Le Messie du mal

Eerie, dream-like zombie picture that anticipates both Romero's consumerism subtext and Boyle's agile undead. Full of quirky touches, it should be much better known than it is. Strange to think that one year later husband-and-wife team Huyck and Katz would co-write American Graffiti

This enigmatic, artsy horror film from the early 1970's is a lost low budget B classic waiting to be rediscovered. Also known as "Dead People," "Revenge of the Screaming Dead," and "Second Coming," this is actually a pretty creepy and surrealistic little flick.

Nicely stylized performances, both slowly sliding from self-possessed cool into numb fear in a believable style. There are also effective character turns by Elisha Cook, Jr. Old veteran actor instantly recognizable for his many roles film noir. Elisha Cook, Jr. Has a flair for portraying intense neurotics or spineless double-dealers. His best-known role was that of Wilmer in The Maltese Falcon (1941).

Rock solid performances, strongly developed characters, a genuinely creepy atmosphere. Much better than one would imagine for its low budget. "Messiah of Evil" ultimately has some great visual ideas and a genuine undercurrent of dread . Messiah Of Evil is a macabre little gem and a must for any fan of 1970's horror.

A young woman carries out a relentless search after losing contact with her artist father resulting in fateful consequences . As a beautiful woman named Arletty (Marianna Hill) travels to the west coast , she goes searching for her missing artist father . Her journey takes her to a strange Californian seaside town . At the beginning she doesn't find him , but Arletty meets Thom (Michael Greer) , a man who's travelling with two lovers, Toni (Joy Bang) and Laura (Anitra Ford). From this moment on , Arletty has unfortunate encounters , nightmares and daydreams . And other weird episodes during which the frightened Arletty seems to be mercilessly chased along the way . In order to live they will take you one by one and no one will hear you scream ! . Meet Albert. Albert likes good music, motor trips by moonlight, and...eating human flesh !. Albert is one of the Dead People. What is happening with the zombie apperance ?. Enter at your own risk! . Enter... if you dare . She Escaped Death. Now It Wants Her Back! She Was A Stranger Among The Living. Is there death after life? . A story so unusual it will burn itself into your mind . A weird tale of the unnatural . A picture that will haunt you. Terror you won't want to remember . In a film you won't be able to forget. Terror reigns when he returns.

A really atmospheric and psychological horror film in little budget and enjoyable compositions , it is set at a Californian coastal town that is supposedly invaded by some odd beings , Zombies-alike , and in which our starring must contend the personal demons as well as odd , stalking enemies . There are several scary scenes , chills , thrills , suspense and astonishing ending . A simple and plain plot about a gorgeous girl who's subsequently frightened by ghostly apparitions and becomes drawn to a mysterious abandoned little town with a few townsfolks prowling here and there . The film bears a certain resemblace to the classic ¨Carnival of Souls¨(1962) also with a disconcerting protagonist surrounded by fantastic appearances . Spooky and ghastly frames when our starring is relentlessly chased and attacked by weird figures whose repeated apperances seem mysteriously connected with his disappeared father . Cult-followed suspenseful movie has young Marianna Hill escaping from threatening people and including a tense as well as surprising finale . Including a good support cast such as : Elisha Cook Jr., Anitra Ford , Royal Dano , Charles Dierkop , and even brief appearance by prestigious director Walter Hill as the stabbing victim in prologue and Gloria Katz co-writer cameo as the woman in the box office at the theatre .

It contains a striking cinematography by Stephen Katz in brilliant color and with too much night scenes , adding a sinister atmosphere . Likewise, adequate and rare electronic music by Bishop . This is a confusing but acceptable low-rent production from the writers of ¨American Graffiti¨ : Willard Huyck , Gloria Katz. Filmmaker/writer/producer Willard Huyck was married to Gloria Katz who also served as writer, producer and uncredited filmmaker . As Willard Huyck is a writer/producer and occasionally director with no much success , such as : Best Defense , Willard the Duck , French Postcard . While Gloria Katz was a notorious writer including the following ones : Radioland Murders , American River , Howard the Duck , Indiana Jones and the temple of Doom , French Postcards , More American Graffiti , Lucky Lady , among others . Rating : 6/10 . The movie will appeal to cult movie fans .

Arletty (Marianna Hill) arrives in a small, odd, creepy coastal town in California looking for her father and she quickly learns little is as it seems.

Before Romero's Dawn of the Dead and The Crazies, there was Dead People a.k.a Messiah of evil. Shot in 1971 the film was not released until 1973. Like H.P. Lovecraft's Dagon and The Wicker Man (1973), weird locals are hiding a horrific secret... In Messiah, the people of Point Dune worship the rise of a red moon as they become zombies. The storyline is disjointed, but this adds to the mystic, surreal and dreamlike quality of the film. Admittedly, it feels art house, there is some irregular editing and the score is very much of its time, but there's plenty to like about it.

Kaufman's Invasion of the Body Snatchers (1978), Dead & Buried (1981) and the aforementioned Dawn of the Dead clearly have taken a cue from Willard Huyck's jumbled but effective film. Especially the scene where slinky brunette Anitra Ford is pursued through a supermarket. There is also truly creepy scene again with Ford and an albino trucker, played by Bennie Robinson, who you'd think would have been in a lot more horror movies. If you liked Let's Scare Jessica to Death (1971) and Night of the Living Dead there's some horror delight to be found here from the shocking first kill to the insane asylum ending.

Messiah of Evil oozes dread and suspense, it's a chilling 70's horror flick that despite its faults is a lot better than some of today's so called horrors.

'Messiah of Evil' is a relatively unknown B-Movie horror curio from the Seventies. A woman goes to a small seaside town to look for her artist father after he mysteriously stops correspondence with her and finds that something is well and truly afoot in the town. From the off the film establishes a disjointed atmosphere which is accentuated when she teams up with a man and two (stunning) women involved in a bizarre three-way relationship and together they try to fathom just what the dickens is going on in this creepy town. From here they learn that the town has become (for reasons unknown) a flesh-eating zombie cult.

On the surface the movie appears to have little in the way of characterisation or plot, but any gaps in these qualities only serve to highlight the lingering oddness that pervades the film which reminded me strongly of the distanced dream-like quality of Herk Harvey's B-movie classic 'Carnival of Souls' (1962) and, to a lesser extent, Argento's 'Suspiria' (1977)…if the hysteric flailing of Argento's classic had been given a sedative, that is. This effect is achieved through the locale of the town itself, the fine cinematography, the use of voice-overs, and the music all working effectively to build suspense as the eeriness unfolds climaxing in some genuinely surreal and haunting scenes.

However, it must be said that while I found the surreal world created for me easy to step into and inhabit I can easily see how fans of conventional horror would be put off by the creeping pace and absence of anything tangibly horrific. Still, it's the kind of movie that lives happily with its "cult" tag and sits comfortably among the late-night schedules which it knows all-too-well how to haunt.

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Public domain movie. Watch it free here: https://www.youtube.com/watch?v=tIuUyNwq9T8