Un jeune garçon perturbé est plongé dans un monde fantastique à travers les pages d'un livre mystérieux.Un jeune garçon perturbé est plongé dans un monde fantastique à travers les pages d'un livre mystérieux.Un jeune garçon perturbé est plongé dans un monde fantastique à travers les pages d'un livre mystérieux.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 victoires et 9 nominations au total
Chris Eastman
- 1st Bully
- (as Drum Garrett)
Beth Anderson
- The 2nd Balladeer
- (voix)
- (non crédité)
Donald Arthur
- School's Caretaker
- (non crédité)
Willie Coppen
- Fantasia Inhabitant
- (non crédité)
Bernd Eichinger
- Man next to Man Who Drops Milk
- (non crédité)
Dee Harris
- The Balladeers' Lead Guitarist
- (non crédité)
Avis à la une
This film was a favorite of mine as a kid, but even back then I recognized that the book by Michael Ende was superior. Overall, it's a wonderful children's film marred by an inconsistent tone and an unsatisfying ending.
No fantasy film I've seen has tapped more successfully into the kinds of philosophical thoughts that kids have. Think of Rockbiter's speech describing the Nothing: "A hole would be something. Nah, this was nothing. And it got bigger, and bigger, and bigger...." This is the type of film that greatly appeals to introspective kids who think about things like infinity and the end of the universe. Do children really think about such things? I did. People who find that surprising have forgotten how profound children can sometimes be.
The whole of Fantasia, indeed, seems to be built out of children's dreams and fears. Some of it is about exhilaration, as when Atreyu rides Falkor. Others reflect anxiety, as in Atreyu's trek through the Swamps of Sadness. What appealed to me most as a kid was how an imaginative but passive child, sort of a young Walter Mitty, opens up a book in which an older, braver version of himself goes on adventures. But "Neverending Story" isn't so much escapism as it is about escapism. It's essentially a fable about the destruction of a child's fantasy world as he grows older and adapts to the modern world.
The special effects are good for their day. Although they look phony at a few points, the film's distinct visual look, from the shimmering Ivory Tower to the assortment of weird creatures, holds up well today. What makes the film work especially well is that the two child stars--Barret Oliver and Noah Hathaway--prove themselves capable actors. I use the word "capable" because almost everyone in the film overacts in an annoying way, which I blame primarily on the director. But there's a wonderful cameo by Gerald McRaney as Bastian's father. He has the perfect tone for the scene, appearing loving but distant, unable to fathom Bastian's mind. I wish the film had followed through by returning to their relationship at the end and exploring how Bastian changes as a result of his experiences in Fantasia.
The reason the ending doesn't work is obvious to anyone who's read the book. Simply put, the movie shows only the first half of the book! While this isn't the movie's fault entirely--there was no way the entire story could have fit into one movie--this could have been handled better. "The Wizard of Oz" faced the same problem yet managed not only to become one of the greatest fantasy movies of all time but to surpass its source material in some ways. "The Neverending Story" doesn't accomplish that feat. The story feels unresolved at the end while at the same time failing to clearly set up for a sequel. It attempts to wrap everything up with a sequence in which Bastian takes revenge on his old bullies. I enjoyed this scene when I was a kid, but in retrospect it creates a clash between the real world and the fantasy world. Bastian never grows as a character, he never learns to put his feet on the ground, something the early scenes suggest will happen.
There's one other problem, and that's that Wolfgang Petersen never really figured out the proper tone for a children's movie. He must not have had a clear idea what age he was shooting for. Some of the scenes are quite scary and violent, making this film inappropriate for younger children. Yet the muppet-like characters are presented in an annoyingly condescending way that I doubt older kids (not to mention teens and adults) would appreciate. For example, the first scene in Fantasia plays like a revival of Sesame Street, with Rockbiter filling the Cookie Monster role. By the time I was old enough to appreciate the deeper aspects of the story, I cringed at the film's cutesy moments. Petersen didn't have to direct the film this way. Had he shot for a wider age group, the result would have been fresher and more authentic for everyone.
No fantasy film I've seen has tapped more successfully into the kinds of philosophical thoughts that kids have. Think of Rockbiter's speech describing the Nothing: "A hole would be something. Nah, this was nothing. And it got bigger, and bigger, and bigger...." This is the type of film that greatly appeals to introspective kids who think about things like infinity and the end of the universe. Do children really think about such things? I did. People who find that surprising have forgotten how profound children can sometimes be.
The whole of Fantasia, indeed, seems to be built out of children's dreams and fears. Some of it is about exhilaration, as when Atreyu rides Falkor. Others reflect anxiety, as in Atreyu's trek through the Swamps of Sadness. What appealed to me most as a kid was how an imaginative but passive child, sort of a young Walter Mitty, opens up a book in which an older, braver version of himself goes on adventures. But "Neverending Story" isn't so much escapism as it is about escapism. It's essentially a fable about the destruction of a child's fantasy world as he grows older and adapts to the modern world.
