Clambake

Although this film is not brilliant and nothing compared to the ingenuity that was "Jailhouse Rock" I enjoyed this film immensely and it is, as many Elvis films are, simple light-hearted fun. I would much rather watch Elvis in this than in the embarrassment of "Live a Little, Love A Little" where even the most devoted Elvis fan finds it hard to watch the icon suffer in such an embarrassing predicament. This film however is fun to watch and I did enjoy it although if you're looking for Elvis at his best or a serious film then this isn't the one for you. The plot, although predictable, was amusing and despite numerous goofs such as the scenery Elvis certainly had an on-screen presence and it was hard to keep my eyes off him!

By 1967 with the Beatles leading the British invasion of new musical performers, the King of the Sixties was in decline at least in his film career.

You can tell with Clambake. The plot is essentially the same story as Blue Hawaii and not half as good. Once again he's the son of a rich man who wants to make it on his own. This time though he changes places with happy-go-lucky water skiing instructor Will Hutchins. They're both headed to the same Florida resort now with each other's identities.

Well of course being he's the King, he does find a girl who falls for him without knowing he's a millionaire. For the rest of it you'll have to buy or rent the film.

He does have some nice songs. Two songs Who Needs Money is the kind of stuff Bing Crosby used to do in a lot of his films, the upbeat philosophical number and the song Confidence is a ripoff of Frank Sinatra's High Hopes. But Elvis does well by both.

He also reprises a song he missed the first time around. You might remember that the original artist who sang the song, Jerry Vale, got to reprise it in Goodfellas. You Don't Know Me sold a whole lot of platters for Mr. Vale, but the big seller of that song was done by Ray Charles. Presley does very well by it, a pity it did not become a big hit for him like it was for the other two.

As usual Elvis gets a nice supporting cast and a pretty leading lady in Shelley Fabares. In the cast we have Bill Bixby, Will Hutchins, Gary Merrill and James Gregory all of whom do a good job.

Still it's all been done before.

Although it has the worst title of any Elvis movie, "Clambake" (1967) is actually one of his better films. Which is surprising as it is one of his last and generally speaking each film seemed a bit worse than its predecessor. "Clambake's" salvation is certainly not in the soundtrack which is at best very ordinary, only the title song has any energy. Although there is an actual clambake scene on the beach about midway into the film, it seems thrown in just to justify the title, more impressive is a cameo of "Flipper" who had his own television show at that time.

I'm inclined to credit Shelley Fabares for the good vibe I got from this film. She plays "golddigger with a heart of gold" Dianne Carter, Elvis' ultimate love interest. I never cared for her uptight Mary Stone character on reruns of "The Donna Reed Show", and therefore paid almost no attention to her until recently. But since seeing her in "Ride the Wild Surf" and "Clambake" I've had a major attitude adjustment. "Clambake" was the third time she was tapped for the love interest role in an Elvis film so obviously she and the King had grown comfortable working together.

Their romance is a little different than the Elvis standard. In "Clambake" she does not start out hating or ignoring him. Instead they quickly become friends and she is obviously attracted, but she puts the brakes on any romance because she is hunting for a rich husband and has tycoon J.J. Jamison (Bill Bixby) squarely in her sights. She comes around in the end and their chemistry actually feels real, much like it did with Ann Margret in "Viva Las Vegas".

The comfort factor is also apparent between Elvis and Will Hutchins, his real-life buddy. Oil tycoon Scott (Elvis) pulls a "Prince and the Pauper" and swaps places with drifter Tom Wilson (Hutchins). He wants to find someone who loves him for himself. Hutchins is supposed to provide the film's main comic relief as he enjoys the life of the rich and famous, driving Scott's "Munsters" inspired convertible and surrounding himself with gorgeous women who can't dance very well. Although the director had Hutchins overplay the part it is so poorly written that they can't squeeze many laughs out of the premise. But having most of his scenes with Fabares and Hutchins seems to have relaxed Elvis considerably, which makes both he and his film more likable.

Contrary to most, I enjoyed the corny playground scene with the little girl who was afraid of the slide. The "Confidence" song is not a rip off of "High Hopes", the whole scene is a variation on the "Bounce Right Back" number Donald O'Connor did in "Anything Goes". While "Confidence" is not much of a song, this surreal scene is priceless. I wonder what long-time fans thought as they watched Elvis and Hutchins do something so totally "Guffman"? Most entertainers only do embarrassing stuff like this when they are first breaking into the business.

Then again, what do I know? I'm only a child.

The absolute nadir of Presley's movie career. Hell, this one is so bad that it even qualifies as the lowest point in the careers of Shelley Fabares, Will Hutchins, and Bill Bixby, none of whom have particularly distinguished credits. Anyone with fond memories of Elvis in his prime can only wince at the sight of this cultural icon lethargically wandering across the set of this painfully stupid film. Thankfully, there are only seven songs in all, but even though the soundtrack album was padded with "bonus songs" like "Guitar Man" and "Big Boss Man," RCA still had to include an autographed photo from Presley's wedding to move the thing.

Not-bad Elvis Presley outing has the son of a Texas oil tycoon escaping to Cypress Gardens, Florida in search of a girl who will love him for himself and not his millions; after swapping identities with a penniless water-ski instructor (unctuous Will Hutchins), Presley falls for a pretty brunette who makes it clear she wants only to marry for money. Lively direction by Arthur Nadel gives this musical-comedy some drive, with studio shots and location footage smoothly integrated (although the back-projection routine does get a real workout). Elvis sings a handful of fine songs including "A House That Has Everything", and his performance towers above the others, particularly a grating turn by Bill Bixby as a professional speedboat racer. The close-ups of the cast during the climactic speedboat race are hilariously over-exaggerated, but Shelley Fabares is a decent love-interest and the flick has a satisfying wrap-up. **1/2 from ****