NOTE IMDb
5,2/10
731
MA NOTE
Ajouter une intrigue dans votre langueU.N.C.L.E. agents Napoleon Solo and Illya Kuryakin battle T.H.R.U.S.H. spies to seize Dr. True's secret chemical formula used in extracting gold from sea water.U.N.C.L.E. agents Napoleon Solo and Illya Kuryakin battle T.H.R.U.S.H. spies to seize Dr. True's secret chemical formula used in extracting gold from sea water.U.N.C.L.E. agents Napoleon Solo and Illya Kuryakin battle T.H.R.U.S.H. spies to seize Dr. True's secret chemical formula used in extracting gold from sea water.
- Réalisation
- Scénario
- Casting principal
Robert Vaughn
- Napoleon Solo
- (images d'archives)
David McCallum
- Illya Kuryakin
- (images d'archives)
Joan Crawford
- Amanda True
- (images d'archives)
Curd Jürgens
- Carl Von Kesser
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Herbert Lom
- Randolph
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Telly Savalas
- Count Valeriano De Fanzini
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Terry-Thomas
- Constable
- (images d'archives)
Leo G. Carroll
- Alexander Waverly
- (images d'archives)
Kim Darby
- Sandy True
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Diane McBain
- Contessa Margo De Fanzini
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Jill Ireland
- Imogen Smythe
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Danielle De Metz
- Yvonne
- (images d'archives)
Jim Boles
- Dr. Simon True
- (images d'archives)
Philip Ahn
- Sazami Kyushu
- (images d'archives)
Arthur Gould-Porter
- Magistrate
- (images d'archives)
Bob Okazaki
- Police Inspector
- (images d'archives)
Maria Lennard
- Show Girl
- (images d'archives)
Avis à la une
THE KARATE KILLERS was the sixth big-screen enlargement of the hugely popular Man From UNCLE series. It was compiled from a two-part episode called THE FIVE DAUGHTERS AFFAIR (part one: 31 March 1967) and (part two: 7 April 1967). However, in common with it's predecessors, the TV version wasn't aired in the countries where the theatrical version was released for example Great Britain where the films were steady earners at the box office.
Napoleon Solo and Illya Kuriyakin are assigned to prevent evil THRUSH agent Randolph (HERBERT LOM) and his seemingly unstoppable karate chopping henchmen from stealing a secret formula for extracting gold from seawater. The formula has been divided up into four parts and hidden amongst the possessions of four of the five murdered inventor's daughters. Solo and Kuriyakin find themselves traveling around various parts of the globe in a race to stop THRUSH from gaining control of the world.
THE KARATE KILLERS is probably one of the weakest of the Man From UNCLE pictures because despite the caliber of the guest stars such as Terry Thomas, Curt Jurgens and Telly Savalas (who would be far more effective as Blofeld in the Bond movie ON HER MAJESTY'S SECRET SERVICE two years later) are not given enough to do in order to make the film live up to their talents. Having said that, Herbert Lom is good as the villain and there is an amusing send up of the MGM melodramas of the forties between him and Joan Crawford (who plays the inventor's wife) early on where Crawford throws a tantrum in front of him because she has just discovered that he has murdered her husband for his formula and Lom replies "There's no need to be melodramatic is there my dear." Another disappointing aspect of the film is that our heroes Solo and Kuriyakin get knocked out by the enemy far to many times in this one. All this doesn't mean that the movie is unwatchable, far from it, because it moves at a fast pace and there are some amusing moments here and there and don't forget - this is the sixties man so it's all good clean fun!
Followed by THE HELICOPTER SPIES (also 1967).
Napoleon Solo and Illya Kuriyakin are assigned to prevent evil THRUSH agent Randolph (HERBERT LOM) and his seemingly unstoppable karate chopping henchmen from stealing a secret formula for extracting gold from seawater. The formula has been divided up into four parts and hidden amongst the possessions of four of the five murdered inventor's daughters. Solo and Kuriyakin find themselves traveling around various parts of the globe in a race to stop THRUSH from gaining control of the world.
