[go: up one dir, main page]

    Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
  • FAQ
IMDbPro

Les brutes dans la ville

Titre original : A Town Called Bastard
  • 1971
  • R
  • 1h 35min
NOTE IMDb
5,0/10
952
MA NOTE
Les brutes dans la ville (1971)
A group of Mexican revolutionaries murders a town priest and a number of his christian followers. Ten years later, a widow arrives in town intent to take revenge from her husband's killers.
Lire trailer2:55
1 Video
55 photos
Spaghetti WesternActionDramaWestern

Une veuve offre aux habitants d'une petite ville mexicaine une récompense de 20 000$ à qui lui révèlera le nom de l'assassin de son mari. Désireux de toucher la somme, Don Carlos, l'homme qu... Tout lireUne veuve offre aux habitants d'une petite ville mexicaine une récompense de 20 000$ à qui lui révèlera le nom de l'assassin de son mari. Désireux de toucher la somme, Don Carlos, l'homme qui tient la ville en coupe réglée, oblige des innocents à se dénoncer.Une veuve offre aux habitants d'une petite ville mexicaine une récompense de 20 000$ à qui lui révèlera le nom de l'assassin de son mari. Désireux de toucher la somme, Don Carlos, l'homme qui tient la ville en coupe réglée, oblige des innocents à se dénoncer.

  • Réalisation
    • Robert Parrish
    • Irving Lerner
  • Scénario
    • Richard Aubrey
    • Benjamin Fisz
  • Casting principal
    • Telly Savalas
    • Robert Shaw
    • Stella Stevens
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,0/10
    952
    MA NOTE
    • Réalisation
      • Robert Parrish
      • Irving Lerner
    • Scénario
      • Richard Aubrey
      • Benjamin Fisz
    • Casting principal
      • Telly Savalas
      • Robert Shaw
      • Stella Stevens
    • 25avis d'utilisateurs
    • 12avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Trailer
    Trailer 2:55
    Trailer

    Photos55

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 49
    Voir l'affiche

    Rôles principaux35

    Modifier
    Telly Savalas
    Telly Savalas
    • Don Carlos
    Robert Shaw
    Robert Shaw
    • The Priest
    Stella Stevens
    Stella Stevens
    • Alvira
    Fernando Rey
    Fernando Rey
    • Old blind man
    Martin Landau
    Martin Landau
    • The Colonel
    Michael Craig
    Michael Craig
    • Paco
    Dudley Sutton
    Dudley Sutton
    • Spectre
    Al Lettieri
    Al Lettieri
    • La Bomba
    Paloma Cela
    Paloma Cela
    • Paloma
    Aldo Sambrell
    Aldo Sambrell
    • Calebra
    Maribel Hidalgo
    Maribel Hidalgo
    • La Perla
    Cass Martin
    • Jose
    Antonio Mayans
    Antonio Mayans
    • Manuel
    Francisco Marsó
    • Julio
    John Clark
    • Quiet American
    Luis Rivera
    • Paco
    Howard Hagan
    • American #1
    Vicente Soler
    Vicente Soler
    • Priest #1
    • Réalisation
      • Robert Parrish
      • Irving Lerner
    • Scénario
      • Richard Aubrey
      • Benjamin Fisz
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs25

    5,0952
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    5ma-cortes

    Outlandish British-Spanish Western filmed in Spain with robust casting

    This offbeat film starts with a violent attack on a town by a revolutionary group , they murder a priest and his Christian followers . Later on , the leader (Robert Shaw) appears like a boozy-addicted priest in the town called Bastarda . There arrives on a hearse , a beautiful woman named Alvira (Stella Stevens) suited in black and lying into a coffin , the carriage is driven by a strange deaf-mute gunfighter named Espectro (Dudley Shutton) . The widower attempts the revenge from her husband's murderer named Aguila and offers to Carlos (Telly Savalas) , a violent ruler , a reward if he hands over her the killer . Then , the town is invaded by the Mexican army ruled by a cruel colonel (Martin Landau) , he also intents to encounter Aguila and threatens to hang and shoot inhabitants , unless he's delivered . Meanwhile , it is narrated a rare flashback with Paco (Michael Craig) in some sequences of hall dance and catching music , being pursued by the revolutionary character (Robert Shaw), posteriorly become priest .

