Ajouter une intrigue dans votre langueA woman released from a mental hospital questions her sanity after she hears strange voices in the country manor she has moved into with her husband.A woman released from a mental hospital questions her sanity after she hears strange voices in the country manor she has moved into with her husband.A woman released from a mental hospital questions her sanity after she hears strange voices in the country manor she has moved into with her husband.
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A protracted stage play on what looks like low grade videotape bookended by film sequences to remind you what the rest of it should have looked like. Unnaturalistic dialogue that goes absolutely where you expect, delivered with a generous helping of ham. My interest was piqued momentarily when I realised that the child playing John was in the tiger segment of Tales That Witness Madness, and there is a soupçon of guilty curiosity in watching Hemmings and Hunnicutt perform as a bickering couple in the knowledge that their real life marriage was at that time falling apart. Otherwise this is a colossal waste of everyone's time. Move along...
An unsual film. Good first act. Great last act. The middle act, shot on videotape, is essentially one long scene of the two characters arguing, apologizing, and arguing again. It feels very much like a BBC adaption of a stage play, and is relatable but reptetive.
However, stick with it; the scenes of what may be either ghosts or hallucinations become increasingly frightening, leading up to a shocking climax where we find out exactly which they are.
Gayle Hunnicutt's does wonders with her haunted gaze, and the fog-shrouded country house location has a nicely ynderstated atmosphere of isolation and dread.
Comparisons to Don't Look Now are apt; there are also similarities to 2001's The Others.
However, stick with it; the scenes of what may be either ghosts or hallucinations become increasingly frightening, leading up to a shocking climax where we find out exactly which they are.
Gayle Hunnicutt's does wonders with her haunted gaze, and the fog-shrouded country house location has a nicely ynderstated atmosphere of isolation and dread.
Comparisons to Don't Look Now are apt; there are also similarities to 2001's The Others.
This movie is quite difficult to locate, which is a shame for horror fans. In the past couple of years, more sophisticated films such as "What Lies Beneath" and "The Sixth Sense" have been giving scary movies a good name. "Voices" is from this class of thriller because it achieves its shocks through the use of story and character interaction, with an ending that leaves you wondering and frightened for days. It is a simple story about a young British couple who want to get away for a short, romantic vacation in a secluded area of rural England. The destination is unfamiliar to both, and the journey there is ripe with dialogue so realistic and ordinary (plain conversation, arguments, reconciliations) that one might initially think "Voices" is an arty, ad-libbed drama as opposed to a horror flick. This mundane aspect is all a ploy to throw the viewer off, however. Once the young lovers find the vacation house, the mood shifts eerily and the sense of something threatening and supernatural surrounds the couple. They become frustrated, confused and hateful towards each other as their romantic weekend slips through their fingers amidst a haunting neither one can identify. The audience are left equally bewildered, because there is no standard, knife-wielding lunatic creeping outside,and there is no demon locked in the cellar. There is merely this sense of accelerating decline in the characters that is fascinating to observe, and we find ourselves needing to know what happened en route that has resulted in this bizarre situation. Ultimately, the final ten minutes of the film answers all of our questions and makes the subtleties we were puzzling over seem more profound...and the couple themselves discover it as we do, with just as much sense of terror.
Submitted by Penny Dreadful, Halifax, Nova Scotia.
Submitted by Penny Dreadful, Halifax, Nova Scotia.
"Voices" is an exceptionally good and intelligently written ghost story. However, before watching it, I have a warning. The couple in the film (David Hemmings and Gayle Hunnicutt) are very depressed after the death of their son. As a result, she's depressed and angry...and he's just incredibly angry. They obviously are a couple who are in deep pain and while I didn't find the ghost part of the tale scary (it was more interesting than scary), it was tough seeing the pair tearing each other apart during the course of the film.
The movie begins with a couple taking their young son on an outing. They are distracted and the boy drowns. Some time has passed and the couple have decided to go to her summer home for a vacation. However, her emotional instability and his being tired of her emotional upheavals set the stage for a gloomy time. However, when they aren't bickering, she begins to hear children's voices...presumably the voices of dead children. Later, she even sees them. And, eventually, he hears them as well. What is going on here?!
This is a very intelligently written film. Despite the awful relationship between the couple, and it's hard to watch at times, the ending really pulls everything together perfectly. A wonderful and atmospheric movie.
The movie begins with a couple taking their young son on an outing. They are distracted and the boy drowns. Some time has passed and the couple have decided to go to her summer home for a vacation. However, her emotional instability and his being tired of her emotional upheavals set the stage for a gloomy time. However, when they aren't bickering, she begins to hear children's voices...presumably the voices of dead children. Later, she even sees them. And, eventually, he hears them as well. What is going on here?!
This is a very intelligently written film. Despite the awful relationship between the couple, and it's hard to watch at times, the ending really pulls everything together perfectly. A wonderful and atmospheric movie.
Apparently, David Hemmings and Gayle Hunnicutt had a terrible marriage although mainly because of Hemmings with his womanising and drinking. Within the film the two actors are all at it again it is drawn from a one-act play and then opened up. They are imagining Don't Look Now or even Who's Afraid of Virginia Woolf? Be something but certainly not and it doesn't even start of the dialogue being effective. A very half the way of a silly ghost story is all it is.
Le saviez-vous
- AnecdotesThe marriage of Gayle Hunnicutt and David Hemmings was falling apart rapidly when they made this film together, and the tensions between the characters they played were echoed by the tensions between them on set. Kevin Billington, the director, said that it was his most uncomfortable experience directing a film, adding that the situation was of no benefit whatever to the mood of the film.
- ConnexionsRemade as Hum Kaun Hai? (2004)
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- How long is Voices?Alimenté par Alexa
Détails
- Durée
- 1h 31min(91 min)
- Mixage
- Rapport de forme
- 1.66 : 1
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