The special effects are good for their day. Although they look phony at a few points, the film's distinct visual look, from the shimmering Ivory Tower to the assortment of weird creatures, holds up well today. What makes the film work especially well is that the two child stars--Barret Oliver and Noah Hathaway--prove themselves capable actors. I use the word "capable" because almost everyone in the film overacts in an annoying way, which I blame primarily on the director. But there's a wonderful cameo by Gerald McRaney as Bastian's father. He has the perfect tone for the scene, appearing loving but distant, unable to fathom Bastian's mind. I wish the film had followed through by returning to their relationship at the end and exploring how Bastian changes as a result of his experiences in Fantasia.
The reason the ending doesn't work is obvious to anyone who's read the book. Simply put, the movie shows only the first half of the book! While this isn't the movie's fault entirely--there was no way the entire story could have fit into one movie--this could have been handled better. "The Wizard of Oz" faced the same problem yet managed not only to become one of the greatest fantasy movies of all time but to surpass its source material in some ways. "The Neverending Story" doesn't accomplish that feat. The story feels unresolved at the end while at the same time failing to clearly set up for a sequel. It attempts to wrap everything up with a sequence in which Bastian takes revenge on his old bullies. I enjoyed this scene when I was a kid, but in retrospect it creates a clash between the real world and the fantasy world. Bastian never grows as a character, he never learns to put his feet on the ground, something the early scenes suggest will happen.
There's one other problem, and that's that Wolfgang Petersen never really figured out the proper tone for a children's movie. He must not have had a clear idea what age he was shooting for. Some of the scenes are quite scary and violent, making this film inappropriate for younger children. Yet the muppet-like characters are presented in an annoyingly condescending way that I doubt older kids (not to mention teens and adults) would appreciate. For example, the first scene in Fantasia plays like a revival of Sesame Street, with Rockbiter filling the Cookie Monster role. By the time I was old enough to appreciate the deeper aspects of the story, I cringed at the film's cutesy moments. Petersen didn't have to direct the film this way. Had he shot for a wider age group, the result would have been fresher and more authentic for everyone.
The NeverEnding Story is one of my all time favourite movies, it is just so magical. The music is brilliant, and the story is a magical, simple and effective one. The scenery, sets and costumes were visually a feast to the eyes, just gorgeous to look at, and if it didn't get any awards for best art direction, then that is a massive shame, because it was so beautiful to watch. Falcor was a fantastic character, a very warm and loving character, that you just have to love. I have to admit though, Gmork is very scary. The acting is fantastic, Barret Oliver very spirited as Bastian, and Noah Hathaway born to play Atreyu. And Tami Stromach as the Childlike Empress has a small but wholly relevant role in the film. This film is practically perfect in every way and has a wonderful message, don't miss it! The second film's okay, but the third one is god awful and should be in the bottom 100. 10/10 for this though. Bethany Cox
The Neverending story is by far the best "Fantasy" film ever made and I doubt that it will ever be topped. I saw this movie with my dad one cold autumn afternoon, and my life changed forever that day. This movie taught me that fantastic places and wonderful creatures really do exist. You only have to want them to. Even today, aged 23, working in the computer industry, I find myself slipping in the Neverending Story soundtrack in my CD player and dreaming away to Fantasia...
This movie the most beautiful and touching movies ever created. It's an example of a timeless story, told with wonderful creatures and dazzling vistas of the land of Fantasia. The amazing and perfect soundtrack help capture your heart and won't let go until the end credits fill the screen. At which time you notice that you've been crying for the last ½ hour. I consider myself extremely lucky that this wonderful movie was shown to me at such a young age, telling me that the world is what you make of it.
And luckily, this September I can watch it all on DVD!!
This is a masterpiece, nothing less
This movie the most beautiful and touching movies ever created. It's an example of a timeless story, told with wonderful creatures and dazzling vistas of the land of Fantasia. The amazing and perfect soundtrack help capture your heart and won't let go until the end credits fill the screen. At which time you notice that you've been crying for the last ½ hour. I consider myself extremely lucky that this wonderful movie was shown to me at such a young age, telling me that the world is what you make of it.
And luckily, this September I can watch it all on DVD!!
This is a masterpiece, nothing less
Although I was only a year old when the Neverending Story first came out, I remember watching it over and over as a little girl. My grandma got it for me when I was little and I remember making her watch it with me almost every day--sometimes two or three times in the same day. Then somehow I lost the tape, and although I still remembered and loved the movie, I forgot just how magical it really was. Then finally, (after years of "I wonder what happened to...") I found it. I realize now that in finding it I not only rediscovered a part of myself, but a beautiful world I forgot existed.