    The film contains Western action , shootouts , tortures , disturbing characters and lots of violence with strong hanging . It's developed on impressive sets , an enormous and old ruined fortress-town . Good performance by Robert Shaw as priest with a dark past , Martin Landau as a ruthless colonel , a mysterious Stella Stevens with a strange flashback like a vampire dreamed by the priest and Telly Savalas at a cynic and violent characterization , promptly finished for execution by one of his own henchmen , Al Lettieri . The movie gets usual Spaghetti Western elements , as greedy antiheroes , violent facing with revenger roles , quick Zooms and excessive close-up . Besides , appearing in secondary roles , habitual in Italian western genre , thus : Fernando Rey as the old blind man , Aldo Sambrell (Sergio Leone's ordinary) , Tito Garcia , Cris Huerta , Antonio Mayans , among others . Inclusively the starring Telly Savalas , though in a short-role , played various spaghetti (Pancho Villa , A reason to live a reason to die , Land raiders , Criminal story of an outlaw couple) . Colorful cinematography by Manuel Berenguer , he's a customary cameraman of US productions filmed in Spain (King of kings , Son of gunfighter , Pyro , Krakatoa). Cheesy and inappropriate musical score by Waldo Rios , he composed fine soundtracks (Murders in Rue Morgue , Bad man's river , Island of damned) until his early dead , but he committed suicide . The motion picture was regularly (it contains some cuts , flaws and gaps) directed by Robert Parrish . He was an Academy Award winning , film editor , won an Academy Award for ¨Body and soul (1947) and directed numerous films of all kind of genres , Sci-Fi (Doppelganger) , Western (Saddle the wind , The wonderful county) , action comedy (Casino Royale) and warlike (his main success : Purple plain with Gregory Peck) .
    6Theo Robertson

    Implausible And Blood Thirsty Story

    I'm not going to write a synopsis for this movie because

    1 ) Unlike many reviewers I don't normally write a synopsis

    2 ) I'd have to understand a movie in the first place

    The problem with A TOWN CALLED HELL is that lot of things happen but none of them seem to tie in with the plot . The film opens with a bunch of Mexican revolutionaries attacking a town in 1895 then the story jumps forward to the same location ten years later where the revolutionary leader is now a priest and someone who the audience has no knowledge of rules the town in a similar manner to Mr Kurtz in HEART OF DARKNESS . A woman arrives offering a bounty for the body of the man who killed her husband . Other things happen that make little sense and the story is made even difficult to follow by characters continually appearing and disappearing . For example did Don Carlos live or die ? Your guess is as good as mine . We are also shown a lengthy flashback sequence and it only becomes obvious that it's a flashback after the fact

    This is a badly developed , badly edited and confusing movie but not one that is unwatchable . Indeed it's a fairly entertaining movie if you can stomach the sadistic attitude and what a lesser film this would have been without Telly Savalas executing everyone who gets in his way with the most memorable sequence being the hanging scene . Just a pity we never find out his fate for certain . Also of worthy note is the sentry getting killed via barbed wire and LOVEJOY's side kick revealing himself to be a mean assassin . Does this all sound very silly ? Of course but it's also entertaining in a morbid sense

    As a footnote this movie was often screened on British television under the title A TOWN CALLED BASTARD and the town is referred on screen as " Bastardo " so that title would be more accurate but I guess TV companies get a lot of complaints and now call it A TOWN CALLED HELL to save on the switchboard staff
    5Steve_Nyland

    Grim, Brutal, Mean Spirited Euro Western Oddity

    Not quite sure yet about A TOWN CALLED BASTARD as the widescreen version from Greece I saw was titled. It sure is something else, one of the most brutal, vicious, mean spirited films to come out of the Spaghetti Western years. A British and Spanish co-production, the film took the form of the languid, surrealist Italo Western and corrupted it into something else. The only film I can equate it with would be THE DESERTER, a similar British-Spanish co-production from the early 1970s that likewise is one of the most vicious and bloodthirsty Westerns ever made.

