Jake Blues, qui vient de sortir de prison, remonte son ancien groupe pour sauver le foyer catholique dans lequel lui et son frère Elwood ont été élevés.Jake Blues, qui vient de sortir de prison, remonte son ancien groupe pour sauver le foyer catholique dans lequel lui et son frère Elwood ont été élevés.Jake Blues, qui vient de sortir de prison, remonte son ancien groupe pour sauver le foyer catholique dans lequel lui et son frère Elwood ont été élevés.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 1 nomination au total
Gerald Walling
- Prison Guard
- (as Gerald Walling S.J.)
Southern California Community Choir
- Choir
- (as James Cleveland's Southern California Community Choir)
Steven Williams
- Trooper Mount
- (as Steve Williams)
Avis à la une
What is this film about?
It's a love-letter to Chicago, disguised as a road picture. In this case, Dan and John on an almost continuous journey around more Chicago locales than you can count on all of your available digits.
It's a musical. Throughout the "road trip", the film exploits every opportunity to enlist so many musical legends (who find reasons to "break out in song"), that you probably won't be able to keep track of all of them, either.
It's an excuse to throw in a long list of famous comedians, and other celebrities, strewn throughout the movie in bit parts, just for grins. (You should pay attention to almost every character that shows up along the journey, as virtually all of them are someone famous, e.g. even Twiggy shows up at one point.)
It's an excuse to destroy, in unimaginably creative ways, an entire mall, and numerous other buildings, as a result of chases, vendettas, etc., just in case you need an "action fix" to "round out" the movie's musical and comedic experience. (A decent percentage of those destructive activities, perpetrated by Carrie Fisher's character.)
There is a "plot thread" that provides an underlying reason for Dan and John's journey, but it's just there to facilitate all of the craziness. The journey is never boring (there's never time to get bored), and it is an awful lot of fun.
I finally decided to review this, while watching the 2020 4K UHD release (which, as an aside, looks great). I would be remiss not to mention that it's a bit hard to watch the film, and not feel a hint of sadness, based upon the fact that 40 years on, from its original release, so many of the actors, musicians, and comedians it features, are simply not with us anymore. For some, that is simply a consequence of age, but there are far too many others that should have still been with us. The only silver lining is that we get to see why we enjoyed them, while we had them.
I highly recommend this. It successfully melds so many film genres together into a single film, that it's almost impossible not to have fun.
It's a love-letter to Chicago, disguised as a road picture. In this case, Dan and John on an almost continuous journey around more Chicago locales than you can count on all of your available digits.
It's a musical. Throughout the "road trip", the film exploits every opportunity to enlist so many musical legends (who find reasons to "break out in song"), that you probably won't be able to keep track of all of them, either.
It's an excuse to throw in a long list of famous comedians, and other celebrities, strewn throughout the movie in bit parts, just for grins. (You should pay attention to almost every character that shows up along the journey, as virtually all of them are someone famous, e.g. even Twiggy shows up at one point.)
It's an excuse to destroy, in unimaginably creative ways, an entire mall, and numerous other buildings, as a result of chases, vendettas, etc., just in case you need an "action fix" to "round out" the movie's musical and comedic experience. (A decent percentage of those destructive activities, perpetrated by Carrie Fisher's character.)
There is a "plot thread" that provides an underlying reason for Dan and John's journey, but it's just there to facilitate all of the craziness. The journey is never boring (there's never time to get bored), and it is an awful lot of fun.
I finally decided to review this, while watching the 2020 4K UHD release (which, as an aside, looks great). I would be remiss not to mention that it's a bit hard to watch the film, and not feel a hint of sadness, based upon the fact that 40 years on, from its original release, so many of the actors, musicians, and comedians it features, are simply not with us anymore. For some, that is simply a consequence of age, but there are far too many others that should have still been with us. The only silver lining is that we get to see why we enjoyed them, while we had them.
