Ajouter une intrigue dans votre langueIn 1949, former concentration camp inmate and Berlin native Hans Muller, immigrates to Israel where, due to psychological problems, he can't adjust to peacetime life.In 1949, former concentration camp inmate and Berlin native Hans Muller, immigrates to Israel where, due to psychological problems, he can't adjust to peacetime life.In 1949, former concentration camp inmate and Berlin native Hans Muller, immigrates to Israel where, due to psychological problems, he can't adjust to peacetime life.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
- Yehoshua Bresler
- (as Joey Walsh)
- Willy Schmidt
- (as Oscar Karlweis)
- Mukhtar
- (scènes coupées)
- Hannah
- (non crédité)
- Refugee
- (non crédité)
- Papa Sander - Susy's Father
- (non crédité)
- Bus Driver
- (non crédité)
- Telephone Girl
- (non crédité)
- Audience Member
- (non crédité)
- Mordecai
- (non crédité)
Avis à la une
Unfortunately, Kramer had a habit of assigning George Antheil to score his films. Antheil contributes another inappropriate score heavily accenting any melodramatic moment that points up Kirk's anguish, much the way he did in Kramer's NOT AS A STRANGER. It didn't work there and it doesn't work here, especially during the "escape" scene where the music reaches a frenzied fever pitch of discordant notes.
It's hard to fully sympathize with Douglas' tormented character and that is the film's chief handicap. As the man tracking down the fugitive, PAUL STEWART does his usual workmanlike job. Trouble is, there's an almost documentary feel to the story and its pivotal character is never fully fleshed out, remaining somewhat of an enigma despite Douglas' good performance. When romance comes into the story with the entrance of MILLY VITALE, Douglas' character softens a little under her compassionate care.
Some vivid glimpses of Israel, circa 1949, and good location photography gives the story an authentic air, but the story values are never more than ordinary and the total effect is bland.
Worthwhile mainly for Kirk Douglas fans, it fails to make the impact intended as a serious study of a man haunted by prison camp memories.
This historic film concerning a deranged Jewish vaudevillian-juggler who immigrates to Israel where and he can't adjust to peacetime life . It is a worthy exercice but results to be slow-moving and boring , at times . Being well produced by the great Stanley Kramer , appropriately photographed in black and white by Roy Hunt , containing a sensitive and moving musical score by George Antheil and professionally directed by Edward Dmytryck , though it has some flaws and gaps . It is a nice and thought-provoking film, but not excellent , about a unsettling man who is a neurotic about authority and confinement , that's why he can not overcome the psychological effects of the war , concerning a thunderous traveling , as well as his slow rediscovery of hope and life . It has the usual trappings of a grand historical fresco about building of Israel state , but it results to be more an introspective drama than an epic movie . To be sure the movie is enjoyable and strong , regarding the plight of the survivors from Auschwitz and other concentration camps . A sensitive and brooding picture dealing with doubts facing the liberated prisoners and psychological dilemmas . Good performances from Kirk Douglas as an obstinate and quick to anger Jew , who due to psychological problems has not to enjoy an easy life . Here a compelling Kirk gives a very fine acting , delivering one of the best interpretations of his long career, as the ex-prisoner attempting to reclaim his humanity later experiencing unimaginable terror and distress . Douglas is assisted by a good cast , such as : the gorgeous Milly Vitale , Paul Stewart , Joey Walsh , Alf Kjellin , Beverly Washburn , Richard Benedict , jay Adler , Charles Lane, among others .
The picture well written by Michael Blankfort was efficiently directed by Edward Dmytriyck providing an introspective look about Nazism consequences with harrowing scenes , though including some brief failures . A veteran filmmaker, Dmytryck is one of Hollywood's most prolific directors who started his career in the early 40s . He was a craftsman whose career was interrupted by the activities of the House Un-American Activities Committee (HUAC), a congressional committee that employed ruthless tactics aimed at rooting out and destroying what it saw as Communist influence in Hollywood . A lifelong political leftist who had been a Communist Party member briefly during World War II, Dmytryk was one of the so-called "Hollywood Ten" who refused to cooperate with HUAC and had their careers disrupted or ruined as a result. The committee threw him in prison for refusing to cooperate, and after having spent several months behind bars , Dmytryk decided to cooperate . Dmytrick's biggest film was ¨The Caine Mutiny¨ , but he also realized another mutiny film titled : ¨Mutiny¨ with Angela Lansbury . Edward was an expert on warlike genre as ¨Back to Batan¨ , ¨Battle of Anzio¨ , ¨Young lions¨ and Western as ¨Broken lance¨ , ¨Alvarez Kelly¨ , ¨Warlock¨ , among others . Rating : 7 , better than average .
Le saviez-vous
- AnecdotesThe film is based on author Michael Blankfort's novel with the same title. Initially, producer Stanley Kramer wanted author Blankfort to direct the film but Blankfort was refused a passport for travel to Israel by the United States State Department because Blankfort had been a Communist many years earlier. Kramer reassigned the film to director Edward Dmytryk who served almost a year in prison in 1948 after being convicted of contempt of Congress for refusing to divulge his political affiliations. After his release from prison, Dmytryk moved to England but returned to the U.S. and gave testimony before the House Committee on Un-American Activities and, as a result, was removed from the film industry blacklist.
- Citations
Registration Official at Haifa: Name?
Hans Muller: [softly] Hans Muller
Registration Official at Haifa: You have to speak louder
Hans Muller: HANS MULLER's my name
Registration Official at Haifa: A little softer please. Place of birth?
Hans Muller: Germany... Munich... Beautiful city
Registration Official at Haifa: Occupation before the war?
Hans Muller: You wouldn't believe me
Registration Official at Haifa: I'll believe anything
Hans Muller: I was a juggler.
Registration Official at Haifa: What?
Hans Muller: A juggler
[pantomimes juggling balls in the air]
Registration Official at Haifa: We need a juggler like a hole in the head. What can you do besides throwing things up in the air and catching them?
Hans Muller: My dear sir, to say I throw things up in the air and catch them is like saying Shakespeare just wrote words. Would you care to see my scrapbook?
Registration Official at Haifa: No. Show it when you look for a job... if there are any for jugglers
Hans Muller: I'm retired. I havent thrown up anything but bad food in ten years
Registration Official at Haifa: So what else can you do?
Hans Muller: I can wash dishes, sweep barracks, clean toilets. I can also smile while being beaten by fists, feet, straps and long rubber hoses. I can be used as a guinea pig for new drugs and old poisons. All of which we learned as guests of the Nazis.
- ConnexionsFeatured in The Dick Cavett Show: Kirk Douglas (1971)
Meilleurs choix
- How long is The Juggler?Alimenté par Alexa
Détails
- Durée1 heure 24 minutes
- Couleur
- Rapport de forme
- 1.37 : 1