THE KARATE KILLERS is probably one of the weakest of the Man From UNCLE pictures because despite the caliber of the guest stars such as Terry Thomas, Curt Jurgens and Telly Savalas (who would be far more effective as Blofeld in the Bond movie ON HER MAJESTY'S SECRET SERVICE two years later) are not given enough to do in order to make the film live up to their talents. Having said that, Herbert Lom is good as the villain and there is an amusing send up of the MGM melodramas of the forties between him and Joan Crawford (who plays the inventor's wife) early on where Crawford throws a tantrum in front of him because she has just discovered that he has murdered her husband for his formula and Lom replies "There's no need to be melodramatic is there my dear." Another disappointing aspect of the film is that our heroes Solo and Kuriyakin get knocked out by the enemy far to many times in this one. All this doesn't mean that the movie is unwatchable, far from it, because it moves at a fast pace and there are some amusing moments here and there and don't forget - this is the sixties man so it's all good clean fun!
Followed by THE HELICOPTER SPIES (also 1967).
The third "The Man From U.N.C.L.E." spliced for cinema double feature I've watched in a couple of weeks and perhaps fatigue is setting in. It's just not the same as when I was a boy of 7 or 8 in the 60's avidly gawping at our old black and white TV getting my weekly fix of spy-fun and action.
Notable for being one of the few from the as I call them composites not to include the word "spy", there was as much good as bad about this feature. Amazing to see Joan Crawford in a cameo role and her commendable acceptance of the in-joke when told by her soon to be murderous husband to "not be so melodramatic". The pretty thin narrative then as ever takes the U.N.C.l.E. agents world wide (that is, studio sets of world-wide locations, including London, The Swiss Alps, Tokyo and eventually the Arctic Circle) where we get about 20 minutes of action, confusion, romance and drollery but to be sure the law of diminishing returns applies with dividends until we get the usual against the clock climax not about the world coming to an end but about a water-into-gold process, not quite the same really.
There are other celeb turns in the cast behind The Grand Dame Joan, the best of them, a perky Terry Thomas, for once not playing the cad and ending up enviously with the curvaceous later to be Mrs Charles Bronson, Jill Ireland, a camp Telly Savalas as an Italian count and that's Kim Darby (once Anne Frank in George Steven's 1950's epic) as the fresh but hardly cute accoutrement to the boys in their travels.
The direction is very patchy. Herbert Lom's T.H.R.U.S.H. boss only lacks pantomime music with his every so unexpected they're expected entrance, there are some terrible process shots of Robert Vaughn on a motor bike and worse yet a motorbike versus car chase. The gormless band which you couldn't say "belts" out "Come On Down To My Boat" in the London sequence didn't float mine either.
And yet there was one snow-skiing confrontation which seemed to prefigure a superior revision in "On Her Majesty's Secret Service" (the pupil teaching the master?) and I kind of liked a fade up shot from David McCallum's "Rubber Soul"-type hair as he comes around from unconsciousness yet one more time.
But I'm reaching here. The 8 year old over 40 years ago would have lapped up this escapist fare without quibbles but a movie feature it isn't. I'll watch any other "U.N.C.L.E." films which come on, mainly for my nostalgia and the coolness of the two leads Vaughn and McCallum, but by this stage, the unwelcome influence of campness (derived no doubt from the contemporary success of the likes of the original "Batman" TV series) was making inroads and no amount of modernity or celebrity cameos could bring it back.
Notable for being one of the few from the as I call them composites not to include the word "spy", there was as much good as bad about this feature. Amazing to see Joan Crawford in a cameo role and her commendable acceptance of the in-joke when told by her soon to be murderous husband to "not be so melodramatic". The pretty thin narrative then as ever takes the U.N.C.l.E. agents world wide (that is, studio sets of world-wide locations, including London, The Swiss Alps, Tokyo and eventually the Arctic Circle) where we get about 20 minutes of action, confusion, romance and drollery but to be sure the law of diminishing returns applies with dividends until we get the usual against the clock climax not about the world coming to an end but about a water-into-gold process, not quite the same really.
