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Le jongleur

Titre original : The Juggler
  • 1953
  • Approved
  • 1h 24min
NOTE IMDb
6,4/10
835
MA NOTE
Kirk Douglas and Milly Vitale in Le jongleur (1953)
DramaHistoryWar

Ajouter une intrigue dans votre langueIn 1949, former concentration camp inmate and Berlin native Hans Muller, immigrates to Israel where, due to psychological problems, he can't adjust to peacetime life.In 1949, former concentration camp inmate and Berlin native Hans Muller, immigrates to Israel where, due to psychological problems, he can't adjust to peacetime life.In 1949, former concentration camp inmate and Berlin native Hans Muller, immigrates to Israel where, due to psychological problems, he can't adjust to peacetime life.

  • Réalisation
    • Edward Dmytryk
  • Scénario
    • Michael Blankfort
  • Casting principal
    • Kirk Douglas
    • Milly Vitale
    • Paul Stewart
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    835
    MA NOTE
    • Réalisation
      • Edward Dmytryk
    • Scénario
      • Michael Blankfort
    • Casting principal
      • Kirk Douglas
      • Milly Vitale
      • Paul Stewart
    • 25avis d'utilisateurs
    • 6avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Photos28

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    Rôles principaux48

    Modifier
    Kirk Douglas
    Kirk Douglas
    • Hans Muller
    Milly Vitale
    Milly Vitale
    • Ya'El
    Paul Stewart
    Paul Stewart
    • Detective Karni
    Joseph Walsh
    Joseph Walsh
    • Yehoshua Bresler
    • (as Joey Walsh)
    Alf Kjellin
    Alf Kjellin
    • Daniel
    Beverly Washburn
    Beverly Washburn
    • Susy
    Charles Lane
    Charles Lane
    • Rosenberg
    John Banner
    John Banner
    • Emile Halevy
    Richard Benedict
    Richard Benedict
    • Police Officer Kogan
    Oskar Karlweis
    Oskar Karlweis
    • Willy Schmidt
    • (as Oscar Karlweis)
    Ralph Moody
    Ralph Moody
    • Mukhtar
    • (scènes coupées)
    Marlene Aames
    • Hannah
    • (non crédité)
    Victor Adamson
    Victor Adamson
    • Refugee
    • (non crédité)
    Jay Adler
    Jay Adler
    • Papa Sander - Susy's Father
    • (non crédité)
    Leon Alton
    Leon Alton
    • Bus Driver
    • (non crédité)
    Hanna Axmann-Rezzori
    Hanna Axmann-Rezzori
    • Telephone Girl
    • (non crédité)
    Walter Bacon
    • Audience Member
    • (non crédité)
    John Bleifer
    John Bleifer
    • Mordecai
    • (non crédité)
    • Réalisation
      • Edward Dmytryk
    • Scénario
      • Michael Blankfort
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs25

    6,4835
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    myschrec

    A hidden treasure

    I haven't seen this movie in years, although I remember seeing it when it was first available in the 50's when I was a child and later in the 90's when it was on TV. I recall that Douglas' acting was not as convincing as it could have been, but then the character was deeply disturbed by the War and resettlement in Israel. I recall that scenes of Israel were very convincing. I have relatives in Israel and some of them visited us in the 50's, so I learned a lot about life in Israel. Finally, I recall a wonderful child actor in this movie who does more than anyone else to draw us into the drama. Fifty years later, this film now takes on even more importance as an historical document. I hope it is released on DVD soon.
    gelashe

    A good movie - not shown enough

    As the child of a holocaust survivor who joined the Israeli army in 1947, I grew up watching this movie with my father. It had not been on for many years but I got to see it again a few years ago. It is a good movie, I believe filmed on location in Israel. The theme is more about Hans (Kirk Douglas) and his adjustment to a new life while carrying the burden of being in the camps. At the beginning he tries to hide his identity by covering his arm to hide his tattoo. All I can say is watch it, it is worth it.
    5Doylenf

    Kirk Douglas in social conscience drama produced by Stanley Kramer...

    KIRK DOUGLAS struggles to forget the horrors of a concentration camp in THE JUGGLER, another one of Stanley Kramer's serious socially conscious films of the '50s. Unfortunately, the end result is a film that doesn't really connect with its target audience despite a solid performance by Douglas as the troubled Jew from Israel unable to overcome his fear and bitterness.

