Le Shérif de ces dames

Elvis usually made movies that were utterly shallow puffs of fluff. This one is completely different. For one thing, unlike his usual efforts here his part is anything but a one-dimensional stereotype and in his portrayal he proves he really could act. In fact, it is a shame he never did more of this kind of thing, because if you take this seriously you find that his character actually comes across as intriguingly ambiguous. Here he plays an utterly guileless, humble, unassuming "down-home" or "good-ole-boy" type (entirely different from his usual flashier persona) which really does look like some kind of combination not only of Jethro Bodine but also of Andy Taylor -- someone who is simultaneously naive and wise, as well as utterly cool, even-tempered and unflappable. In fact, the whole production can't help but remind you of the Beverly Hillbillies and the Andy Griffith Show, but with the intriguing sense that there is more going on than meets the eye. Moreover, the writing compares favorably with either of those shows, with quite a few clever lines of dialog and situational incongruities. As a lawyer I was similarly impressed with the treatment of the judge in the film, who proved pompous and yet also clear-headed and conscientious, a combination of contradictions such as you really can encounter in real life on occasion, and I'm inclined to think the writers had a better sense of characters than one expects in a B-movie of the era. Anyway, there isn't much on TV these days that is any better, so you would not waste your time to check this out in preference to yet another episode of *The King of Queens.* In fact, I actually agree with what another reviewer or message board poster said about this -- while watching it, it actually occurred to me that I would rather watch this than another screening of *Star Wars*.

This was Elvis beginning to come into his own as good actor. This was one of his funniest movies. His character, Toby is a mentally limited young man with a heart of gold. I like the way that even the Kwimper's own mistakes cannot defeat them. This movie had a strong plot and once again a strong supporting cast, with the late Arthur O'Connell (Kissin Cousins), Anne Helm and the late Howard McNear. If Elvis had made more movies like this, his movie career would have been much better acclaimed.

Elvis made quite a number of movies. Most of them of the cookie-cutter, formula variety designed to showcase his wonderful voice, a fact that should surprise absolutely NO ONE. Lets face it guys, Elvis achieved his fame by way of his singing, not his acting. His selection of movie vehicles (especially later in his career) is ample proof of this.

Having said this however, The King was not without some native ability as an actor, both dramatic and comedic.

As proof of this I give you his two best movies: King Creole, in which he gave a very credible dramatic performance (and right along side the likes of Carolyn Jones, Walter Mathau and Dean Jagger no less); and this movie - Follow That Dream.

Follow that Dream is a wonderful piece that has several things going for it: To begin with, it was a straight comedy, his first and best. Very different from his earlier films where he played characters (like Danny Fischer in Creole) that were somber and even dark).In contrast, his portrayal of Toby Kwimper was innocent and fun. The chemistry between Toby and his father (Arthur O'Connell) was terrific. Second, the theme of the movie is a crowd pleaser. Its story line is pure "David and Goliath" with the State playing the role of the pushy and overbearing villain. And finally, there are the songs. What can I say folks the musical score is the King at his best. The score includes a perfectly lovely ballad - "Angel" together with two positively jubilant toe-tappers "What a Wonderful Life" and the title song "Follow that Dream".

One last comment: This movie lifts my spirit, and makes me happy. Now I know those are two perfectly ridiculous reasons to like a movie but, fact is, there are far too few movies that do that for me now-a-days and this movie is one of them. It may not be academy award material (I gave it 7 out of 10) but if you need something to put a smile on your kisser, this one is worth your while.

This is actually a very good Elvis movie. The plot concerns a bunch of hillbillies, the Kwimpers - a dad, his son, and three orphans, who take over some beach property under the Homestead act after they run out of gas there.

Elvis portrays a dummy of sorts - he plays it very naturally and he's quite funny! It's not so much that he's dumb, but he's so guileless, literal, and helpful, he seems that way.

With these attributes, he continually gets the best of the bad guys, including a mobster, Simon Oakland, Joanna Moore, from child welfare, and assorted others.

The conceit makes for some hilarious scenes. In one, the mobster, after Elvis beats up his thugs, decides to blow up Elvis' family home. They prepare a bomb and put it in a box. When Elvis sees it, he thinks the mobsters have forgotten their package and dutifully returns it. BAM.

One poster mentioned that Elvis doesn't try to look as if he's singing. Apparently, he was notorious for not bothering much with lipsynching, though I'm not sure why. For my money, the only really good song in this film is the title one. And lipsynching or not, Presley looks great.

I guess we can spend time lamenting the fact that Elvis didn't make better films or get the acting opportunities he deserved, or we can enjoy what we have. And Follow That Dream is better than most.

This is one of Elvis's best films in my opinion. And one where he extended his range a bit. Usually he plays he troubled youths, or confident smart people who are trying to prove themselves. Here's he's an innocent in the world and it's a tribute to his acting skills that he was acquiring that he didn't descend into being Gomer Pyle.

Of course the film is greatly helped by the title tune which in my opinion is one of his best movie songs. Follow That Dream rightly belonged among Elvis's golden hits.

With an innocence here that rivals even Stan Laurel or Harry Langdon, Elvis manages to defeat some pretty sharp characters. The film itself has a charming innocence about it that makes it thorough going fun.