La grande menace

This supernatural thriller deals with John Morlar (Richard Burton) , while he's watching a British television broadcast an anchorman explains that American astronauts are trapped in orbit around the moon. Suddenly someone in Morlar's room picks up a figurine and strikes him on the head repeatedly. His blood splatters the television screen. French Detective-Inspector Brunel (Lino Ventura) along with his helper (Michael Byrne) arrive at Morlar's flat to start the criminal investigation. At first he thinks Morlar is dead, but soon he hears him breathe. As the man was struck over the head and being admitted to a hospital . Meantime, weird disasters befall the surrounding city . At the hospital, Morlar is hooked up to life support systems, one machine in particular monitors the activity of his battered brain . It seems that despite his unconscious state, the man is using his telekinetic powers to will things to happen. As Morlar states : ¨I am the man with the power to create catastrophe¨, as he has the power to move objects , to cause the death of anyone who stands in his way . Richard Burton is the man with the medusa touch ... he has the power to create catastrophe! . As he possesses a powerful gift , Telekinesis : A mental force that enables this man to move objects and control events. Science cannot explain the awesome power of the mind. And nothing can control it ! .

This horror-style story contains intriguing events, thriller , chiller , suspense , tension and disaster images . Main and support cast are pretty good , as Richard Burton playing the telekinetic novelist who causes disasters simply by thinking about them , he's top-notch , especially when scathingly giving a vitriolic disection of his faithless wife , but the real starring is the French Lino Ventura who is terrific as the stubborn police inspector . Support cast is magnificent with plenty of notorious British secondaries , such as : Michael Hordern , Alan Badel , Gordon Jackson , Michael Byrne , Derek Jacobi , Robert Lang , Robert Flemyng, Philip Stone , Malcolm Tierney , Jeremy Brett and Harry Andrews .

It displays a thrilling and exciting musical score by Michael J. Lewis . As well as colorful and appropriate cinematography by Arthur Ibbetson . The motion picture was professionally directed by Jack Gold. Jack was born in London and being a prestigious director and producer , known for Bofors guns (1968) , The Reckoning (1970) , Man Friday (1975) , Aces high (1976) , The Medusa touch (1978), The Chain (1984) , Escape from Sobibor (1987), and Goodnight, Mister Tom (1998). ¨The Medusa Touch (1978) is a rehash of the catastrophe genre along with supernatural powers clichés in which the splendid casting stands out . Rating : 6.5/10, nice and entertaining . It's a fairly watchable and breathtaking film and it results to be a good treatment of telekinesis theme along with disaster movies. Enthusiasts of horrific hokum will enjoy themselves ehile cynics chuckle . Essential and indispensable watching for Lino Ventura, Lee Remick and Richard Burton fans.

The manner in which the film was chronographed was somewhat unique. In real time the main character, Morlar, is comatized by severe head trauma. In fact the movie opens with his attempted murder. The unfolding of events in the ensuing investigation are presented with smooth transitions from flashback to present in order to create a sense of fatalistic inevitability. The director takes a very difficult path to achieve this but I think he pulled it off very effectively. Look for little tricks to smooth out the staccato chronological transitions. Small similarities between outgoing and incoming scenes create a more seamless effect.Also, the sounds of a former scene would linger for a couple of seconds after the transition, further uniting past & present to emphasize the inevitable hopelessness of the inspectors situation. It also serves to demonstrate Morlar's indomitable, fatalistic will.

All the characters are well (and cleverly)cast, particularly Richard Burton as Morlar. VonGreenway's book comments on the intensity of Morlar's character and his riveting gaze. Burton was obviously intimately familiar with the text as his rendition of Morlar is, to say the least, riveting.

The apocryphal elements added by the director, the cataclysmic disasters vastly improve the story's big-screen appeal, even if they were a bit of a departure from the text. The director simplifies the text by only indirectly referring to Morlar's political agenda. To follow the text in this would be setting up an entirely different story and would distract from the immediacy of the peril Morlar represents for the inspector and the psychiatrist.

The "tongue in cheek" manner in which these two meet serves to show a comprehensive understanding of the text, it gives clear notice (to those familiar with the book) the text cannot realistically be followed in every way. "I'm sorry I was expecting a man." the inspector explains his reaction to her. "That's alright, I was expecting an English Inspector." She responds. This, of course, was a reference to the characters as they appeared in the book.

This is a well directed film, making sense of a difficult text in an acceptable time frame. Richard Burton was an excellent choice as Morlar, he has a dominating presence that lends well to the character. These things along with an excellent rendition of a sensational, compelling story make the Medusa Touch one of the best suspense films ever.

Don't you just hate it when you think of a review title only to find that somebody has beaten you to it!!?? So "I have a gift for disaster" was to be my first choice. Anyway the late, great Richard Burton is sat at home watching the TV when a visitor calls by and bashes him over the head. The police are called for an apparent murder but turns out that he's not dead. Taken to hospital he remains in a comatose state apart from his brain which is driving the attached monitor nuts! Burton plays a writer with telekinetic powers, he discovers these when a boy and uses them to kill his nanny, then his parents. Much of the film has him telling his life story in a series of flash backs, I liked this part of the plot a lot. As a middle aged man he has now set his sights on the mass destruction of innocents. Can he be stopped? These type of movies were popular around this time, titles such as Carrie, Patrick, Psychic Killer and The Fury spring to mind, even The Omen, and The Medusa Touch is a good addition. I can remember watching this on TV at least twice when I was a kid and several decades later I came across a nice print being screened on a British TV channel that specialises in older movies. It was great to revisit it. Burton was without question one of the finest actors to come out of the UK and I really enjoyed his performance here, but I thought the rest of the cast that includes many familiar faces to be good also. The movie does build to a gripping finale, this film is horror, thriller and disaster all rolled into one.

I remember seeing this on TV many years ago, and I'm glad I caught it at such a young age. Back then it was really scary, but even today - when we're blessed (or cursed) with visual effects that are so convincing - it is still capable of sending a shiver up my spine.

The film's pace is methodical, but Richard Burton admirably conveys a sense of quiet menace as he loses his grip on sanity during a series of flashbacks. The acting by the other leads is solid enough, but the film is all about Burton's chilling psychic powers, and when they are let loose at the film's climax, the result is genuinely shocking.

Hmm. Some of the reviewers here have complained about the film's slow pacing. Well, yes...compared to the MTV style edited movies of the past 5 years, I'd have to agree. But, the pacing is also necessary in order to show the slow psychological breakdown of the lead character. It's a slow burn type of story, and the filmmakers were much more concerned with building a creepy atmosphere than bombarding us with CGI effects, blood and gore, and whatever else passes for supernatural horror these days.

Besides, Richard Burton on a bad day is better than most actors at their best.

If "Jason X" and other hollow, special effects driven films are your idea of horror...then this isn't the film for you. The Medusa Touch is a methodically paced thriller, aimed at genre fans who enjoy a more thoughtful kind of horror film. If you enjoyed "Don't Look Now," then this is the type of film for you.

If you have the rare opportunity to catch this obscure film, you should at least give it a fair shake. Then you can decide for yourself.