I admit that I am still waiting for a luck dragon to come and take me home to Fantasia. I belong there. A part of me lives there and so does a part of everyone, although they may not be aware of it. This is without a doubt the most beautiful movie ever made (although Legend comes close) and its message will never die as long as people hold on to their dreams. Barret Oliver's performance as Bastian still makes me cry. He speaks to that part of all of us that is not afraid to "do what we dream." Noah Hathaway was perfect for the part of Atreyu. He is one of the most beautiful and realistic heroes ever depicted. And Tami Stronach as the Childlike Empress (Moon Child) remains one of the most beautiful characters ever to grace the screen. The acting is wonderful, and the background scenery is breathtaking.
But the Neverending Story is more than just a movie. It speaks to that part in all of us that will never let go of our dreams. It is a story that will never end as long as there are people to appreciate its message. Everyone should see this movie and remember: Fantasia IS real. And "Fantasia can arise in you."
I admit that I am still waiting for a luck dragon to come and take me home to Fantasia. I belong there. A part of me lives there and so does a part of everyone, although they may not be aware of it. This is without a doubt the most beautiful movie ever made (although Legend comes close) and its message will never die as long as people hold on to their dreams. Barret Oliver's performance as Bastian still makes me cry. He speaks to that part of all of us that is not afraid to "do what we dream." Noah Hathaway was perfect for the part of Atreyu. He is one of the most beautiful and realistic heroes ever depicted. And Tami Stronach as the Childlike Empress (Moon Child) remains one of the most beautiful characters ever to grace the screen. The acting is wonderful, and the background scenery is breathtaking.
But the Neverending Story is more than just a movie. It speaks to that part in all of us that will never let go of our dreams. It is a story that will never end as long as there are people to appreciate its message. Everyone should see this movie and remember: Fantasia IS real. And "Fantasia can arise in you."
I think most people that have seen this will agree that this is one of the best fantasy films ever made! I think I may have to agree with them!
This film has a special place in my heart, cause I grew up with this film. I've probably seen this film more times than any other movie (although, it may be too close to call with "Labyrinth", "The Wizard of Oz" and "The Dark Crystal" in the running)! Isn't it funny how when you were young you could watch the same movie over and over and over and over and never get sick of it...not that a whole lot has changed since then, but it cracks me up how well I remember this film ever time I see it. I remember just about ever line, every scene, every nuance, every single little miniscule detail about this movie! Ok...I'm sounding a bit obsessed aren't I.
Well, what I'm trying to say here is that this is a great film and with an excellent story. The acting, directing, special effects, and everything else is just excellent in this film! Wolfgang Petersen really out-did himself with this film! I would definitely recommend this film to anyone that likes fantasy films...what am I saying, I would (and do) recommend this film to EVERYONE! What are you reading this review for? Go see this movie!!! Thanks for reading,
-Chris
This film has a special place in my heart, cause I grew up with this film. I've probably seen this film more times than any other movie (although, it may be too close to call with "Labyrinth", "The Wizard of Oz" and "The Dark Crystal" in the running)! Isn't it funny how when you were young you could watch the same movie over and over and over and over and never get sick of it...not that a whole lot has changed since then, but it cracks me up how well I remember this film ever time I see it. I remember just about ever line, every scene, every nuance, every single little miniscule detail about this movie! Ok...I'm sounding a bit obsessed aren't I.
Well, what I'm trying to say here is that this is a great film and with an excellent story. The acting, directing, special effects, and everything else is just excellent in this film! Wolfgang Petersen really out-did himself with this film! I would definitely recommend this film to anyone that likes fantasy films...what am I saying, I would (and do) recommend this film to EVERYONE! What are you reading this review for? Go see this movie!!! Thanks for reading,
-Chris
Le saviez-vous
- AnecdotesWith a budget of 50 million Deutsche Mark (about $27,000,000), this was the most expensive film ever produced in Germany at the time.
- GaffesWhen Atreyu is in the Swamps of Sadness with his horse, the horse sinks because it gives into the sadness, but Atreyu doesn't sink, even though he is crying and sad that his friend has died. Though not properly shown in the movie, the book explains how AURYN is protecting him. (His eventual near-sinking at the end of the scene, which never occurred in the book, is due to the plot changes that were made for the movie.)
- Citations
Rock Biter: They look like big, good, strong hands, don't they? I always thought that's what they were.
- Versions alternativesThe Warner Bros. Pictures logo and it's closing Saul Bass variant are both plastered with the 1992 variant in the DVD version, and 2003 variant in the Blu-ray version.
- Bandes originalesThe Neverending Story
Music by Giorgio Moroder
Lyrics by Keith Forsey
Performed by Limahl Feat. Beth Anderson (uncredited)
Guitar solo Dee Harris (uncredited)
Courtesy of EMI Records, Ltd.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- La historia sin fin
- Lieux de tournage
- Blood Alley, Gastown, Vancouver, Colombie-Britannique, Canada(alley that Bastian is chased into)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 27 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 20 192 381 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 325 823 $US
- 22 juil. 1984
- Montant brut mondial
- 20 289 924 $US
- Durée1 heure 42 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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By what name was L'Histoire sans fin (1984) officially released in Canada in French?
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