Le Vampire et le Sang des vierges

Castle of The Walking Dead is the video version of the Constantin Film, Die Schlangengrube und das Pendel, and as such is shortened by approximately 15 minutes from the original. This film, released in 1967, is interesting for several reasons although it is certainly no classic. The careers of Lex (`Tarzan') Barker and Christopher Lee crossed briefly here and the presence of the lovely Karin Dor (wife of director Harald Reinl), whom readers may recognize from her role in the Fu Manchu films (which also starred Lee) of the same era, added a bit of grace to an otherwise grim story. Castle of . . . is an interesting mix of excellent atmosphere hampered by odd editing and sometimes laughable storyline. I was impressed by the sets and grim mood the film projected from beginning to end, and the presence of Lee makes this must see viewing for his many followers. However, this was far from his best work and one wonders if he was not overextending himself during this very busy period in his career.

Set in what appears to be 17th or 18th century Germany, Count Regula (Lee) is drawn and quartered for his offenses. 35 years later, his manservant Anatole, (ably portrayed by Carl Lange) initiates a rite to bring him back to life on Good Friday. The good Count requires the blood of 13 virgins for this to be achieved and, you guessed it, Dor as Baroness Lillian Von Brabandt is to be number 13. So the countess, and Barker as Roger Montelise, son of the judge who condemned the count many years before, are duped into visiting Regula's castle. One of the few scenes in the film which combines outstanding atmosphere with sold story line comes when Montelis and his party are being coached to the castle. A very frightening and disturbing ride it was through a forest of hanging bodies and detached limbs, giving some much needed credibility to a mostly mediocre offering. At the castle, the flow of the story breaks down. Several scripting mistakes are painfully obvious. Two examples: In one scene, Anatole is shot in the chest by Roger's man and we see a small amount of dark red blood before the bullet hole supernaturally closes. A few minutes later, Anatole cuts his wrist and green blood drips to Regula's coffin. In another, it is established that the `undead', Anatole and Regula, cannot bear the presence of a Christian cross in the same room with them. Yet instead of throwing it in his face and escaping, Dor meekly obeys Anatole's harsh command to remove it from his sight! But, in the end, the good guys win, vanquishing the risen to life Regula and the evil Anatole. They are taken away by the same coach they came in on and we are led to believe they lived happily ever after. Castle of . . . will be of interest to fans of European and/or obscure horror and the previously mentioned Lee cultists. Years ago I viewed the longer version, released under the American title, The Torture Chamber of Dr. Sadism and the added 15 minutes enhances the story greatly, so find that copy if you can. Castle of . . . was another release from InterGlobal Home Video, whom collectors like me owe a huge debt to.

It is fortuitous that this film has at last reached the light of day again, (via DVD) since it provides a welcome reminder of the type of Saturday matinée "scary" fare 1960s parents could safely drop the youngsters off to see--in some ways similar to 1962's "The Magic Sword."

Boasting a very "Siegfried" style hero in Lex Barker, a particularly comely brunette heroine, and Christopher Lee at his most cadaverously malevolent, horror fans should not be disappointed in the regulation personalities. Nor will they be disappointed in the abundance of Gothic contrivances: snakes, skulls, potions, glass coffins, razor pendulums etc. etc. And to those with questions about the logic of the narrative, don't bother with them--the rapid fire pacing won't wait for you to find an answer anyway--if nothing else this film does move!

Ultimately, however, it is in the visuals that this film most impresses. Production design and color are of a very high order indeed, ranking very favorably against Jack Asher and Mario Bava, and it is impossible to believe that the previous work of these two gentlemen is not deliberately evoked here.

Much could be observed in this connection, but suffice it to say that rarely has a nocturnal forest been presented more balefully, with gnarled trees juxtaposed against an ultramarine sky.

Even more in its favor is the effective use of a medieval Bavarian town, whose quaint architecture seems right out of E.T.A. Hoffmann. Here is an example of location shooting that counts for something! Overall, although the credits credit Edgar Allan Poe as the basis of the story, the piece feels altogether more like a "penny-dreadful" hybrid pastiche of the aforementioned Hoffmann and Ludwig Tieck.

Highly recommended for admirers of the genre.

My memories of seeing "The Torture Chamber of Dr. Sadism" as it was called on US local television in the mid Seventies date back a quarter of a century. I well remember the first time I saw the movie. I wasn't expecting anything at all special, certainly nothing as gripping and fascinating as this. The movie has a real feeling of something you would read about in a crumbling old manuscript in a deserted, dusty library. Lee is terrific as always and has a tremendous presence, even though he is only on screen for brief periods. Lex Barker is surprisingly effective as the hero, and Karin Dor is beautiful and elegant as always, as the heroine. The sets really steal the movie, though--inspired by the weird paintings of Hieronymous Bosch, they give a sense of ancient evil, laced with a perverted sort of fanciful whimsy, to the scenes in the castle.

This "Castle of the Walking Dead" contains – hands down – one of THE creepiest sequences I've ever seen. A carriage with four people inside is on its way to a sinister castle with a dark past when suddenly the driver notices they're going through a woods where there's a dead body hanging from nearly every three! The sight of and atmosphere during this particular sequences is truly horrific. In fact, the entire film somewhat relies on powerful isolated sequences of the macabre, as the story itself is quite familiar and routine Gothic stuff. "Castle of the Walking Dead" is another loose adaptation of Edgar Allen Poe's legendary tale "The Pit and the Pendulum"; which also already existed in a version directed by Roger Corman and starring Vincent Price. The film gives top-billing to veteran actor Christopher Lee, but apart from the intro sequence and the exquisite finale, his role isn't too extended. Lee plays the malicious and murderous Count Regula, who gets quartered for the all the vicious crimes he committed, but of course not before placing a curse on the judge who pronounced the death sentence and the last female victim who managed to escape and get him arrested. 35 years later, their unaware relatives are lured to the castle where the score shall be settled once and for all. I'm a big fan of Gothic horror and, generally speaking, rather forgiving when there are shortcomings. That's why I'm still very fond of "Castle of the Walking Dead" even though it definitely could have been even better. Many isolated sequences are terrific, but the wholesome is a bit incoherent. Once the almighty Christopher Lee is resurrected again, the quality level of the film rises again. His character is masterfully malevolent (another evil count consuming the blood of virgins to gain eternal life) and this great actor's natural horror charisma already delivers half of the powerful impact. The scene with the giant pendulum remains a brilliant highlight, regardless of how many times you've seen this before in other films. The titular castle is like a theme park full of wondrously sinister Gothic attractions. It even has vultures patiently waiting outside of the pendulum room!

This is an unknown surreal little masterpiece of horror! Borrowing loosely from Poe's "The Pit and the Pendulem", director Reinl does a masterful job of pacing and fills the screen with surreal and spine tingling images. There is atmosphere a plenty throughout the film and a sense of uneasiness. The set pieces and costumes are beautiful and are enhanced by the color filming of the movie. Christopher Lee is the rejuvenated Count Regula out to destroy the last member of one of the families that put him to death. Karin Dor is the last female member of one of the families and her blood will give the count what he needs for his "life exlixer". A fun and atmospheric movie that one can watch over and over again. Just beware the heavily cut video rental version and try to find the complete print.