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Umberto D.

  • 1952
  • Tous publics
  • 1h 29min
NOTE IMDb
8,1/10
30 k
MA NOTE
Carlo Battisti in Umberto D. (1952)
Three Reasons Criterion Trailer for Umberto D.
Lire trailer1:28
1 Video
99+ photos
TragédieDrame

Un retraité et son chien se battent pour survivre avec sa maigre pension à Rome.Un retraité et son chien se battent pour survivre avec sa maigre pension à Rome.Un retraité et son chien se battent pour survivre avec sa maigre pension à Rome.

  • Réalisation
    • Vittorio De Sica
  • Scénario
    • Cesare Zavattini
  • Casting principal
    • Carlo Battisti
    • Maria Pia Casilio
    • Lina Gennari
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,1/10
    30 k
    MA NOTE
    • Réalisation
      • Vittorio De Sica
    • Scénario
      • Cesare Zavattini
    • Casting principal
      • Carlo Battisti
      • Maria Pia Casilio
      • Lina Gennari
    • 122avis d'utilisateurs
    • 91avis des critiques
    • 92Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 3 victoires et 3 nominations au total

    Vidéos1

    Umberto D
    Trailer 1:28
    Umberto D

    Photos107

    Voir l'affiche
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    Rôles principaux11

    Modifier
    Carlo Battisti
    Carlo Battisti
    • Umberto Domenico Ferrari
    Maria Pia Casilio
    Maria Pia Casilio
    • Maria
    Lina Gennari
    Lina Gennari
    • Antonia Belloni
    Ileana Simova
    Ileana Simova
    • La donna nella camera di Umberto
    Elena Rea
    • La suora all' ospedale
    Memmo Carotenuto
    Memmo Carotenuto
    • Il degente all' ospedale
    Alberto Albani Barbieri
    Alberto Albani Barbieri
    • L'amico di Antonia
    • (non crédité)
    Pasquale Campagnola
      Riccardo Ferri
        Lamberto Maggiorani
        Lamberto Maggiorani
          De Silva
          De Silva
          • Battistini
          • (non crédité)
          • Réalisation
            • Vittorio De Sica
          • Scénario
            • Cesare Zavattini
          • Toute la distribution et toute l’équipe technique
          • Production, box office et plus encore chez IMDbPro

          Avis des utilisateurs122

          8,129.9K
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          10

          Avis à la une

          anton-6

          A classic neo-realist film!

          This touching story of a poor man in Italy after the war. The director, De Sica has also done the masterpiece "The bicycle thief". A very good and simple film that almost perfectly shows his fight to live a decent life his last years. The end is VERY sad(still I felt it had some hope). A highly recommended film. Also Carlo Battisti's performance is masterful. 9/10
          10anhedonia

          An unforgettable masterpiece

          This is storytelling at its simplest and most beautiful. An old man - his sole companion, a dog - tries to survive on a fixed, tight income while being mistreated by his landlady.

          DeSica brilliantly captures the despair of his protagonist and makes this film unforgettably powerful. This film deserves to be seen by everyone, not just those who enjoy foreign-language films.

          This film is touching, memorable and manages to draw us into Umberto's life without ever becoming maudlin. The denouement is heartbreaking, but the film never lapses into sentimentality. "Umberto D" truly is one of the greatest films ever made.
          8FilmCriticLalitRao

          An obedient dog is a man's best friend.

          Vittorio De Sica once remarked that why should film makers go in search of extraordinary events when in the course of their daily lives they are confronted with ordinary events of extraordinary beauty.This statement sums best the very essence of this Neorealist classic. Umberto D directed by the master Italian filmmaker Vittorio De Sica is a sad albeit ordinary tale of the loss of human values in Italian society after the end of second world war.Everything about the leading character Umberto D is told in an ordinary indeed prosaic manner.It is rather bizarre but mention must also be made of the poor light in which women characters have been shown.This is due to the fact that in Umberto D,both the grumpy landlady and unmarried pregnant girl representing loss of moral values are women characters directly associated with the old man.The great thing about Umberto D is its canine protagonist named Flike who serves his master so well that he even prepares to die for his master's sake.In Umberto D, by showing a faithful dog who remains loyal to his old master,Vittorio De Sica has rightly depicted that animals are more truthful than some human beings.
          10randomcha