I highly recommend this. It successfully melds so many film genres together into a single film, that it's almost impossible not to have fun.
Just as with "Ghostbusters," the characters in this film are so likable and so in your face, you can't help but love it. It also gives us a taste of the blues and its roots. There are songs throughout, including one by Aretha Franklin that will live forever. The choreography is terrific, and, of course, there are only two Blues Brothers, John Belushi and Dan Aykroyd. It doesn't matter what their reason is for doing what they do. They have determined they are on "a mission from God." Belushi was such a genius, though a troubled performer. Aykroyd was not nearly so gifted but played a very nice straight man to Belushi's insanity. We are slipping away from an era that provided us with some of the most memorable comedians we will ever see. This was a vehicle to bring much of that to fruition.
10mjw2305
1/ The music in this film is outstanding, with roles for Aretha Franklin, Cab Calloway, John Lee Hooker, Ray Charles and more.... that's not really surprising.
2/ One of the finest car chases in cinematic history (The Italian Job and Smokey and the Bandit 2 are the only others that come close)
3/ John Belushi's own brand of comic genius throughout the movie
4/ Mulitiple memorable scenes and one liners
5/ Cameos from Steven Spielberg, Twiggy, Frank Oz, etc.
6/ Carrie Fisher as the psycho love interest intent on revenge.
Nuff said, watch it and love it 10/10
2/ One of the finest car chases in cinematic history (The Italian Job and Smokey and the Bandit 2 are the only others that come close)
3/ John Belushi's own brand of comic genius throughout the movie
4/ Mulitiple memorable scenes and one liners
5/ Cameos from Steven Spielberg, Twiggy, Frank Oz, etc.
6/ Carrie Fisher as the psycho love interest intent on revenge.
Nuff said, watch it and love it 10/10
10mcstack
A musical comedy action fantasy should not work, especially when one considers that it is the first SNL skit-to-screen adventure (which, history has shown us, is a decidedly mixed bag). But this one does. Two of the best car chases in cinematic history bookend the film, and in between there are show-stopping musical numbers, raw humor, Illinois Nazis, and a seriously disgruntled ex-fiancee. And it all makes perfect sense in the context of the universe created by Aykroyd (who co-wrote), Landis (who directed), and Belushi (his barely contained zeal provides the battery pack for this film).
Jake (Belushi) and Elwood (Aykroyd) are the former front men of a broken down blues band (actually a stunning collection of blues talent) which disbanded after Jake was arrested several years before. Upon his release, he discovers that his boyhood orphanage home is about to be foreclosed upon for non-payment of property taxes. Beaten up by a nun, sung to by James Brown, and touched by God, Jake sees the light and seeks to put the band together for one last show -- a charity benefit to save the orphanage.
Their journey takes them from James Brown to Aretha Franklin to Ray Charles, John Lee Hooker to Cab Calloway. The movie showcases the overwhelming talent of singers, musicians, and genres long out of vogue with popular musical tastes. Indeed, this movie is a vehicle for giving these performers a chance to shine -- to bring their music back to the masses and ultimately into pop-culture immortality (to go along with their more prestigious musical immortality).
This film is guaranteed to make you tap your feet, laugh out loud, gasp as both a mall and and entire fleet of Chicago police cars are destroyed, and believe in the magical powers of an old cop car. Like I said, it's a musical comedy action fantasy.
And it works.
Jake (Belushi) and Elwood (Aykroyd) are the former front men of a broken down blues band (actually a stunning collection of blues talent) which disbanded after Jake was arrested several years before. Upon his release, he discovers that his boyhood orphanage home is about to be foreclosed upon for non-payment of property taxes. Beaten up by a nun, sung to by James Brown, and touched by God, Jake sees the light and seeks to put the band together for one last show -- a charity benefit to save the orphanage.
