Le hold-up du siècle

This is an underrated heist film from the sixties, which was the decade for the genre. This one is totally unlikely, crazy, but not a comedy, not like ITALIAN JOB, BIGGEST BUNDLE OF THEM ALL, SEVEN GOLDEN MEN; it should be on the contrary be compared to GRAND SLAM. Yes, a totally unbelievable but not charmless, purely sixties movie which could be some kind of OCEAN' S ELEVEN rip-off, and not only because Richard Conte and Frank Sinatra's presence too. Be careful to the music score and overall atmosphere again. Forever lost sixties. Cool crime thriller but without being a comedy. I read the Jack Finney's book and prefered the book.

This movie is the perfect entertainment for everyone who likes either ships, U-Boats and/or Frank Sinatra... Although the main story is nothing but a fantasy plot, the movie works out pretty well. Mainly because of Franky's outstanding performance and some interesting dialogue. Don't miss the 'crushing' climax...

Assault on a Queen offers an intriguing, albeit far-fetched, caper on the high seas. To say "far-fetched" is a bit of an understatement really. Clearly all of the scenes underwater were shot in a pool (you can clearly see the sides of the pool). In addition, the scenes towards the end of the film are almost laughable. Still, since this film was not filmed with our modern technology, its understandable that some of these features are not up to snuff. However, there are far too many holes in the plot to make up for the lack of sophisticated filming. From the timetables used by the crew to the strategies to the final scene everything is just too hard to believe. The acting does not enhance the film either, making each character a bit predictable and wooden.

Pros: Incredibly interesting narrative idea. Cons: Tired acting, unbelievable plot and low quality stunts. 5/10.

Frank Sinatra starred in two memorable heist movies in the 1960s. The first was Ocean's Eleven (1960), which brought the Rat Pack together for a film that Sinatra is said to have remarked "Forget the movie. Let's do the heist!"

The second was sci-fi writer Jack Finney's Assault on a Queen (1966). Despite its mediocre rating here on IMDb, it's actually a fascinating film marred only by rather cheap special effects (Sinatra's diving scenes look like they were shot in a backyard pool) and the sometimes ridiculous Rod Serling script. "She's so deep in my gut we breathe together" is the worst line, and one that Sinatra must have needed more than a few drinks to articulate.

Meanwhile, Virna Lisi appears as little more than eye candy in the film, and Anthony Franciosa's character is rather repugnant and oily. However, there are some good scenes with Sinatra and fellow Rat Pack member Richard Conte, and the movie would have benefited greatly if their two characters had been given more time together.

It's definitely worth watching, and Sinatra's acting is great as usual despite the weak script.

Frank Sinatra just got tired of challenges in his movie parts during the mid sixties and this film is the perfect example of same. Sinatra is doing a pale imitation of Humphrey Bogart's character in To Have And Have Not and he's even got a drunken companion in Errol John, just like Bogey had Walter Brennan. In walks Lauren Bacall in the form of Virna Lisi into Sinatra's life. Only problem is she's already spoken for by Tony Franciosa.

Tony, Virna, and former U-Boat captain Alf Kjellin are hunting for sunken treasure and hire Sinatra as a diver. When he spots a sunken U-Boat the plans change. Oh, boy we're going to become pirates instead and we're going to rob the Queen Mary. Along the way the gang picks up Richard Conte who became a Sinatra hanger-on in the last years of his career. He's a mechanic who fixes up the boat, barely.

Well these geniuses with thousands of miles of open sea to do their crime, decide to rob the Queen in U.S. waters where the Coast Guard is operating. What happens to this bunch and their budding careers as pirates is the rest of the movie.

Sinatra just sails through this part on his hipster reputation and Virna Lisi is decorative. The acting honors go to Tony Franciosa who actually tries to do some serious acting in his part as charming sleazeball Victor Rossiter.

The script is by Rod Serling who should have stuck to the surreal world of The Twilight Zone. And Duke Ellington contributed an original jazz score. Around that time Sinatra and Ellington did an album together called Francis A. meets Edward K. Now that was good collaboration.

Old Blue Eyes should have stuck to the charter boat and diving in this film.