Un poisson nommé Wanda

This is the only film I ever paid to see two days in a row. I missed too much of it the first time because of my own hysterical snorting laughter.

This is a work of comic genius. And, like any good film, the screenplay is at the heart of the belly laughs. Every character is given a detailed personality quirk or two, and then it is shamefully exploited for laugh after laugh. Note for example, John Cleese's speech to Jamie Lee Curtis about how awful it is to be British - the eternal fear of embarrassment. Moments later, he is caught buck naked in a marital tryst in some else's flat by the people to used to live in his own home. Also, the funny-offensive envelope is pushed to the limit when K-K-K-Ken (Michael Palin), the passionate animal lover inadvertently kills three innocent dogs in his attempt to murder an old woman who would otherwise be a prosecution witness. Now that's funny!

Cleese's character, Archie Leach (Carey Grant's real name) is a likable buffoon of a lawyer, happy in his banal existence until he meets the sexy American, Wanda (Jamie Lee). I cannot even being to describe the plot beyond that point without doing it a grave disservice. It twists and dangles about in a world of double-cross and goldfish-eating for no other reason than to set up a joke.

You cannot speak of this film without mention of Kevin Kline as Otto, a role that won him a richly-deserved Oscar. Otto is the ex-CIA "weapons man" who makes it his business to read philosophy but would be more at home with Curious George. An obsessive, self-indulgent, painfully stupid, violent, deceitful, gullible egomaniac, the character of Otto is amongst the best comedic performances ever delivered.

The film's funniest scene takes place at Leach's (Cleese) house. In a scene that rivals anything that has ever hit the screen for laughs, the film and its scripts looks deep enough into itself to even give Cleese's dry-as-toast wife a laugh or two. Then, later on, this scene proves to be the set up for even more jokes. A Fish Called Wanda is pure comedy and every scene either provides a laugh or sets one up - it graciously does not waste our time trying to be moral or turning into a formula car-chase flick.

My comments are choppy but so is this movie. If you see it and don't laugh, check your pulse. We have only been given a handful of good comedies in the last decade. A Fish Called Wanda is a treasure. **** out of ****.

NOTE: TBS and some other TV networks show this film with the "offensive language" edited out. It kills the movie - if you can't hack the language, pass this one over.

To make a comedy that can be lauded with the comment 'absolutely hilarious' isn't an easy thing to do. It's not so difficult, however, when you are one of the funniest men on god's green earth; and the extremely talented John Cleese has certainly managed to write a fine piece of comedy here. Teaming up with Monty Python buddy Michael Palin and Ealing studios director Charles Crichton, these talented comedians have managed to create a film that is most certainly one of the funniest; laugh per minute and lasting hilarity when it's over, movies ever made. The plot is taken straight from the classic Ealing comedy era (no wonder it works so well) and it follows four crooks that have stolen a bunch of jewels and now decide to double cross one another to take the loot solely for themselves. The plot thickens when the female of the bunch decides that the best way to get the loot would be to get close to a grassed-up co-conspirator's barrister; John Cleese.

Aside from an inch-perfect screenplay, A Fish Called Wanda also benefits from a fine cast of actors to deliver it. John Cleese steals every scene he's in, as you might expect, and he more than justifies his reputation as one of, maybe even the, finest British comedy actor ever. He is joined by a talented pair of Americans; Kevin Kline and Jamie Lee Curtis, along with, as mentioned, his fellow Python Michael Palin. Kline is certainly one of the most underrated actors working today, and his comic timing in this movie is right on the money. Makes you wonder how much better he could have been used over the years. "Scream Queen" Jamie Lee Curtis also does well in the title role; and Michael Palin obviously knows his way round a comedy script. The jokes in the film come thick and fast, and I can't think of a single one that didn't work. It's the big gags that are the real stand out of the movie, though, and one in particular that sees Kevin Kline trying to explain to Cleese's wife what he's doing in their home is absolutely priceless. I nearly fell of my chair laughing. This film is a must see.

Before I review this film, I want to mention that I've seen it about ten times and have yet to stop laughing at any of the jokes. This is one of the best written and acted comedies that I've ever seen. The plot is airtight, and the jokes are perfectly timed and delivered. This is due in large part to the spectacular cast of the film. Jamie Lee Curtis, Johh Cleese, Michael Palin, and my personal favorite Kevin Kline as Otto the moronic ex-CIA agent who's too stupid to realize that he's stupid. The film centers around the four aforementioned actors who are involved in a bank robbery, and the conniving and backstabbing by each that takes place afterwards. A large portion of the comedic material in this film comes from the mixture, or more precisely clash, of British and American cultures. Kevin Kline's portrayal of Otto the red-blooded American with entirely too much ego and confidence is contrasted perfectly by John Cleese's reserved and in Otto's words "sexually repressed" English gentleman who is too scared to go out and live his life. Jamie Lee Curtis is also great as the title character who is determined to back-stab and cross anyone and everyone in order to get what she wants. Finally, there's Michael Palin as Ken the hit-man/animal lover/severe stutterer who must kill a key witness in order to protect his boss. If there are any funnier scenes than the ones where Ken must kill this witness, I haven't seen them. Palin is absolutely brilliant, easily one of the best comedic performances ever. The film is close to 2 hours long, but the plot is so clever and well structured that it's over before you know it. To me, that is one of the trademarks of a great film. You don't want this movie to end, and you're disappointed when it does. Do yourself a favor and watch A Fish Called Wanda and you will wonder why you haven't seen (or in many cases even heard of) this film before.

What makes this old friend so very funny? There are lots of great setpiece sequences, like Michael Palin running over Kevin Kline in slow motion. It's the energy that Kline gives to his Oscar-winning role, the way Jamie Lee Curtis double crosses everyone, Michael Palin's stammer, Tom Georgeson's malign mastermind, the clockwork jewel robbery..... but mostly its the mean-spirited selfishness that suffuses every moment of it. It's pretty much unique for British comedy, which always seems to have a soft spot some place for the little fellow. Even the Boultings, at their most vicious, have that normative core , a sense of right and wrong, to grimace dourly at the actions of their petty tyrants.

This movie, however, makes no such claim. In fact, Cleese's monologue about the stifling, lifeless way in which the British are terrified of saying the wrong thing the terror of asking about the spouse and being told she left that morning... it's not a comedy of embarrassment. It's a comedy of shamelessness, and pretty much unique. And anyone who talks about 'poor taste' doesn't get it. It's meant to be tasteless.

Took me longer than I prefer to admit before actually seeing this movie even though I'm a huge fan of John Cleese and his work.. And I honestly had no idea who Kevin Kline even was before watching this. Winning an Oscar for best actor in a comedy was not normal in the 80's but he stole every scene he was involved it and he deserved it to say the least. Every actor did their job well and I can tell they had fun making this.

I read somewhere that the entire movie was written around the final scene with the truck and the "limey" sement.. How they turned a simple idea like this into a heist-comedy is beyond me but they made it work somehow, and it worked well.

This is an absolute classic!