La ciociara
- 1960
- Tous publics
- 1h 41min
Dans l'Italie de la Seconde Guerre mondiale, une veuve et sa fille esseulée cherchent à prendre de la distance loin des horreurs de la guerre.Dans l'Italie de la Seconde Guerre mondiale, une veuve et sa fille esseulée cherchent à prendre de la distance loin des horreurs de la guerre.Dans l'Italie de la Seconde Guerre mondiale, une veuve et sa fille esseulée cherchent à prendre de la distance loin des horreurs de la guerre.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 11 victoires et 3 nominations au total
- Michele Di Libero
- (as Jean Paul Belmondo)
Avis à la une
The story here is a relatively simple one, Sophia and Eleanora leave Rome due to the bombing of Rome just prior to the Allied invasion of Italy. The political situation is in one state of flux to put it mildly. In a matter of days, Benito Mussolini was overthrown and General Badoglio put in charge of the government. But the Nazis suspecting something was afoot sent in troops and met the Allies in a pitched 21 day battle at Salerno which like Waterloo was a close run thing.
At one point Jean-Paul Belmondo asks a couple of stray British paratroopers who landed way up behind enemy lines why the Allies didn't land in Rome. In fact they almost did land an army there, but Eisenhower canceled the landing at the last moment and probably saved a lot of lives doing so.
But this isn't about great battles, it's about Two Women just trying to survive the ravages of war in the best way they can. Sophia decides their best place is in her old village, south towards Naples. Before the film ends, she's given plenty of reason to rethink that decision.
Sophia was the Best Actress in 1961 for this film and for reasons I don't understand it was not given any other Oscar nominations, including for Best Foreign Language Film and for Best Director for Vittorio DeSica.
If La Ciociara has a fault it's that it's Sophia's show totally. The village characters and that of her one time lover Raf Vallone are left undeveloped. Only the daughter and young intellectual Belmondo who falls for the earthy Sophia seem to be on the verge of becoming three dimensional.
The subject matter could never have been done in an American studio with the Code still firmly in place. I remember back in the day La Ciociara was shown at the art house circuit and many young juveniles considered it a mark of daring to get in and see Sophia Loren expose more than her American films had done up to that time.
Sophia Loren deserved that Oscar, every bit of it. And you'll agree if you see La Ciociara.
That being said,I realized how much we lose by prejudging film, and actors by their more recent performances. As Sophia Loren was popular before my time, I remember her from fluff and spy movies such as "Arabesque" with Gregory Peck. A forgettable film, at most. Not so for "Two Women".
The performance of her innocent daughter Rosetta, is also marked and memorable. Refugees from the bombing of Rome during World War II, Sophia Loren as Cesira, and her daughter are fleeing the city, come across relatives in the country, and encounter a harrowing fate.
The feel of the film is palpable and stark, the scene and the shadows of the men as they come across these two women in the effigy of a church, is ominous and effective. The expressions and body language of Loren are heart-rending and sorrowful, as we see her realize what has become of her daughter, what has become of their world. The scene I will remember most is where she is finally rescued, her daughter begins to sing, recovering from the attack. Cesira (Loren) turns her face outward, toward the window, ravaged and ruined, yet finding some strength to continue on. We see a multitude of emotions cross her face without uttering one word.
Truly a film not to be missed for Sophia Loren's performance alone. 9/10.
Seen at home, in Toronto, on February 19th, 2006.
81/100 (***)
Le saviez-vous
- AnecdotesSophia Loren claims that Director Vittorio De Sica, so caught up in the story, regularly cried on the set when filming particularly emotional scenes.
- GaffesNear the beginning, Cesira and Rosetta choose to walk rather than wait aboard their stranded train. However, they set off in the opposite direction to the train's destination.
- Citations
[subtitled version]
Cesira: Do you know what they have done those "heroes" that you command? Do you know what your great soldiers have done in a holy church under the eyes of the Madonna? Do you know?
American Soldier: Peace, peace.
Cesira: Yes, peace, beautiful peace! You ruined my little daughter forever! Now she's worse than dead. No, I'm not mad, I'm not mad! Look at her! And tell me if I am mad! Rotten crazy bastards!
- ConnexionsEdited into Al Centro del cinema (2015)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- La paysanne aux pieds nus
- Lieux de tournage
- Chiesa San Francesco d'Assisi, Fondi, Lazio, Italie(interiors: rape scene in the church)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 14 062 $US
- Durée
- 1h 41min(101 min)
- Couleur
- Mixage
- Rapport de forme
- 1.66 : 1