Their journey takes them from James Brown to Aretha Franklin to Ray Charles, John Lee Hooker to Cab Calloway. The movie showcases the overwhelming talent of singers, musicians, and genres long out of vogue with popular musical tastes. Indeed, this movie is a vehicle for giving these performers a chance to shine -- to bring their music back to the masses and ultimately into pop-culture immortality (to go along with their more prestigious musical immortality).
This film is guaranteed to make you tap your feet, laugh out loud, gasp as both a mall and and entire fleet of Chicago police cars are destroyed, and believe in the magical powers of an old cop car. Like I said, it's a musical comedy action fantasy.
And it works.
After John Landis had directed John Belushi in "Animal House", and after John Belushi and Dan Aykroyd had co-starred in "1941", all three collaborated on a movie with which they will forever be associated: "The Blues Brothers". The plot of course has Jake (Belushi) and Elwood Blues (Aykroyd) on "a mission from God" to save the orphanage where they grew up. This necessitates reassembling their blues band and going on tour. By going on tour, I mean making a mess of everything. Whether it's their boorish behavior in a ritzy restaurant, the demolition of a mall, or an infinite number of car crashes, these guys are the bane of orderly society.
Of course, the real star is the music. Making guest appearances are some of the twentieth century's most renowned artists. Ray Charles plays a music store owner, James Brown plays a preacher, Aretha Franklin plays The Soul Food Cafe owner, and there's many more. This movie reminds us why the blues remain an integral part of our national heritage. The big concert is probably the best example (especially with Elwood's crazy dance).
Also appearing are Carrie Fisher as a woman out to kill Jake, John Candy as the police chief chasing them, Henry Gibson as an Illinois Nazi out to get Jake and Elwood after a most unusual encounter, and Steven Spielberg as the Cook County Clerk. All in all, this is one movie that won't disappoint you. Because everybody needs some movie to love (some movie to love/some movie to love). It needs you, you, you...
Of course, the real star is the music. Making guest appearances are some of the twentieth century's most renowned artists. Ray Charles plays a music store owner, James Brown plays a preacher, Aretha Franklin plays The Soul Food Cafe owner, and there's many more. This movie reminds us why the blues remain an integral part of our national heritage. The big concert is probably the best example (especially with Elwood's crazy dance).
Also appearing are Carrie Fisher as a woman out to kill Jake, John Candy as the police chief chasing them, Henry Gibson as an Illinois Nazi out to get Jake and Elwood after a most unusual encounter, and Steven Spielberg as the Cook County Clerk. All in all, this is one movie that won't disappoint you. Because everybody needs some movie to love (some movie to love/some movie to love). It needs you, you, you...
Le saviez-vous
- AnecdotesSome performers were not used to lip-syncing to pre-recorded songs, standard procedure for movie musicals. James Brown ended up singing his number live with a recorded backing (the rest of his choir was lip-syncing). John Lee Hooker's performance of "Boom Boom" was recorded live at Chicago's Maxwell Street Market. Aretha Franklin's performance is cut together from many, many takes, using the parts where her lip-syncing was actually in sync.
- Gaffes[1:26:41]When the Good Old Boys arrive at Bob's Country Bunker, it is clearly after closing time. No explanation is given as to why they are so late, and they would realize that the bar is now closed and would not expect to play their set.
- Crédits fousWhen in Hollywood, Visit Universal Studios (Ask for Babs) [see also American College (1978)]
- Versions alternativesThe Collectors' Edition on DVD runs 18 minutes longer than the original release and includes the following expanded or newly added scenes:
- The two Joilet guards come to get Jake in his cell and have trouble waking him up.
- One additional line from Frank Oz as he rattles off Jake's material possessions.
- An additional line for the Penguin regarding missions: "I'll be sent to the missions... Africa, Latin America... Korea."
- Jake and Elwood discuss getting the money for the mission honestly outside of the Triple Rock Baptist Church.
- The "The Old Landmark" number is considerably longer, incorporating more dance sequences and extra verses.
