NOTE IMDb
6,7/10
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MA NOTE
Le gangster Vincent Canelli et le braqueur de banque Peter Manning s'échappent du couloir de la mort quelques minutes avant leur exécution sur la chaise électrique.Le gangster Vincent Canelli et le braqueur de banque Peter Manning s'échappent du couloir de la mort quelques minutes avant leur exécution sur la chaise électrique.Le gangster Vincent Canelli et le braqueur de banque Peter Manning s'échappent du couloir de la mort quelques minutes avant leur exécution sur la chaise électrique.
- Réalisation
- Scénario
- Casting principal
Lee Aaker
- Little Boy
- (non crédité)
James Bacon
- Reporter at Electrocution
- (non crédité)
Harry Bartell
- Boland
- (non crédité)
Arthur Batanides
- Reporter at Electrocution
- (non crédité)
Ray Bennett
- Alexander Watkins
- (non crédité)
Don Blackman
- Selwyn
- (non crédité)
David Bond
- Thompson
- (non crédité)
Avis à la une
A grim drama consistently going from bad to worse the whole way to the end, but very efficiently told and acted, and Edward G. Robinson makes one of his most interesting characters as the angry gangster who only knows one way of life which is the worst without any room for any human feelings at all. The priest character (Milburn Stone) is very interesting in this context, while Peter Graves as the second worst gangster ultimately takes matters in his own hands and proves himself a hero after all although in a negative way. It's a very efficient getaway and hostage drama which will keep you biting your nails all the way, although you know it can only end in one way, no matter how perfectly they arranged their escape and almost managed it in spite of the inevitable fact in these operations, that something always must go wrong.
Solid film noir by Hugo Fregonese about two inmates running away from the death row the day before their execution. The film's progressively oppresive atmosphere is nicely portrayed by Fregonese in a cinema verité style. Characters are well written and played -supporting cast is excellent as well- with few concessions to sentimentalism -causing censor cuts at some points. Edward G. Robinson brilliantly plays vicious gangster Vincent Canelly while Peter Graves plays nicely his escape partner Peter Manning. Always providing their films with an interesting approach and usually solid scripts, Fregonese directed several prison movies like My six convicts or Apenas un delincuente capturing prisoners' point of view. Unusually dark for its time, the film suffered some censor's cuts in several countries so keep this in mind if you are watching it from a tv pass. Worth watching noir filmed in a realistic and sometimes brutal -for its time -style. It clearly deserves a restoration.
This little known and little seen Edward G. Robinson film takes Eddie back to the days when he was playing some quite serious gangster roles. Caesar Enrico Bandello and Johnny Rocco don't have a patch on his Vince Canelli in Black Tuesday.
Imagine if Little Caesar or Johnny Rocco being captured and on death row with bank robber Peter Graves both sentenced to die that day. Only Robinson has a very well conceived plan to escape at the last minute. He takes Graves along and the rest of those on that Green Mile, the others to throw confusion and buy time and Graves because Graves has hidden $200,000.00 from his last bank job and Robinson wants to flee the country in style with lots of spending loot.
Graves is no fool either. When he says the money is well hidden and only he can get to it, he's not kidding.
Black Tuesday was shot on a shoestring budget and I'm sure what money they had was spent for a really good supporting cast of familiar faces. Standing out are Warren Stevens as one of the hired guns that helps Robinson crash the joint, Jack Kelly as a cub reporter who is one of many taken hostage and Milburn Stone as the prison padre taken hostage as well.
Both the prison escape scene and the final gun battle are well staged and brutal for the time. The film looks like it's in need of restoration and I hope it gets it.
Imagine if Little Caesar or Johnny Rocco being captured and on death row with bank robber Peter Graves both sentenced to die that day. Only Robinson has a very well conceived plan to escape at the last minute. He takes Graves along and the rest of those on that Green Mile, the others to throw confusion and buy time and Graves because Graves has hidden $200,000.00 from his last bank job and Robinson wants to flee the country in style with lots of spending loot.
Graves is no fool either. When he says the money is well hidden and only he can get to it, he's not kidding.