There are other celeb turns in the cast behind The Grand Dame Joan, the best of them, a perky Terry Thomas, for once not playing the cad and ending up enviously with the curvaceous later to be Mrs Charles Bronson, Jill Ireland, a camp Telly Savalas as an Italian count and that's Kim Darby (once Anne Frank in George Steven's 1950's epic) as the fresh but hardly cute accoutrement to the boys in their travels.
The direction is very patchy. Herbert Lom's T.H.R.U.S.H. boss only lacks pantomime music with his every so unexpected they're expected entrance, there are some terrible process shots of Robert Vaughn on a motor bike and worse yet a motorbike versus car chase. The gormless band which you couldn't say "belts" out "Come On Down To My Boat" in the London sequence didn't float mine either.
And yet there was one snow-skiing confrontation which seemed to prefigure a superior revision in "On Her Majesty's Secret Service" (the pupil teaching the master?) and I kind of liked a fade up shot from David McCallum's "Rubber Soul"-type hair as he comes around from unconsciousness yet one more time.
But I'm reaching here. The 8 year old over 40 years ago would have lapped up this escapist fare without quibbles but a movie feature it isn't. I'll watch any other "U.N.C.L.E." films which come on, mainly for my nostalgia and the coolness of the two leads Vaughn and McCallum, but by this stage, the unwelcome influence of campness (derived no doubt from the contemporary success of the likes of the original "Batman" TV series) was making inroads and no amount of modernity or celebrity cameos could bring it back.
The dynamic
U. N. C. L. E. Duo are sent on a world-wide chase to foil the devilish plans of T. H. R. U. S. H. A top scientist has been murdered and his secret formula can lead to ruin for the free world....
An all-star cast - including a cameo role by Joan Crawford- enhances the usual UNCLE spy shenanigans. Sometimes it feels like a Monkees episode, especially with a band singing in the club, but mostly it's the standard stuff with the duo hunting for a formula that could make THRUSH powerful and unstoppable. It is still fun though, and humorous as usual - and has some exciting action scenes, and some globe trotting. Bond connections = The Auto-gyro, the ski chase, Telly Savalas & Curd Jürgens ( Blofeld & Stromberg).
An all-star cast - including a cameo role by Joan Crawford- enhances the usual UNCLE spy shenanigans. Sometimes it feels like a Monkees episode, especially with a band singing in the club, but mostly it's the standard stuff with the duo hunting for a formula that could make THRUSH powerful and unstoppable. It is still fun though, and humorous as usual - and has some exciting action scenes, and some globe trotting. Bond connections = The Auto-gyro, the ski chase, Telly Savalas & Curd Jürgens ( Blofeld & Stromberg).
This rarely seen TV movie is only shown on Turner Classic Movies when Joan Crawford is the star of the month, but she has a brief, but excellent appearance early on and then is murdered by "The Karate Killers." The plot revolves around the Men from U.N.C.L.E. on a continental adventure tracking down five daughters of a deceased scientist, who had a secret formula that turns seawater into gold, but they have to fight off bad guy Randolph and his "Karate Killers" who are after it. I guess you have to be from the generation of TV viewers who are familiar with the show The Man from U.N.C.L.E. to really appreciate it, since it is action-packed, but at times corny and far-fetched.
As the administrator of the Facebook UNCLE page, and having seen all of S1 and S2 of Man From UNCLE via DVD, I consider myself a fan of the series. But even as a fan, I cannot say this is a good film in any way. Too bad, a number of good actors such as Herbert Lom, Joan Crawford, Kim Darby, Telly Savalas and the smoking hot Jill Ireland appear in this film, a spliced-together 2 part MFU adventure.
Also a shame, seeing as there is a fun opening sequence with a squadron of Wallis WA-116 type autogyros that attack Our Heroes as they drive the Pirhanna UNCLE car...as an autogyro aficionado, this sequence was released two months before the 007 'Little Nellie' autogyro sequence in 'You Only Live Twice.' There should be more autogyros in cinema, but they still don't save this picture.
