Umberto D.
- 1952
- Tous publics
- 1h 29min
NOTE IMDb
8,1/10
30 k
MA NOTE
Un retraité et son chien se battent pour survivre avec sa maigre pension à Rome.Un retraité et son chien se battent pour survivre avec sa maigre pension à Rome.Un retraité et son chien se battent pour survivre avec sa maigre pension à Rome.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 3 victoires et 3 nominations au total
Alberto Albani Barbieri
- L'amico di Antonia
- (non crédité)
De Silva
- Battistini
- (non crédité)
Avis à la une
This touching story of a poor man in Italy after the war. The director, De Sica has also done the masterpiece "The bicycle thief". A very good and simple film that almost perfectly shows his fight to live a decent life his last years. The end is VERY sad(still I felt it had some hope). A highly recommended film. Also Carlo Battisti's performance is masterful. 9/10
This is storytelling at its simplest and most beautiful. An old man - his sole companion, a dog - tries to survive on a fixed, tight income while being mistreated by his landlady.
DeSica brilliantly captures the despair of his protagonist and makes this film unforgettably powerful. This film deserves to be seen by everyone, not just those who enjoy foreign-language films.
This film is touching, memorable and manages to draw us into Umberto's life without ever becoming maudlin. The denouement is heartbreaking, but the film never lapses into sentimentality. "Umberto D" truly is one of the greatest films ever made.
DeSica brilliantly captures the despair of his protagonist and makes this film unforgettably powerful. This film deserves to be seen by everyone, not just those who enjoy foreign-language films.
This film is touching, memorable and manages to draw us into Umberto's life without ever becoming maudlin. The denouement is heartbreaking, but the film never lapses into sentimentality. "Umberto D" truly is one of the greatest films ever made.
Vittorio De Sica once remarked that why should film makers go in search of extraordinary events when in the course of their daily lives they are confronted with ordinary events of extraordinary beauty.This statement sums best the very essence of this Neorealist classic. Umberto D directed by the master Italian filmmaker Vittorio De Sica is a sad albeit ordinary tale of the loss of human values in Italian society after the end of second world war.Everything about the leading character Umberto D is told in an ordinary indeed prosaic manner.It is rather bizarre but mention must also be made of the poor light in which women characters have been shown.This is due to the fact that in Umberto D,both the grumpy landlady and unmarried pregnant girl representing loss of moral values are women characters directly associated with the old man.The great thing about Umberto D is its canine protagonist named Flike who serves his master so well that he even prepares to die for his master's sake.In Umberto D, by showing a faithful dog who remains loyal to his old master,Vittorio De Sica has rightly depicted that animals are more truthful than some human beings.
An elderly retired civil servant in Rome is about to be forced onto the streets due to the loss of his pension, with only his little dog to comfort him. I'm not even a dog lover and this movie STILL got to me. I rented this on video when I was in high school and my mom ended up watching it with me. The ending (which I won't spoil for those who haven't seen it yet) is the only time I can remember when we have both been crying at the same time during a movie. This is truly a beautiful film and I have to see again soon.
Umberto D was made towards the end of the Neo-realist period in Italian cinema, following on from Roma Citta Aperta (1945),Riso Amaro (Bitter Rice 1946),Paisa (Paisan 1946) and Ladri di Biciclette (The Bicycle Thieves 1948). Many critics see Umberto D has the finest example of the genre and Vittorio de Sica, the director, himself considered it to be his best work. Set in post-war Italy, it is the story of a retired public worker, trying to survive on a meagre state pension and being threatened with eviction from his landlady. His only friends are his small dog 'Flick' and his landlady's young maid Maria who has just discovered she is pregnant. Filled with despair over his situation he finally contemplates suicide.
The film sticks firmly to the neorealist conventions; the lead actor is a non professional actor (a college Professor who agreed to play the role), the use of studio sets is kept to minimum and the everyday lives of people are examined in minute detail. One could say that for long parts of the film nothing much happens, for instance when we follow Maria's early morning routine of grinding some coffee, but from these detailed vignettes, we learn a great deal of the thoughts feelings and emotions of the characters. These sequences are why it is a great film. The acting is wonderful, the impossible situations of the old man and of the unmarried but pregnant Maria are really brought to life for the audience. Although a tragic tale it does include many moments of humour and the ending although non-committal is uplifting. All in all a classic.
The film sticks firmly to the neorealist conventions; the lead actor is a non professional actor (a college Professor who agreed to play the role), the use of studio sets is kept to minimum and the everyday lives of people are examined in minute detail. One could say that for long parts of the film nothing much happens, for instance when we follow Maria's early morning routine of grinding some coffee, but from these detailed vignettes, we learn a great deal of the thoughts feelings and emotions of the characters. These sequences are why it is a great film. The acting is wonderful, the impossible situations of the old man and of the unmarried but pregnant Maria are really brought to life for the audience. Although a tragic tale it does include many moments of humour and the ending although non-committal is uplifting. All in all a classic.
Le saviez-vous
- AnecdotesThis is the first and only film for non-actor Carlo Battisti, who plays the leading role in the film. His real occupation was that of a Professor of Linguistics at the Università degli Studi di Firenze.
- GaffesNear the beginning when he is eating with the other old men he hands the plates of everyone near to him to the waitress. In the next shot everyone has plates in front of them again.
- Citations
Maria, la servetta: What's the matter, Mr. Umberto?
Umberto Domenico Ferrari: I'm tired.
Maria, la servetta: Of her?
Umberto Domenico Ferrari: it's a little of everything.
- ConnexionsEdited into Histoire(s) du cinéma: La monnaie de l'absolu (1999)
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 71 816 $US
- Montant brut mondial
- 72 433 $US
- Durée
- 1h 29min(89 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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