in "First Blood" (1982) from this overplayed formula movie.

Truman Gates' (Patrick Swayze) brother has a brand-new truck and is selling wholesale cigarettes. He should be shot for that. Oh, he was. Evidently, against the advice of his partner, the brother decided to protect the cigarettes from hijackers with his life. On the other hand, little Joey Rosselini (Adam Baldwin) is showing off and cannot back down from the challenge.

Now Truman must identify the person whom his brother insulted and incarcerate him. You guessed it; the rest of the kin which includes Blair (Liam Neeson) thought you were supposed to "incinerate" him. So, the fun begins. Bang! Bang! Shoot-um up.

Shot on location in Chicago, Next Of Kin is about a culture clash between two groups that are known for longstanding vendettas. They would be the Sicilian Mafia and the hillbillies of the Appalachians.

Patrick Swayze is one of three brothers of whom the youngest, Bill Paxton, is killed after organized crime takes over a trucking firm he was a driver for. They killed the wrong guy because in addition to being Paxton's brother, Swayze is also a Chicago police detective.

Of course Swayze has to operate within the parameters of the law. That's not the case for the oldest brother Lian Neeson. He comes to Chicago just looking for them that did the deed.

Andreas Katsulas is the Mafia crime family head and he's got an idiot son played by Ben Stiller whom he turns over to enforcer Adam Baldwin to learn the business. Stiller goes right to the top of the criminal food chain with Baldwin when he and Baldwin kill Paxton. But Baldwin is a survivor and he'll do whatever it takes to survive.

The showdown between hillbillies and Mafioso takes place with a cemetery at night serving as the OK Corral. It's quite a battle and justice is served if not the law.

Next Of Kin is your routine action film, but it does have one thing going for it that I have to praise. The hillbillies are real people here, they're not the Clampetts of Beverly Hills nor the mouth breathers from Deliverance. I'm glad that the producers avoided stereotyping them which would have been easy. Swayze is a good action hero and his leading lady is Helen Hunt who as Mrs. Swayze in the film is not given all that much to do.

Fans of the late Patrick Swayze will be very happy with Next Of Kin.

I have lived in Chicago all my long life, and I really appreciated the authenticity of the location scenes. The area around Wilson and Broadway is exactly where the "hillbillies" (forgive the term), especially the single men, generally migrate. The characters in the flophouse and bars must have been taken right from the street. The "project" was recognizably Cabrini-Green, and Truman and Jesse's restored three-story house could almost be pinpointed to Lincoln Park (except that the "bad guys", and Truman, would never have found such open parking - they'd still be circling the block).

The cemetery where the final showdown occurred is Graceland on Clark Street, as everyone who has toured or visited this landmark would know. It was an agony to watch these historic monuments being blown to bits - I had to keep chanting "it's only a movie, it's only a movie".

But the readiness of the Kentucky family to jump into the fray was very real. That wonderful scene of the pickup truck on its northbound trek up Lake Shore Drive has its counterpart in everyday life, so I've been told.

Liam Neeson is a revelation. It's hard to believe that the same actor who plays to perfection this tight lipped, lean and mean mountain man, will later be nominated for an Oscar for his heart-rending portrayal of a sophisticated German industrialist.

Truman Gates may be my favorite Patrick Swayze character. There's plenty of blood-and-guts action, but it's easy to believe that a concert violinist would fall madly in love with this exciting, unusual cop. Helen Hunt, as his wife, and Michael J. Pollard as a benighted flophouse manager, are excellent in their roles.

See this movie for a good story, authentic characterizations, and non-stop interest.

My review was written in October 1989 after a screening in Manhattan's Chelsea neighborhood.

John Irvin's atmospheric direction lifts the Patrick Swayze cop vehicle "Next of Kin" from routine programmer to sleeper status. Unfortunately, Warners' no-press-screenings play is indicative of this intriguing B+ picture getting the heave-ho in the marketplace.

Pic is of historical interest as the final film to go into production (August 1988) at Lorimar, while theindie was being swallowed by Warner Communications.

Interesting wrinkle in Michaei Jenning's screenplay (based on a script by Jenning and pic's associate producer, Jeb Stuart) is a mixing and matching of two ethnic strains of the vendetta: backwoods Appalachian version and revenge Sicilian-style.

These plot threads ar4e set in motion when Bill Paxton, a Kentucky boy from the hills now working in Chicago, is ruthlessly murdered by mafia enforcer Adam Baldwin as part of a strong-arm move in the vending machines racket. Paxton's older brother, Patrick Swayze, is a Chicago cop determined to find the killer.

Interfering with Swayze's efforts is the old-fashioned "eye for an eye" vengeance demanded by eldest brother Liam Neson. Picture climaxes with an elaborate war ina Chicago cemetery between Baldwin's mafioso and Neesons Kentucky kin, matching automatic weaponry with primitive (but reliable crossbows, hatchets, snakes and knives. Treachery on the Cosa Nostra side brings out a parallel "next of kin" subplot that concludes the film effectively.

Director Irvin's technical skill and Steven Poster's muted-color photgraphy bring out th4e flavor of both Kentucky and Chicago locations, with consistent tongue-in-cheek eleents (and ouright comic relief by the delightful Michael J. Pollard) balancing the film noir mood.

Swayze is solid as the mixed-motives hero, and inspired casting teams him with Irish thesp Neeson, most convincing as a tghrowback whose fish-ou-of-water misadventures in Chicago are a treat. Cast against type, Baldwin, the hulking youngster, familiar from "My Bodyguard", builds a fascinating portrait of evil lurking behind the innocent face. Supporting cast is convincing and physicaly perfect.