Des hommes vivront

Let me be clear that the film Men of Boys Town is well worth the watch if for no other reason than the re-matching of the two great actors Spencer Tracy who plays Father Flanagan and Mickey Rooney who plays Whitey Marsh, the Mayor of Boys Town. Mickey's role is key to the film in terms of him being portrayed as the protector of all boys who end up in a reform school. Of course there is abuse at some of these school for boys and you only have to be reminded of the Catholic Churches in Boston who eventually paid out tens of millions of dollars for their decades of abuse of young boys in their control.

In this film there is one young man named Ted Martley, played by Larry Munn, who is beaten so badly by the guards at his reform school that he cannot even walk due to paralysis of the leg. Father Flanagan travels over a thousand miles to bring the young and disengaged Ted Martley to Boys Town where he encourages his greatest supporter Whitey Marsh, the so-called ordained Mayor of Boys Town, played by Mickey Rooney, to show this young man that everyone deserves a second chance and that there are people out there who truly care for the impoverished youth of society to ensure they grow up with both a spiritual and moral compass.

Whitey Marsh is the epitome of believing in himself and the younger boys of Boys Town so he sets his goal to make this paralyzed youth Ted Martley recognize that he does have true friends at Boys Town. Oh, and of course the director, Norman Taurog, brings in a cute little dog who just loves to jump on Ted's lap and lick his face so much so that Ted finally comes out of his self absorbed shell and cracks his first smile while sitting up in his bed.

The Men of Boys Town is aptly named as these young boys must face real challenges both in life and in death, and no one can bring these emotions to life better than Mickey Rooney and Spencer Tracy. This is well worth the watch even in this century some 76 years later from its initial release. Be sure to keep a box of tissues close to you though, especially late at night when your guard may be down, as mine was. Tears will flow, but joy and redemption is their main message.

I give the film an 8 out of 10 rating.

Father Flanagan (Spencer Tracy) has his hands full with huge debts that threaten to close the doors of Boys Town, plus more troubled boys to save such as a crippled boy convicted of manslaughter! Also the Father's prize pupil Whitey (Mickey Rooney) goes to live with a foster family and gets into trouble, thanks to a pint-sized tough guy (Darryl Hickman).

Good sequel to Boys Town reunites Spencer Tracy and Mickey Rooney, as well as a few of the kid actors who were in the last film. Henry Hull's part is recast with, of all people, Lee J. Cobb in one of his first significant roles. Rooney's star had risen since 1938 and in many ways he was more of the star of this one than Tracy was. Darryl Hickman is so cute as the little hoodlum Flip. He really steals the movie. A little long and the plot's kind of scattered but it's enjoyable and pleasant with lots of tear-jerking moments.

Spencer Tracy and Mickey Rooney return as Father Flanagan and Whitey Marsh in this sentimental sequel to the almost equally sentimental original "Boys Town." However, the sentiment is in a good cause, and both films are ideal for those rainy afternoons on the sofa with a pound of chocolates and a box of Kleenex.

As he was in the original film, Spencer Tracy is the rock at the center of "Men of Boys Town." His performance as Flanagan is solid, reassuring, and subtle. Tracy was a master of film acting and never indulged in histrionics; however, when he spoke his words carried weight, and his figure had a presence that commanded attention. Mickey Rooney, on the other hand, could overplay a part, and his Whitey Marsh in the original "Boys Town" teeters perilously on being over the top. However, three years later, both Rooney and Whitey are more mature, and the characterization benefits. Rooney has toned down and deepened his performance, and, with more screen time, he holds his own with Tracy.

The film's plot is melodramatic and includes a crippled boy, a dog, a potential adoption, an escapee from a reform school, and financial problems, all of which, not surprisingly, resolve themselves in a flood of tears and smiles in the best tradition of old MGM movies. Bobs Watson returns as Pee Wee, and, although he should have outgrown the game with the candy in the drawers, he remains memorable for the waterworks that he could evidently turn on and off at the director's command. Anne Revere, no slouch in the tears department herself, has a small memorable part near the film's conclusion. Lee J. Cobb, who took over for Henry Hull as Dave Morris, Father Flanagan's friend, is effective, although there is an initial jolt when he appears, because his is the only major role that was recast from the original film.

The original "Boys Town" and this sequel must have drawn millions into the coffers of Father Flanagan's home for boys. When the music soars over heart-rending scenes and Tracy intones his philosophy of there being no such thing as a bad boy, only the hardest curmudgeon would not be moved to reach for a checkbook.

Yes...man enough to risk breaking down in tears and crying like a baby at the aftermath of Bo Hunk's demise? When Ted Maitland...that poor kid who suffers so much pain and heartbreak...finally summons the strength to pull himself together and (literally) stand on his own, with Herbert Stothart's background music sounding as if the Heavens have opened and angel voices are cascading down from above (he actually quotes the carol "Angels We Have Heard on High" at this point).... I thought I'd never recover from this scene, which must be among the most heart wrenching in all cinema.

Of course, bear in mind that it's the Louis B. Mayer/MGM special brand of heartstring tugging, which many people regard as hopelessly old-fashioned and manipulative. But so what? That's what audiences of the day knew, living through the desperation and darkness of the Depression, where young children who were orphaned or abandoned often faced the cruelty of the world by themselves, where a saint-like character such as Father Flanagan represented both spiritual and physical salvation. "Men of Boy's Town" is certainly as maudlin and sentimental a film as you are likely to encounter, but it serves as a testament to the time in which it was made....and as such remains a valuable social document, both in terms of its subject matter and the way in which audiences of the day reacted to it.

That being said, the Darrell Hickman character---the pint-sized hood "Flip"---seems about as exaggerated and far from reality as can be imagined, but then again, what do I know? I wasn't alive back then; maybe such characters actually existed. (And yes, the "SLO-MO" comedy act that the boys perform to cheer up Ted in his hospital room goes on AT LEAST 3 times as long as it should have).

Still, first-rate performances all around.

It's a pity that this film is practically un-noticeable as a bonus on the same DVD along with "Boy's Town", so little attention is it given; I at first thought it was a short documentary or something of that sort; but no, it is a full-length, and very substantial sequel to the fine original film.

Father Flanagan desperately needs $200,000 to finance the two new wings of Boys Town, the community's young reformed mayor Whitey lets himself be adopted on a trial basis by a couple that might help raise the money, and a new kid, Ted with the broken back and the many ghosts in the closet, reluctantly enters Boy Town, and it seems like he is never going to trust humankind again.

Three years after the enormous success of 'Boy Town', director Norman Taurog and his brilliant cast is at it again, reforming young sinners and fighting their battle against the inhuman ways children were treated in reform schools. Father Flanagan preaches an anti-punishment policy way ahead of its time: "There is no redemption in a lash", he says.

It is Whitey, this time around, that gets to say the immortal words, "There's no such thing as a bad boy", and adds: "... someone told me once". And again Mickey Rooney is the center of attention here, I was once more amazed at this young actor's ease, the complete confidence that he exudes plus the vulnerability. Never once does he come across as too cocky, he is just always quite right, which is an art. Rooney was a brilliant, intuitive player, and it is about time someone gave him credit for it.

The rest of the acting is not quite on that level. Spencer Tracy as Father Flanagan plays the easy part here, sufficing to smile warmly and speak heatedly, but he is nice to be in a room with.

As always, modern viewers cringe at the angelic choirs that accompany the miracles that make all the pieces fit together, and they must have sounded grating even in 1941. But, beggars can't be choosers, and I like this second round of Boys Town almost as much as the first.