Black Tuesday was shot on a shoestring budget and I'm sure what money they had was spent for a really good supporting cast of familiar faces. Standing out are Warren Stevens as one of the hired guns that helps Robinson crash the joint, Jack Kelly as a cub reporter who is one of many taken hostage and Milburn Stone as the prison padre taken hostage as well.
Both the prison escape scene and the final gun battle are well staged and brutal for the time. The film looks like it's in need of restoration and I hope it gets it.
Edward G. Robinson shows he still could do the gangster role and keep the performances fresh. Unlike the mob bosses Robinson played in
"Little Ceaser", "The Last Gangster", and "Key Largo", the role of Vincent Canelli is more modern and vicious than the typical cigar chewing prohabtion gangster. Canelli and gunman Manning{Peter Graves} await their death sentence with a bunch of other prisoners on death row. Canelli's mob kidnap the daughter of one of the prison guards and
blackmail the guard in helping the death row inmates bust outta the joint!! Canelli needs Manning's money that he stashed away for his final getaway and Manning is just looking for freedom. The story leads
to a moral climatic stand-off with escaped killers vs. the police. The soul-less Canelli shows how low killers will go to survive. Great performance by Robinson and Graves, especially Robinson who plays a
gangster ahead of those times. It's sad that not enough people know about this movie. If your any type of gangster, suspense, or just a Eddie G. fan, GET YOUR HANDS ON A COPY OF THIS FILM... NYA'SEE!!!!!
"Little Ceaser", "The Last Gangster", and "Key Largo", the role of Vincent Canelli is more modern and vicious than the typical cigar chewing prohabtion gangster. Canelli and gunman Manning{Peter Graves} await their death sentence with a bunch of other prisoners on death row. Canelli's mob kidnap the daughter of one of the prison guards and
blackmail the guard in helping the death row inmates bust outta the joint!! Canelli needs Manning's money that he stashed away for his final getaway and Manning is just looking for freedom. The story leads
to a moral climatic stand-off with escaped killers vs. the police. The soul-less Canelli shows how low killers will go to survive. Great performance by Robinson and Graves, especially Robinson who plays a
gangster ahead of those times. It's sad that not enough people know about this movie. If your any type of gangster, suspense, or just a Eddie G. fan, GET YOUR HANDS ON A COPY OF THIS FILM... NYA'SEE!!!!!
"Black Tuesday" is one of Edward G. Robinson's better gangster films...and that says a lot! He plays Vincent Canelli, a convicted murderer who is on Death Row. However, Canelli isn't one bit repentant about his actions. In fact, he's planning to escape...and taking one of his fellow inmates (Peter Graves). Why? Because this other Death Row resident apparently stole $200,000...and Canelli needs it to start a new life.
Instead of explaining his escape, let's jump ahead to the tense ending. Canelli and his fellow crooks are hiding out when the police discover their whereabouts...and soon there is a shootout and Canelli threatening to shoot the hostages he's taken. What's next? Well, you probably won't predict the finale...which I really appreciate.
The best thing about this film is the writing. It's top-notch and never relies on sentimentality nor cliches. Instead, it's tough and very exciting...and well worth your time.
Instead of explaining his escape, let's jump ahead to the tense ending. Canelli and his fellow crooks are hiding out when the police discover their whereabouts...and soon there is a shootout and Canelli threatening to shoot the hostages he's taken. What's next? Well, you probably won't predict the finale...which I really appreciate.
The best thing about this film is the writing. It's top-notch and never relies on sentimentality nor cliches. Instead, it's tough and very exciting...and well worth your time.
Le saviez-vous
- AnecdotesThe film was banned by the Memphis Censor Board due to its grimness and brutality.
- GaffesWhen one of the gang is injured and needs an operation, Robinson orders a captive to donate blood, and the man does so. However, he does not know--and no test is made to determine--if the man has a blood group compatible with that of the patient.
- Citations
Father Slocum: Listen to me, Vincent... you can't keep on killing and killing.
Vincent Canelli: No? Just watch me.
- ConnexionsReferenced in Il bidone (1955)
- Bandes originalesBlack Tuesday Blues
by Bob Parrish
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Détails
- Durée1 heure 20 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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By what name was Mardi, ça saignera! (1954) officially released in Canada in French?
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