L'Ile en folie

One of my favourites and the last great Carry on film. All the gang is here for the last time Sid, Kenny, Charlie, Babs, Joan, Hattie and they all seem to be having a great time and go out with a bang. Its meant to be set in Spain but its pretty obvious the team haven't ventured further than Slough. Great lines, and set pieces through but for me its Peter Butterworth as hotel manager Pepe who steals the show never since Up the Khyber has Butterworth been given a more showy role and he plays it to the hilt, shame he wasn't more cherished as a regular and was and is still overlooked in favour of less funnier member's of the team such as Bresslaw, Douglas. Love the scenes between him and Williams' Farquar. A great pick me up if your feeling a bit fed up it never fails to make me laugh. Classic!

A hilarious low budget romp for the carry on team. This film sends up both foriegners and Brits. The new idea of package holidays was a rich vein for comedy in the early seventies (see also the brilliant 'Are You Being Served' film), a time when most British people had never been abroad before (except perhaps during the war), so there was much scope for humour.

Amazingly the British weather held up long enough for the island of Elsbels (Camber Sands) to look convincingly like a mediterranean resort (well...in winter anyway!) but a large number of scenes are indoors anyway, so it doesn't matter. All the usual smut, innuendo, and gags about falling down hotels are there, and I defy anyone not to chuckle a few times. The only slight downside is the rather poor acting by Kenneth Williams' assistant, but she is extremely 'easy on the eye' so gets away with it.

My favourite scene is when the prison guard gives the gang the 'fine old British gesture' of two fingers up, to which Kenneth Connor replies 'Damned FILTH!'.

RANKING: one of the best of the modern-dress ones. The humour is a bit more smutty than in some but it's not dirty - it's still funny.

TYPICAL: Like all their non-historical films since CAMPING, they're all the exact same story but with different names. By 1972 when they made this, they'd got the recipe just right, it just clicks. Whilst hardly the height of sophisticated wit, every single line of the script seems to be a silly smutty double entendre. It's almost clever! One of the running gags is a local drink which makes you see the young ladies in their underwear - it's that sort of humour so if If you like this type of thing, this will be perfect for you. Unlike the last few films they did, this one's genuinely funny because it's silly and smutty rather than rude and offensive.

SEXY LADIES: The other essential of a Carry On film is saucy, sexy ladies and in this one we have them in abundance. The man (definitely a man) who did the casting must have particularly enjoyed that job. What's really surprising is how weirdly charming and innocent the gratuitous nudity is! Somewhere on set someone must have been told to ring a bell every five minutes signifying that whichever young lady was in frame at that moment they had to get their boobs out. The worthy winner of this 'adult' musical chairs game is usually Barbara Windsor. Her frequent toplessness is however never seedy and never vulgar, it's always done for laughs which makes her so endearing.

Lots of people dismiss this as one of the weaker entries in the 'Carry On' series, but I think it represents the typical storyline and characterisations which showed the team at their best.

Here, Sid James, Kenneth Williams, Joan Sims, June Whitfield, Kenneth Connor, Jimmy Logan, Barbara Windsor, Charles Hawtrey, Peter Butterworth, Bernard Bresslaw, and Hattie Jacques liven up proceedings when they take a holiday in the most horrendous hotel and resort there is to stay in.

With a character name like 'Stuart Farquhar', Williams gets the brunt of a lot of the jokes with the hotel host (Butterworth) constantly mispronouncing all or both. And throw in a rainstorm, a bowl of punch, some monks, randy husbands and stuffy wives, and busty blondes, and you have the ingredients for a 'Carry On' success!

To begin with, I had previously caught a bit from this one on TV while channel-surfing when in London in September 1999! Like CARRY ON DOCTOR (1967), this is another multi-title offering: CARRY ON ABROAD, OR WHAT A PACKAGE, OR IT'S ALL IN OR, SWISS HOLS IN THE SNOW! While this is essentially a second-tier "Carry On", it proved to be consistently enjoyable – which is why I went for a higher rating than I had myself anticipated; even so, there are a bit too many gay stereotypes here and it's marred somewhat by the flat TV-style look.

Incidentally the hotel shenanigans which take up most of the running-time anticipate the FAWLTY TOWERS (1975) TV series. By the way, this turned out to be Charles Hawtrey's final "Carry On" – unfortunately, he doesn't get to do much…but, then, neither does Kenneth Williams as the tour leader (he's even given an unconvincing romance with a pretty young colleague). On the other hand, Peter Butterworth is at his best as the multi-purpose hotel manager who speaks in broken English (with Hattie Jacques as his massive and grumpy backwoods wife). Among the guests are Sidney James, who's married to Joan Sims but his eyes are constantly on Barbara Windsor!; Sims herself draws the attention of gallant but henpecked Kenneth Connor. There are also a number of youngsters thrown into the fray, as well as a manly Scot, and a group of monks (one of whom, Bernard Bresslaw, is allowed to strike a friendship with one of the girls – her companion, incidentally, is played by Sally Geeson from Norman Wisdom's WHAT'S GOOD FOR THE GOOSE [1969], which I watched recently).

As I said, many hilarious gags revolve around the run-down condition of the unfinished hotel – but the scene shifts halfway through to an outing in town (which turns into a massive scuffle and lands the group in jail); the climactic farewell party, then, sees the hotel – literally on its last legs – as it's flooded and crumbling around them. CARRY ON ABROAD (on which a certain Sun Tan Lo Tion served as technical adviser) is one of the more satisfying latter-day efforts from the gang – but, ultimately, it's a notch below classic series titles such as CARRY ON COWBOY (1965), CARRY ON SCREAMING! (1966) and CARRY ON...UP THE KHYBER (1968).