    Unfortunately, Kramer had a habit of assigning George Antheil to score his films. Antheil contributes another inappropriate score heavily accenting any melodramatic moment that points up Kirk's anguish, much the way he did in Kramer's NOT AS A STRANGER. It didn't work there and it doesn't work here, especially during the "escape" scene where the music reaches a frenzied fever pitch of discordant notes.

    It's hard to fully sympathize with Douglas' tormented character and that is the film's chief handicap. As the man tracking down the fugitive, PAUL STEWART does his usual workmanlike job. Trouble is, there's an almost documentary feel to the story and its pivotal character is never fully fleshed out, remaining somewhat of an enigma despite Douglas' good performance. When romance comes into the story with the entrance of MILLY VITALE, Douglas' character softens a little under her compassionate care.

    Some vivid glimpses of Israel, circa 1949, and good location photography gives the story an authentic air, but the story values are never more than ordinary and the total effect is bland.

    Worthwhile mainly for Kirk Douglas fans, it fails to make the impact intended as a serious study of a man haunted by prison camp memories.
    7whpratt1

    Outstanding Film

    Grew up in Queens, New York and had a wonderful Jewish family as my next door neighbors and one day I noticed the lady of the house had a number stamped on her arm and heard the story of what she experienced and it left a great impression on me all my life. This film directed by a very famous man Edward Dmytryke gave a great portrayal of the mental effects it had on a man named, Hans Muller, (Kirk Doublas) who was a German refugee from Germany relocating to Israel after WW II. Hans Muller was a Juggler who entertained many people and young children and was a wonderful tender hearted man, but he had serious psychological effects from his being confined in the Nazi Concentration camps and witnessed the horrors of what Hitler created for human beings being burned in ovens. Milly Vitale (YaEl) gave a great supporting role and this is truly a great great film that will show many generations what really went on during the Horrors of Nazi Germany.
    7ma-cortes

    The hard and tumultuous story of a Jewish refugee from Germany who relocates to Israel after WWII

    Following World War II, the life of the Jewish nation is uncertain. The United Nations is contemplating taking a vote on creating a Jewish homeland in Palestine . Until then , many Jews are exiled from much of Europe - especially Germany - in hopes of beginning and making a new fruitful life ; however , many of them are sent to detention camps . Set in 1949 , previous years 1946 ,1947 and early 1948 were a years in which Zionist terrorist was at its height and Independent Israel still seemed heartbreaks away . Finally , the state of Israel is created in 1948 , resulting in war with its Arab neighbors . Meanwhile , some immigrants have no where to go , there arrives a former concentration camp inmate and Berlin native named Hans Muller (Kirk Douglas) . After fighting a policeman , Hans turns a fugitive , traveling through Israel with an orphan teenage boy , whom he teaches to juggle while searching for peace of mind ; meantime , being relentless pursued by a police inspector (Paul Stewart) . Regarding his risked odyssey post-war, as he is back to Israel and escapes across the countryside . Subsequently , Hans stays at a kibutz where meets Ya'El (Milly Vitale) , she is initially naive about his sedution and hostile toward Muller's means of achieving his goals . However, she ultimately falls in love with him and with his dream despite their cultural differences and the mental breakdown suffering from his experiences in the Nazi death camps. The drama and the passion of one of the epic events of the twentieth century !

    This historic film concerning a deranged Jewish vaudevillian-juggler who immigrates to Israel where and he can't adjust to peacetime life . It is a worthy exercice but results to be slow-moving and boring , at times . Being well produced by the great Stanley Kramer , appropriately photographed in black and white by Roy Hunt , containing a sensitive and moving musical score by George Antheil and professionally directed by Edward Dmytryck , though it has some flaws and gaps . It is a nice and thought-provoking film, but not excellent , about a unsettling man who is a neurotic about authority and confinement , that's why he can not overcome the psychological effects of the war , concerning a thunderous traveling , as well as his slow rediscovery of hope and life . It has the usual trappings of a grand historical fresco about building of Israel state , but it results to be more an introspective drama than an epic movie . To be sure the movie is enjoyable and strong , regarding the plight of the survivors from Auschwitz and other concentration camps . A sensitive and brooding picture dealing with doubts facing the liberated prisoners and psychological dilemmas . Good performances from Kirk Douglas as an obstinate and quick to anger Jew , who due to psychological problems has not to enjoy an easy life . Here a compelling Kirk gives a very fine acting , delivering one of the best interpretations of his long career, as the ex-prisoner attempting to reclaim his humanity later experiencing unimaginable terror and distress . Douglas is assisted by a good cast , such as : the gorgeous Milly Vitale , Paul Stewart , Joey Walsh , Alf Kjellin , Beverly Washburn , Richard Benedict , jay Adler , Charles Lane, among others .

