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Ajouter une intrigue dans votre langueAfter inheriting a fortune from a gangster, two dim-witted service station attendants find themselves stranded in a haunted house.After inheriting a fortune from a gangster, two dim-witted service station attendants find themselves stranded in a haunted house.After inheriting a fortune from a gangster, two dim-witted service station attendants find themselves stranded in a haunted house.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
William B. Davidson
- Moose Matson
- (as William Davidson)
Laverne Andrews
- Laverne Andrews
- (non crédité)
Maxene Andrews
- Maxene Andrews
- (non crédité)
Patty Andrews
- Patty Andrews
- (non crédité)
Bobby Barber
- Waiter
- (non crédité)
Brooks Benedict
- Maitre d'
- (non crédité)
Jeanne Blanche
- Pretty Girl
- (non crédité)
Avis à la une
The boys inherit a spooky old house with money hidden somewhere inside. Now if only they can find the money before the bad guys do.
I love that spastic dance routine Lou does with Joan Davis. She's a perfect comedic counterpart to Costello, and for me, their bits together are the film's highlights. This is an early A&C effort, and it shows with their spirited performances. It's also one of their better screenplays. Putting them in an old dark house provides all sorts of loony possibilities, like the levitating candles and the fluffy ghost. Carlson and Ankers provide a good normal contrast to the madcap antics, but surprisingly Ankers only gets one lung-bursting scream of the sort she was famous for. Also, catch a more subdued version of the Andrews Sisters, which disappointed me since I was expecting their usual finger-snapping jive. Nonetheless, it's a solid entry for A&C fans.
I love that spastic dance routine Lou does with Joan Davis. She's a perfect comedic counterpart to Costello, and for me, their bits together are the film's highlights. This is an early A&C effort, and it shows with their spirited performances. It's also one of their better screenplays. Putting them in an old dark house provides all sorts of loony possibilities, like the levitating candles and the fluffy ghost. Carlson and Ankers provide a good normal contrast to the madcap antics, but surprisingly Ankers only gets one lung-bursting scream of the sort she was famous for. Also, catch a more subdued version of the Andrews Sisters, which disappointed me since I was expecting their usual finger-snapping jive. Nonetheless, it's a solid entry for A&C fans.
Arthur Lubin directs this scary comedy with Abbott and Costello inheriting a gangster's abandoned piece of property. A haunted house? Some guys have all the luck. Well paced funny script complete with stormy atmosphere. Hilarious and a little spooky. Joan Davis is a scene stealer. Others in support: Richard Carlson, Evelyn Ankers and Marc Lawrence. Classic Abbott and Costello.
Another nice early film from A&C, with a good supporting cast and the usual thickly laid on Universal atmosphere included. I've seen it maybe 10 times now over the decades with no loss of pleasure.
It has Ted Lewis and the Andrews Sisters as pleasant musical bookends to what has previously been described as a Ghosts & Gangsters tale. Add comedy and murder and that's what this is all about, the lid is firmly kept on the romance between Carlson and Ankers - and may I add, she seldom looked lovelier than in here. Favourite routines: Ferdie's bedrooms changing into gaming rooms behind his back, to Chuck's harsh disbelief; The candles moving to the spluttered "Oh Chuck! What Kept You"; the figure of speech gag finished by the gangsters arrival. Abbott got in more face slapping Costello than in other films, and although it's something that never really appealed to me it's not too bad. Joan Davis has some good lines too but wasn't fully exploited. Not in A&C's Top 5, but still a nice b&w inconsequential entertaining spooky old house comedy.
All told, good stuff for A&C fans like me - masochists who already know that they don't like 'em should really try to save themselves the 81 minutes running time + their IMDb commenting time and do the rest of us a favour.