    I quickly lost track of the story: Telly Savalas plays some sort of crazed Cossack Mexican officer who drifts into a small border town, takes it hostage and proceeds to kill just about everyone, usually by hanging. They don't just hang the people however, first they are adequately (and often perversely humorously) humiliated, then swung out on a rope overhead from a massive scaffold that would have been right at home in a Hammer Horror Frankenstein movie. The hangings aren't just dramatic, they are staged with a flourish that is beyond theatrical to the point of absurdity. The chilling, disturbing crowd reactions of the captives below forced to watch become far more potent after a while.

    And speaking of horror movies the film has a decidedly strange, gloomy bent to it that has far more in common with a Spanish horror tragedy than any comic book Spaghetti Western with guys shooting their hats off. The film specializes in the Quick Cold Killing, where both supporting and lead cast members are dispatched with sudden cruelty and often without a seeming purpose. Other than piling the bodies up, which at the end of the film stretch across the screen with smashed rubble, burning debris and the survivors wandering around in a daze.

    There's some decent talent involved however. Robert Shaw steals every scene he's in as a principled gun runner turned priest, Martin Landau as a conflicted Mexican officer who's zeal for killing is a fragile mask of sanity, Stella Stevens as the woman with the past to whom they are all connected, and the great 70s character actor Al Lettieri, buried under makeup to the point that I wasn't quite sure what part he was playing. Plus a smattering of the great Euro genre film actors: Aldo Sambrell, Georges Rigaud, Charley Bravo, Chris Huerta, and Waldo de los Ríos provides the bizarre musical score that manages to incorporate Johnny Horton singing "Battle Of New Orleans" which likely resulted in a soundtrack rights issue that has kept the film more or less out of print in North America. But its a great song and the film's sole light hearted moment.

    And that's the thing. As the guy who I watched it with summed things up best, what would have been the audience for this film? Which is a question I also asked myself after suffering through THE DESERTER. Here is a film that is simply too vicious and cruel to be enjoyed as a time killer shoot-em-up, let alone watched by a general audience. It has more in common with the adults oriented cynical disillusioned 1970s American westerns like SOLDIER BLUE, who's commercial success likely inspired the producers to decide on making a sick, ultra-violent Western with a body count in the thousands.

    Something was lost at the production stage, however, and the film's story is too oblique to resonate beyond the on screen carnage. There might be a pretty interesting Zapata style Mexican Revolution Spaghetti here at its core, with lots of requisition flashbacks + larger than life grudges held by larger than life characters. The film also serves as an interesting counterpoint to the "Trinity" inspired comedy Spaghetti Westerns that dominated the industry after 1970. Its well made, has a perverse sense of macabre humor, and its always great to see Martin Landau & Robert Shaw, two of my favorite actors. Plus nobody ever said a Western had to be a fun, uplifting party movie. Its just that sometimes it helps.

    5/10
    7les-119

    "Then let me welcome you to Bastardo"

    When I see a late night film with 'bastard' in the title, I'm inclined to tape it and find out what it's about. (I've taped this twice and lost both, found it on DVD, seem to have lost that too). Yes it was listed as "A Town Called Bastard" by the BBC.

    If you're one of those people who think a good Western needs Mexicans (e.g. The Wild Bunch) this has plenty: sombreros, moustaches, guns, tortilla-preparation, cruel laughter etc. A lot of these Mexicans die, perhaps somewhat gratuitously. So if you like guns and death in sunny Mexico, and you'd like to see Telly Savalas as the Mayor of a town called Bastardo - you'll love this.

    e.g. "Who killed my husband?" demands the pale blonde: cue an old woman to shout the name from a high building - gun out, excellent shot (like shooting ducks at a fairground), another one bites the hot dry dust...