    The picture well written by Michael Blankfort was efficiently directed by Edward Dmytriyck providing an introspective look about Nazism consequences with harrowing scenes , though including some brief failures . A veteran filmmaker, Dmytryck is one of Hollywood's most prolific directors who started his career in the early 40s . He was a craftsman whose career was interrupted by the activities of the House Un-American Activities Committee (HUAC), a congressional committee that employed ruthless tactics aimed at rooting out and destroying what it saw as Communist influence in Hollywood . A lifelong political leftist who had been a Communist Party member briefly during World War II, Dmytryk was one of the so-called "Hollywood Ten" who refused to cooperate with HUAC and had their careers disrupted or ruined as a result. The committee threw him in prison for refusing to cooperate, and after having spent several months behind bars , Dmytryk decided to cooperate . Dmytrick's biggest film was ¨The Caine Mutiny¨ , but he also realized another mutiny film titled : ¨Mutiny¨ with Angela Lansbury . Edward was an expert on warlike genre as ¨Back to Batan¨ , ¨Battle of Anzio¨ , ¨Young lions¨ and Western as ¨Broken lance¨ , ¨Alvarez Kelly¨ , ¨Warlock¨ , among others . Rating : 7 , better than average .

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The film is based on author Michael Blankfort's novel with the same title. Initially, producer Stanley Kramer wanted author Blankfort to direct the film but Blankfort was refused a passport for travel to Israel by the United States State Department because Blankfort had been a Communist many years earlier. Kramer reassigned the film to director Edward Dmytryk who served almost a year in prison in 1948 after being convicted of contempt of Congress for refusing to divulge his political affiliations. After his release from prison, Dmytryk moved to England but returned to the U.S. and gave testimony before the House Committee on Un-American Activities and, as a result, was removed from the film industry blacklist.
    • Citations

      Registration Official at Haifa: Name?

      Hans Muller: [softly] Hans Muller

      Registration Official at Haifa: You have to speak louder

      Hans Muller: HANS MULLER's my name

      Registration Official at Haifa: A little softer please. Place of birth?

      Hans Muller: Germany... Munich... Beautiful city

      Registration Official at Haifa: Occupation before the war?

      Hans Muller: You wouldn't believe me

      Registration Official at Haifa: I'll believe anything

      Hans Muller: I was a juggler.

      Registration Official at Haifa: What?

      Hans Muller: A juggler

      [pantomimes juggling balls in the air]

      Registration Official at Haifa: We need a juggler like a hole in the head. What can you do besides throwing things up in the air and catching them?

      Hans Muller: My dear sir, to say I throw things up in the air and catch them is like saying Shakespeare just wrote words. Would you care to see my scrapbook?

      Registration Official at Haifa: No. Show it when you look for a job... if there are any for jugglers

      Hans Muller: I'm retired. I havent thrown up anything but bad food in ten years

      Registration Official at Haifa: So what else can you do?

      Hans Muller: I can wash dishes, sweep barracks, clean toilets. I can also smile while being beaten by fists, feet, straps and long rubber hoses. I can be used as a guinea pig for new drugs and old poisons. All of which we learned as guests of the Nazis.

    • Connexions
      Featured in The Dick Cavett Show: Kirk Douglas (1971)

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    FAQ15

    • How long is The Juggler?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 26 juin 1953 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Hébreu
    • Aussi connu sous le nom de
      • The Juggler
    • Lieux de tournage
      • Haïfa, Israël
    • Société de production
      • Stanley Kramer Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 24 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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