It has Ted Lewis and the Andrews Sisters as pleasant musical bookends to what has previously been described as a Ghosts & Gangsters tale. Add comedy and murder and that's what this is all about, the lid is firmly kept on the romance between Carlson and Ankers - and may I add, she seldom looked lovelier than in here. Favourite routines: Ferdie's bedrooms changing into gaming rooms behind his back, to Chuck's harsh disbelief; The candles moving to the spluttered "Oh Chuck! What Kept You"; the figure of speech gag finished by the gangsters arrival. Abbott got in more face slapping Costello than in other films, and although it's something that never really appealed to me it's not too bad. Joan Davis has some good lines too but wasn't fully exploited. Not in A&C's Top 5, but still a nice b&w inconsequential entertaining spooky old house comedy.
All told, good stuff for A&C fans like me - masochists who already know that they don't like 'em should really try to save themselves the 81 minutes running time + their IMDb commenting time and do the rest of us a favour.
I watched 'Hold that Ghost' immediately after 'In the Navy' and noticed improvements in all areas. The boys, given more freedom than before and backed by some wonderful character actors, make this comedy as fresh today as when it was filmed, more than 6 decades ago. Universal, the home of horror, seemed the natural place for ghostly antics, and you'd be hard-pressed to find a dull moment in the movie.
Joan Davis was a wonderful actress and seemed to have found her natural partner in Lou. The two had same great moments together with perhaps the 'Blue Danube' sequence being the funniest. Richard Carson, in a part unlike anything he would portray a decade later, was - despite my misgivings - totally convincing as a nerd - well before that word was invented!
Olsen and Johnson of 'Hellzapoppin' fame would pay tribute to the hilarious 'Oh Chuck!' skit in their own 'Ghost Catchers' a few years later which used a similar - VERY similar! - title sequence.
Joan Davis was a wonderful actress and seemed to have found her natural partner in Lou. The two had same great moments together with perhaps the 'Blue Danube' sequence being the funniest. Richard Carson, in a part unlike anything he would portray a decade later, was - despite my misgivings - totally convincing as a nerd - well before that word was invented!
Olsen and Johnson of 'Hellzapoppin' fame would pay tribute to the hilarious 'Oh Chuck!' skit in their own 'Ghost Catchers' a few years later which used a similar - VERY similar! - title sequence.
Although released after IN THE NAVY, this was Abbott and Costello's first film made after BUCK PRIVATES. It's also the first film where they get total top billing(in ONE NIGHT IN THE TROPICS they were supporting players, in BUCK PRIVATES although they have top billing in the opening credits they do not in the end credits, and in IN THE NAVY they share top billing with Dick Powell). This film was the first of their horror-comedies, and Lou's frightened reactions were so hilarious, all films that followed featured at least one scene where Costello gets scared, no matter what the film was about. The film is a very clever, "Old Dark House" type of film, with an excellent cast. Most notable is the beautiful Evelyn Ankers(one of Universal's most famous scream queens) as one of the strangers trapped in the house with Bud and Lou. Everything about this film is great. No complaints on my part!
Le saviez-vous
- AnecdotesThe Andrews Sisters were brought in after filming wrapped and the final nightclub footage was edited in after the film's completion.
- GaffesNear the end when Ferdie is sitting at the desk and the left candle is sliding across the table, and the right candle is moving up and down, the strings used are clearly visible.
- Crédits fousThe opening credits show animated figures representing Abbott and Costello being chased by a giant white flying ghost, whose body morphs into Abbott's and Costello's names and then into the title of the film.
- ConnexionsEdited into Is Everybody Happy? (1941)
- Bandes originalesWhen My Baby Smiles at Me
(1920) (uncredited)
Music by Bill Munro
Lyrics by Ted Lewis & Andrew B. Sterling
Played during the opening credits
Played by Ted Lewis and His Orchestra (as Ted Lewis' Orchestra) and sung by Ted Lewis at the nightclub
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- How long is Hold That Ghost?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Hold That Ghost
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 190 000 $US (estimé)
- Durée1 heure 26 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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What is the French language plot outline for Fantômes en vadrouille (1941)?
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