          Have A Good Cry

          An elderly retired civil servant in Rome is about to be forced onto the streets due to the loss of his pension, with only his little dog to comfort him. I'm not even a dog lover and this movie STILL got to me. I rented this on video when I was in high school and my mom ended up watching it with me. The ending (which I won't spoil for those who haven't seen it yet) is the only time I can remember when we have both been crying at the same time during a movie. This is truly a beautiful film and I have to see again soon.
          9Mauri-3

          Neorealist Classic (A story of an old man and his dog)

          Umberto D was made towards the end of the Neo-realist period in Italian cinema, following on from Roma Citta Aperta (1945),Riso Amaro (Bitter Rice 1946),Paisa (Paisan 1946) and Ladri di Biciclette (The Bicycle Thieves 1948). Many critics see Umberto D has the finest example of the genre and Vittorio de Sica, the director, himself considered it to be his best work. Set in post-war Italy, it is the story of a retired public worker, trying to survive on a meagre state pension and being threatened with eviction from his landlady. His only friends are his small dog 'Flick' and his landlady's young maid Maria who has just discovered she is pregnant. Filled with despair over his situation he finally contemplates suicide.

          The film sticks firmly to the neorealist conventions; the lead actor is a non professional actor (a college Professor who agreed to play the role), the use of studio sets is kept to minimum and the everyday lives of people are examined in minute detail. One could say that for long parts of the film nothing much happens, for instance when we follow Maria's early morning routine of grinding some coffee, but from these detailed vignettes, we learn a great deal of the thoughts feelings and emotions of the characters. These sequences are why it is a great film. The acting is wonderful, the impossible situations of the old man and of the unmarried but pregnant Maria are really brought to life for the audience. Although a tragic tale it does include many moments of humour and the ending although non-committal is uplifting. All in all a classic.

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          Centres d’intérêt connexes

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          Tragédie
          Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
          Drame

          Histoire

          Modifier

          Le saviez-vous

          Modifier
          • Anecdotes
            This is the first and only film for non-actor Carlo Battisti, who plays the leading role in the film. His real occupation was that of a Professor of Linguistics at the Università degli Studi di Firenze.
          • Gaffes
            Near the beginning when he is eating with the other old men he hands the plates of everyone near to him to the waitress. In the next shot everyone has plates in front of them again.
          • Citations

            Maria, la servetta: What's the matter, Mr. Umberto?

            Umberto Domenico Ferrari: I'm tired.

            Maria, la servetta: Of her?

            Umberto Domenico Ferrari: it's a little of everything.

          • Connexions
            Edited into Histoire(s) du cinéma: La monnaie de l'absolu (1999)

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          FAQ21

          • How long is Umberto D.?Alimenté par Alexa
          • Is this movie based on a novel?
          • When does this story take place?
          • Who played Flike?

          Détails

          Modifier
          • Date de sortie
            • 10 octobre 1952 (France)
          • Pays d’origine
            • Italie
          • Langue
            • Italien
          • Aussi connu sous le nom de
            • Umberto De
          • Lieux de tournage
            • The Pantheon, Piazza della Rotonda, Rome, Lazio, Italie
          • Sociétés de production
            • Dear Film
            • Rizzoli Film
            • Produzione Films Vittorio De Sica
          • Voir plus de crédits d'entreprise sur IMDbPro

          Box-office

          Modifier
          • Montant brut aux États-Unis et au Canada
            • 71 816 $US
          • Montant brut mondial
            • 72 433 $US
          Voir les infos détaillées du box-office sur IMDbPro

          Spécifications techniques

          Modifier
          • Durée
            • 1h 29min(89 min)
          • Couleur
            • Black and White
          • Rapport de forme
            • 1.37 : 1

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