Too Many Crooks

The look and feel - and the influence, no doubt - at the start of this crime-caper could easily have Bogart and Cagney concocting a devious plan, such is the lighting and sinister mood of this film, part of the Terry-Thomas Collection.

However, as soon as the Cor-Blimey's emanate from these London cockney's the illusion is shattered and we feel reassured that this is going to be a who-who of British acting talent, mostly being really rather funny, or stupid. The caper itself is a devilish affair, a sort of film-noir since Brenda de Banzie gets kidnapped but her millionaire wheeler-dealer hubby Terry Thomas refuses to pay up as he's glad to be rid of her!

She then sets out get her own back on him and steal the ransom for herself, by persuading the crooks holding her that they'll each receive a share. In some ways, the plot matters little; it's scenes such as the Courtroom, with the always great John Le Messieur as magistrate, totally unable to control his subjects and of course, Terry Thomas himself, who is the epitome of OTT, rather vulgar and haughty - and sneering, mustn't forget sneering - sort of braggart that we know him so well for.

Production values, from Italian director Mario Zampi are well up on any Carry On's and probably on-par with the best Ealings, but slicker, which oddly doesn't suit rough-and-tumble comedy that well. That said, a minor but enjoyable British comedy, which mainly remains wholly watchable through our fondness for its many so-familiar stars.

This film popped up on TCM last week and I'm glad I caught it. I'm a fan of British comedies, from Ealing to Carry On, but this one had somehow escaped my radar. It's a delightful cast, and they make the most of scriptwriter Pertwee's gags (even the tired ones). There are little bits of plots from elsewhere, such as O Henry's RANSOM OF RED CHIEF (the unlovable kidnap victim) or the original LADYKILLERS (banknotes in the breeze). An upbeat, jazzy 50s score adds to the merriment, and George Cole is a stand-out for the many different characters he portrays throughout the film. Terry-Thomas, Bernard Bresslaw & Sid James, and Brenda De Banzie also deserve special mention. If you recall that Ms De Banzie played a very sinister villain just three years earlier in THE MAN WHO KNEW TOO MUCH, you'll appreciate her acting range. You might even want to watch twice so you don't miss some of the more subtle verbal gags.

I definitely do not agree that this film is a bit of a let down (as another commenter suggested).

Although this is considered to be a "B-movie", it possibly contains Bernard Bresslaw's finest ever performance. He is absolutely brilliant as Snowdrop. Another class act is John Le Mesurier as the judge when Billy Gordon (Terry-Thomas) goes to court. On top of that you've got Sid James being one of his best known characters (i.e. the down at heel crook he played in Hancock's Half Hour on radio and TV and in the film Father Brown), George Cole as an early Arthur Daley, but a bit more on the wrong side of the law than Arfur ever was, and a supporting cast containing the likes of Nicholas Parsons (a great B-movie actor, unfortunately now better known as a game show host), Brenda de Banzie,Vera Day and Joe Melia. The plot was later used to provide the basis for the American film Ruthless People. As usual, a British B-movie shows incredible attention to detail (the "Keep Death Off The Road" gag and the van they finally arrive at St Albans with Gordon's kidnapped wife spring to mind). The scene where Gordon's wife returns is worth watching the rest of the film for, even if you aren't too keen on it (although I personally think this is one of the best films ever made, so I know I'm biased!).

Just watched this again and I am a bit bemused to say the least as to why this film is so overlooked in the catalogue of British comedies of the period, or any period. It is sensationally scripted for a start, this has to be one of the sharpest British screenplays of all time. It is as dark as any of the more celebrated Brit-coms, such as Ladykillers, but unlike that film it doesn't take itself so seriously, being directed and played as a light comedy, almost a theatrical farce. And it is possibly this lightness of touch that has left it sidelined against the others. Terry-Thomas is at his slimiest as the womanising miser who's amassed a fortune by avoiding the dreaded taxman, and George Cole is very nearly as good as the bungling self styled Mr. Big of a hapless criminal gang. The busy plot turns this way and that and has some really funny scenes in it, but the best thing about this film is in the cleverness of the screenplay and the subtle nuances of comedy that are handled very slickly by the cast of expert comedy character actors.

If you've never watched a British comedy film, watch this one - it has everything! A superb cast, an extremely silly plot and wonderfully stereotypical characters. The plot has pace and develops delightfully, if somewhat predictably, with some lovely little quirks along the way.

The matchless Terry-Thomas plays Billy Gordon, self made millionaire, serial philanderer, tightwad and general, all-around cheat. A gang of 'master criminals' played by mastermind George Cole, a very pithy Sid James and the incomparable Bernard Bresslaw set out to rob him by various means. Eventually, they kidnap his wife and from here on the comedy level just escalates madly.

If you like '60's British comedy, then you'll love this because it don't come much better!