    The rest has already been well covered by other user comments, worth watching if this is your sort of thing.
    4heybhc

    But seriously...

    This star-studded British/Spanish co-production looks great, what you can see of it. I have three versions, two VHS, one DVD, and all are terribly cropped, so badly that it looks as if buildings are having conversations with each other. Few films suffer as badly from pan and scan as this one, as director Robert Parrish seems to have been so enamored with the widescreen process that he tended to use both sides of the screen at once, neglecting the middle. Another user comments that we see the entire inhabitants of a church massacred at the beginning; not in any of the copies I have. There are some abrupt cuts of peasants firing their rifles, one Mexican officer is shot, Shaw and Landau celebrating, and that's it. We never find out why Shaw has become a priest (if he really is), we never find out what happens to Don Carlos (Savalas) although I suspect he was called home to star in Kojak, as his departure seems arbitrary. And there is a strange flashback sequence where Michael Craig (Mysterious Island) is dancing around in a bowler hat and bad suit in the great old English music hall tradition to the 1960 hit BATTLE OF NEW ORLEANS, not sung by Johnny Horton here but with some lyrics I've never heard before. On the plus side, the location is great, a huge old ruined fortress with Escher-style stairs leading nowhere, some nice scenery-chewing by Robert Shaw, and good performances by Stevens, Landau, Lettieri, and Telly Savalas as Telly Savalas. I didn't really like this film, but I haven't exactly seen it. I will seek the widescreen version and make my decision then.

    Vous aimerez aussi

    Le bison blanc
    6,1
    Le bison blanc
    Avalanche Express
    4,9
    Avalanche Express
    Pancho Villa
    6,3
    Pancho Villa
    Le justicier - L'ultime combat
    4,9
    Le justicier - L'ultime combat
    Les colts au soleil
    5,8
    Les colts au soleil
    Une raison pour vivre, une raison pour mourir
    6,1
    Une raison pour vivre, une raison pour mourir
    Le Vent de la plaine
    6,5
    Le Vent de la plaine
    Un justicier dans la ville N°2
    6,0
    Un justicier dans la ville N°2
    Un coup de 2 milliards de dollars
    5,2
    Un coup de 2 milliards de dollars
    Un homme nommé Cheval
    6,8
    Un homme nommé Cheval
    Du sang dans le désert
    7,3
    Du sang dans le désert
    La grande menace
    6,9
    La grande menace

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The first of two British-financed westerns that Telly Savalas was involved with, the other being Pancho Villa (1972). He was also involved with the same production team's Terreur dans le Shanghaï-Express (1972). Due to his expensive lifestyle and gambling habits, he was always happy to take on a role with a decent paycheck.
    • Gaffes
      At the end of the film, although not seen Dudley Sutton shoots Robert Shaw. 5 shots are heard in quick succession but Dudley is armed only with a double barreled shot gun.
    • Versions alternatives
      German VHS version was cut by approx. 12 minutes.
    • Connexions
      Featured in Hells Bells Presents (2009)
    • Bandes originales
      La batalla de Nueva Orleans
      By Jimmie Driftwood (as Jimmy Driftwood)

      Performed by Sunny Ryder

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    FAQ14

    • How long is A Town Called Hell?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 novembre 1972 (France)
    • Pays d’origine
      • Royaume-Uni
      • Espagne
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Les aventuriers de l'ouest sauvage
    • Lieux de tournage
      • Almería, Andalucía, Espagne
    • Sociétés de production
      • Benmar Productions
      • Zurbano Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 35 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    Les brutes dans la ville (1971)
    Lacune principale
    By what name was Les brutes dans la ville (1971) officially released in India in English?
    Répondre
    • Voir plus de lacunes
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.