It's mostly a bunch of short, uninteresting vignettes, and very silly fight scenes featuring a bunch of goons in matching outfits, similar to the goons you'd see on the Batman show, working for Penguin or the Riddler.
The most silly fight takes place in a night club, where the mostly forgotten bubble-gum band 'Every Mother's Son' performs...apparently MGM owned this group and used this film for cross-promotional purposes. Which pretty much sums up this film...just cashing in before the gravy train dried up. Vaughn and McCallum, who usually had a good chemistry together and had high individual appeal, seem to be phoning in their appearances...it might have been my imagination, but I swear it looked as if they were each wondering if their respective agents had been getting calls lately, or whether he should invest in a restaurant.
If you are not familiar with the MFU series, you should know that Seasons 1 & 2 of that show were generally good (and a few excellent) but from Season 3 onward there were serious problems. This movie is from two Season 3 episodes, and Season 3 was the nadir of this series.
The good episodes of MFU have cleverness, fun and some kind of a point to them....but this doesn't, and worse, it's a double-length waste of time, as opposed to just one misfire of an episode.
I DVR'd this last time it was on the TCM cable network, it having been a while since I'd seen an MFU episode. Frankly, I would have been better off going the library or video rental store and watching another episode.
This film is only of interest for die-hard UNCLE fans, or for college students drinking cheap beer to watch on a Saturday afternoon so they can jeer at it. If you've never seen MFU, this is not a good introduction to the series. This is sad, seeing as MFU is almost never shown even on cable TV.
Also a shame, seeing as there is a fun opening sequence with a squadron of Wallis WA-116 type autogyros that attack Our Heroes as they drive the Pirhanna UNCLE car...as an autogyro aficionado, this sequence was released two months before the 007 'Little Nellie' autogyro sequence in 'You Only Live Twice.' There should be more autogyros in cinema, but they still don't save this picture.
It's mostly a bunch of short, uninteresting vignettes, and very silly fight scenes featuring a bunch of goons in matching outfits, similar to the goons you'd see on the Batman show, working for Penguin or the Riddler.
The most silly fight takes place in a night club, where the mostly forgotten bubble-gum band 'Every Mother's Son' performs...apparently MGM owned this group and used this film for cross-promotional purposes. Which pretty much sums up this film...just cashing in before the gravy train dried up. Vaughn and McCallum, who usually had a good chemistry together and had high individual appeal, seem to be phoning in their appearances...it might have been my imagination, but I swear it looked as if they were each wondering if their respective agents had been getting calls lately, or whether he should invest in a restaurant.
If you are not familiar with the MFU series, you should know that Seasons 1 & 2 of that show were generally good (and a few excellent) but from Season 3 onward there were serious problems. This movie is from two Season 3 episodes, and Season 3 was the nadir of this series.
The good episodes of MFU have cleverness, fun and some kind of a point to them....but this doesn't, and worse, it's a double-length waste of time, as opposed to just one misfire of an episode.
I DVR'd this last time it was on the TCM cable network, it having been a while since I'd seen an MFU episode. Frankly, I would have been better off going the library or video rental store and watching another episode.
This film is only of interest for die-hard UNCLE fans, or for college students drinking cheap beer to watch on a Saturday afternoon so they can jeer at it. If you've never seen MFU, this is not a good introduction to the series. This is sad, seeing as MFU is almost never shown even on cable TV.
Le saviez-vous
- AnecdotesDavid McCallum and Jill Ireland were married from 1957 to 1967. She appeared in five episodes of The Man From Uncle.
- GaffesDue to the difference in lighting and film stock, during the fight in the snow (shot on a soundstage) the shadows on the "snow" are a slightly reddish grey/black. In shots taken outside in normal daylight, they are blue/black.
- ConnexionsEdited from Des agents très spéciaux: The Five Daughters Affair: Part I (1967)
- Bandes originalesCome On Down To My Boat
Written by Wes Farrell and Jerry Goldstein (uncredited)
Performed by Every Mother's Son
[Played by the band in the bar]
Meilleurs choix
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Détails
- Durée
- 1h 29min(89 min)
- Rapport de forme
- 1.33 : 1
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