- After the demolition derby in the shopping mall Elwood parks the Bluesmobile in a hiding place beside an electrical power box. (John Landis explains that Aykroyd thought this would show how the car gets its incredible endurance, but also goes on to explain that it never did make any sense, so the scene was cut.)
- A few extra lines of dialog when Elwood and Jake rest in his apartment.
- When the cops come to arrest Jake and Elwood in the motel, they first stop at the registration desk and intimidate the manager. They also greet Sam, who seems to be known by everyone.
- An entire sequence with Elwood boosting chemicals from his day job, then quitting the job to become a priest, is restored.
- After the above sequence, Jake and Elwood study a cigarette box with "the last known address of Bones Malone and Blue Lou Marini".
- After getting the new address of Bones Malone, Elwoods thanks Ms Tarantino before leaving.
- Jake has an extra line of dialog while pep-talking Murph and the Magictones at the Holiday Inn ("Now, who here at this table can honestly say that they played any finer or felt any better than they did when they played with the Blues Brothers?")
- One line of dialog for Henry Gibson is restored for the Illinois Nazis scene at the bridge, with regards to the swastika ("The sacred and ancient symbol of your race since the beginning of time!")
- The "Boom Boom" number is much longer, with extra shots of John Lee Hooker laughing and arguing with his band. Jake and Elwood watch for a moment then enter the Soul Food Cafe.
- "Think" has extra verses and shots of dancing.
- When the band arrives at Bob's Country Bunker, Bob hands the request list to Bones Malone, who looks at it blankly.
- The "Theme from Rawhide" and "Stand By Your Man" numbers are slightly longer.
- The original Picwood preview included another musical number, "Sink the Bismark", but that footage has been lost.
- More lines of dialog for Maury Sline in the steam room scene, mostly regarding to the old gigs having been turned into (gay) discos.
- When Jake fills up the tank for the Bluesmobile, he overfills it and gas spills over. When they peel out from the station, Elwood flicks a cigarette out of the window and causes the station to explode. (Landis now says he doesn't remember why this particular scene was cut.)
- Before the sound-check Curtis (Cab Calloway) explains to the band that they need to do it for the kids, since the Blues Brothers will use the money raised from that concert to pay the taxes for a church. The look on the faces of the band after they hear it is priceless!
- The "Minnie the Moocher" number is considerably extended.
- As Jake and Elwood sneak into the show, Elwood takes the chemicals that he stole from the show and sneaks them into the tires of the cop cars.
- Both the "Everybody Needs Someone to Love" and "Sweet Home Chicago" numbers are extended.
- When Jake and Elwood sneak out, the gas in the cop cars tires reacts and causes the tires to explode on some to delay the police.
- An alternate line of dialog for Carrie Fisher in the sewer when she confronts Jake, about how her father "used up her last favors" with the Mafia for her wedding. In the original release it was changed due to complaints of the Italian-American community.
- The lengthy climactic chase to (and through) Chicago features many extra lines and shots of racing autos.
- The "assault on Daley plaza" and the Assessor's Office scenes also feature extra lines and shots.
- The "Jailhouse Rock" number is slightly longer.
- As the prisoners riot at the end of the film, there is a brief shot of riot-geared police guards racing into the mess hall that has been added. It changes the end of the film subtly.
- The "cast of characters" and end credits are extended to accommodate the new footage.
- ConnexionsEdited into The Stories Behind the Making of 'The Blues Brothers' (1998)
- Bandes originalesSomebody Loan Me a Dime
(uncredited)
Written and Performed by Fenton Robinson
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Los hermanos caradura
- Lieux de tournage
- 15101 Dixie Highway, Harvey, Illinois, États-Unis([28:20]Shopping Mall Complex with infamous car chase scene. They broke my watch! Demolished)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 27 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 57 229 890 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 858 152 $US
- 22 juin 1980
- Montant brut mondial
- 115 229 890 $US
- Durée2 heures 13 minutes
- Couleur
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