Apology for Murder

"Apology for Murder" is a very good film with one problem...the plot is a complete ripoff of "Double Indemnity". In far too many ways does this PRC film mirror the Paramount film from the previous year.

The movie stars Hugh Beaumont as a murderer. Although he was such an incredibly nice ordinary guy as the father on "Leave it to Beaver", he often played scum-bags or hardboiled cops in films. In this film, he plays a reporter named Kenny who visits the elderly Harvey Kirkland to try to get a story. He meets a young lady named Toni (Ann Savage) and assumes it's Kirkland's daughter--but it's his young and conniving wife. She feigns interest in Kenny...all to try to get him to help murder her husband. But when he does the dirty deed, he learns she's already picked out another boyfriend and that someone else is being blamed for the husband's murder!

This story has so much from the previous film...and it's obvious they were copying. But even with this, Beaumont is still excellent and the super-cheap film still exudes a nice, noirish atmosphere. Totally unoriginal...but still worth your time.

Fun, fast-paced imitation of DOUBLE INDEMNITY, with Hugh Beaumont in the Fred MacMurray role and Ann Savage in the Barbara Stanwyck part. Savage does as good a job at being nasty as she did in DETOUR and Beaumont is fine, too. Prolific PRC director Sam Newfield keeps it moving and keeps it very entertaining. This is very hard to see, but highly worthwhile. Supposedly Paramount sued PRC to keep this out of theaters because it was far too similar to DOUBLE INDEMNITY. Too bad because it's good in its own right.

Hugh Beaumont and Fred MacMurray...Migrated to TV to Play "Wonderful", Highly Successful and Enduring TV-Dads on "Leave it to Beaver" and "My Three Sons"...

But Both Played the Lead in Almost Identical Movies, One an Academy Award Multi-Nominee and Top-10 Film-Noir,

the Other a PRC (Producers Releasing Co..."Pretty Rotten Crap..."Poverty Row Cinema") Quickie.

"Apology" has All the Pitfalls and Baggage that Accompany Movies Made on the Cheap...60 min. Run-Time...Mostly One-Takes, and Not a Whole-Lotta-Time or Money to Make a Better Movie.

But the Low-Rent Studios "Reason to Be" was Making "Watchable Movies for the Bottom-End of a Double-Bill while Making a Dollar-Bill.

Providing Work for Out-of-Work Folks that Worked in the Movies,

and through No Fault, but Resources, Sacrificial Lambs for "No-Shame" Ghouls to Pick the Bones Clean Laughing at 'Primitive Art" for Not Being "Legitimate" Art...Bullies All.

But "Apology for Murder" Makes No Apologies and "Respects" the Billy Wilder Film..."Imitation is the Greatest Form of Flattery"...

Anne Savage will Never Apologize for NOT being Barbara Stanwyck,

Her On-Screen Persona is Something to be Proud. If there Ever was an Actress "Born" to Play "Femme-Fatales", She's the One.

Hugh Beaumont is Fine "Playing the Sap", and the Ending is a Violent and Peaceful Wrap where He Delivers and then Some.

Ignore the "Deja Vu" when it Surfaces in this "Homage" and Enjoy.

If "B-Movies" Didn't Exist...There would be No "A-Movies".

Definitely...

Worth a Watch.

Investigative journalist "Blake" (Hugh Beaumont) is looking into a lucrative business deal that might be in the offing for the wealthy "Kirkland" (Russell Hicks). An impromptu meeting, though, introduces him to a new proposition - the man's much younger wife "Toni" (Ann Savage). She's unhappy, soon seeking solace in his arms and plotting his demise. "Blake" is initially unwilling to co-operate, but she's a clever woman and... The question is, can they get away with it and manage to frame "Jordan" (Pierre Watkin) for good measure? At just over the hour, this is quite a watchable crime thriller with plenty of feminine wiles, manipulation, betrayal and an ending that delivers just desserts a-plenty. No, it's not a great or especially memorable film and I could have done with someone like Barbara Stanwyck in the lead (they could have too, I guess) but if you like the genre you'll enjoy this readily enough.

Apology for Murder Review by Denise Noe

The movie opens with a uniformed maid answering a door. Journalist Kenny Blake (Hugh Beaumont of Leave It To Beaver fame) says he is with The Daily Tribune. Before he can continue, he is distracted by the sound of what is happening in a nearby room behind a closed door. A man is giving a tongue lashing to a woman about her "extravagance." He threatens, "If necessary, I'll cancel your charge accounts." Then we are inside the room. We see an aging and gray-haired fellow behind a large desk. The woman to whom he speaks sits with her back to us in a comfortable chair. We see her shapely legs, one going idly back and forth. She warns that his reputation could be damaged by the "rumor that you are in financial difficulties." Back to the pushy reporter who wants to interview Mr. Kirkland. The maid tries to restrain him but Kenny barges in. He informs business tycoon Harvey Kirkland (Russell Hicks) that the newspaper i interested in plans to join his business with another. Our entrepreneur is not interested in an article on his business. Kenny rattles off reasons why the story has "human interest" when his attention is caught by the shapely legs recently mentioned. Then Toni Kirkland (Ann Savage) shows her face, causing Kenny to become even more distracted. However, get-the-story reporter that he is, Kenny continues pitching the potential benefits of a newspaper article to old man Kirkland even as Toni rises from her chair and his lascivious attention follows her to the door. Nothing is going to persuade the entrepreneur to want a story.

Before Kenny can leave, Toni speaks to him in a flirtatious manner. Kenny has a strong interest in this mansion that is no longer professional. It is not too long before Kenny and Toni are dating. But things seem to go south. Kenny had assumed that young Toni was Kirkland's daughter. He is flummoxed to learn he has been "running around with another man's wife." Toni assumed he knew she was Mrs. Kirkland. As upset as he was at learning the truth, he is in too deep to skedaddle now. And things get much worse when a disillusioned and disappointed Toni Kirkland says she needs her husband's money - but wants him out of the way.

As others have noted, Apology for Murder is a low-rent Double Indemnity rip-off. It substitutes a newspaper office for an insurance office. It follows the original classic in so many ways that it becomes highly predictable. Overall, the movie is not bad as it moves at a brisk pace and keeps attention. Ann Savage is not quite as "savage" as she was in the classic Detour. Rather, she shows enough softness that we understand why Kenny is so entranced with her. However, Toni is a wicked piece of work and Savage is never at a loss to let loose with cinematic wickedness. Beaumont does well with the character of the romance-besotted man who reluctantly turns to evil. Other performers fill their roles in a satisfactory manner.

Apology for Murder is not a bad way to spend your time but it cannot get out from the shadow of Double Indemnity, a much better movie.