Money Madness

With MONEY MADNESS, Director Sam Newfield (using fake name of Peter Stewart on this occasion) manages to add yet another dud to his extensive collection. A word to the wise: rewatch the start to the flick to get what happens to Frances Rafferty, the wife.

Cinematography is clearly below par, though the persistently dark surroundings help set up and thicken the atmosphere. I regret to admit that the copy I watched was poor, with cuts and what appeared to be a loss of some lines, which clearly did not help elevate my rating of MONEY MADNESS.

Certainly, the best aspect about this flick is Hugh Beaumont's performance. He is a quick-thinking and acting criminal, ruthless to the chase. He has no qualms about getting lovely Rafferty to marry him and then he poisons her aunt for good measure, so that he has a roof to hide in while waiting to collect the inheritance. The way he disposes of aunt Cora and keeps his wife silent and cooperative is quite remarkable (safe guess that it must have raised many an eyebrow back in 1948!).

Beaumont would as soon as kiss as kill anyone. When in the middle of apparently amenable conversation he suddenly orders Frances Rafferty, "beat it!", you know this guy has no thought for anyone except No.1, and he will take no prisoners.

Pity that the rest of the movie does not live up to Beaumont's level. 6/10.

Wow, this one is certainly a candidate for restoration.. the sound and picture quality are just terrible. Hugh Beaumont is "Steve", a crook on the run from "something"... we're not sure just what. Beaumont was the Dad on Leave it to Beaver. Steve meets up with "Julie", (Frances Rafferty) who ALSO has a past of her own. They hit it off, and that's when the trouble begins! Dick Elliot is in here as a customer in the diner... Elliot was the town mayor in Andy Griffith. Gumming up the works is Julie's elderly aunt, who sometimes fakes being ill to get attention, but sometimes really is sick. Dealing with that brings out the worst in both Julie AND Steve, so it's going to hit the fan fast! Another fun face in here is "Mrs. Ferguson"... Ida Moore. She was ALWAYS a little old lady... she had a great, tiny little part in Desk Set! (Gotta see that if you haven't already) Money Madness flows right along, no plot-holes, or glaring problems. Not many big names, which is probably why its playing on Moonlight Movies channel. Beaumont had done a bunch of war films in the 1940s, and more in the 1950s, but he's probably the biggest name in here. Directed by Sam Newfield.. he and his brother Sigmund were bigshots in "the biz", and they turned out TONS of films, starting in the silent shorts. This one is actually pretty good.

Constantly underrated Hugh Beaumont puts in a memorable performance as a chilling sociopathic murderer. Soon after he arrives in a small town carrying the proceeds of a recent bank robbery, he finds a vulnerable young woman (Frances Rafferty) and charms her into marriage. He quickly embarks on his nefarious schemes to better himself by arranging for the girl to inherit her Aunt's house and estate by killing the old lady. He continues to terrify and control the girl until she is entirely caught up in his web of murder and deceit and her own character becomes irredeemably compromised as an accessory to his crimes. Beaumont is outstanding and truly menacing as the killer, but he was equally adept at playing the playful and flirtatious, wisecracking hero as in his Mike Shayne films. There is a very natural delivery to his acting which always makes him believable...he seems to embody his roles so effortlessly that it hardly seems he is acting. This is a rare talent that few performers in films have had. For some reason, he never got to be A-list but his talent certainly deserved more recognition. Recommended.

A starvation-budget noir riddled with implausibilities, Money Madness might have been a better movie given a snappier script and an inventive director. That said, it's not that bad. We open in a courtroom where a young woman (Frances Rafferty) is being sentenced; rushing to a phone booth, a reporter tells his rewrite man 'You never know what'll come in on the noon bus.'

Next, the noon bus pulls in, disgorging Hugh Beaumont (it's not entirely clear until the end of the movie that we're now in flashback). In his satchel is $200,000, loot from a bank robbery. But he takes a crummy room and gets a job driving a hack. Picking up some fares one night, he encounters Rafferty, out on a bad date. He either falls for her or sees in her his opportunity.

Rafferty lives in a stuffy old mausoleum on the charity of her crabby old aunt (Cecil – sometimes Cecile – Weston). Beaumont hatches a plan to bump the old witch off, marry Rafferty and say his money was stashed up in the attic of the house. He forges ahead despite Rafferty's reservations by dint of cajolery and intimidation. All unfolds according to plan, but for the fact that Rafferty's lawyer (Harlan Warde) takes a shine to her as well...

Before hitting the big time of '50s TV, Beaumont appeared in dozens of Poverty Row pictures (often, as here, starring). He was never memorable but, like the movie, he wasn't too bad, either. In fact, he's rather effective as the manipulative, controlling bastard (who may be a little bit mad). The movie, though, relies too optimistically on convenient coincidences (when the landlady of Beaumont's rooming house finds Warde rifling his quarters, she calls Rafferty's house to issue an alert. How did she know where to find him?) Money Madness' place in the alphabet is considerably south of B, but it's not quite into the letters that get the highest points in scrabble, either.

Marry in haste...repent at leisure. Truer words were never spoken.

"Money Madness" from 1948 stars Hugh Beaumont (Ward Cleaver of Leave it to Beaver) and Frances Rafferty.

In the first scene, we see Steve Clark (Beaumont) dropping a fortune into a safe deposit box. The next thing we know, he's driving a cab. When a passenger begins hassling his date (Rafferty), Clark throws him out of the cab and proceeds to charm the young woman, whose name is Julie.

Julie lives with her absolutely horrible aunt, who continually accuses her of not caring about her, leaving her alone all the time, etc. Julie would love to leave, but she can't bring herself to. After not very long (maybe five minutes) Steve proposes, and the two get married and go to Steve's place.

Steve then has a prearranged telephone call; when he hangs up, he tells her that his divorce never went through, so he is now a bigamist. It will take a little time to work it all out, so she needs to go back to her aunt's place. Boy have times changed!

Julie returns, with Steve coming by constantly. He poisons the old bat and then explains to Julie that she will inherit the house, and because he needs to hide where that money came from, he can put it in a chest in the attic, and everyone will think it was her aunt's.

Julie is naturally unhappy with this idea, especially since he's a murderer, but he reminds her that she can't testify against him since they're married (untrue - she cana't be forced to testify against him) and the bigamy deal was only so she would get back to her aunt's house; and she served the liquid with the poison.

Julie is stuck, and when Steve guns down an old partner who is after the money in front of her, she's plenty scared. The lawyer (Harlan Wade) handling her aunt's estate sees she is acting strangely, but she won't talk to him.

You won't be able to get over what a nasty piece of work Beaver's father is! He does a very good job, as does Rafferty as the fightened young woman.

The moral of this story is, get to know someone before you get married.