Deux nigauds légionnaires
Titre original : Abbott and Costello in the Foreign Legion
- 1950
- Tous publics
- 1h 20min
NOTE IMDb
6,3/10
3,2 k
MA NOTE
Deux promoteurs de lutte de Brooklyn se rendent en Algérie française à la recherche d'un célèbre lutteur algérien, mais se retrouvent accidentellement enrôlés dans la Légion étrangère frança... Tout lireDeux promoteurs de lutte de Brooklyn se rendent en Algérie française à la recherche d'un célèbre lutteur algérien, mais se retrouvent accidentellement enrôlés dans la Légion étrangère française.Deux promoteurs de lutte de Brooklyn se rendent en Algérie française à la recherche d'un célèbre lutteur algérien, mais se retrouvent accidentellement enrôlés dans la Légion étrangère française.
- Réalisation
- Scénario
- Casting principal
William 'Wee Willie' Davis
- Abdullah
- (as Wee Willie Davis)
Sammy Menacker
- Bertram the Magnificent
- (as Sam Menacker)
Eric Alden
- Arab
- (non crédité)
Bobby Barber
- Arab on Jeep's Hood
- (non crédité)
Baynes Barron
- Orderly
- (non crédité)
Guy Beach
- Saleem with False Teeth
- (non crédité)
Avis à la une
Great addition to the Abbott and Costello film canon as Bud and Lou go after a wrestler in Algiers. Soon they are hunted by a local sheik and his men and a traitor in the foreign legion...none other than slimy(but wonderful) Walter Slezak. Charles Lamont directs the comedic duo once again, and adds some very funny gags to the proceedings. Some of the material has not dated particularly well, but most of it is still very amusing. Some of the highlights include Lou being pursued through the streets of Algiers, Lou training in the foreign legion, the boys out in the desert seeing various mirages, a trip to an oasis, and finally a wrestling performance for the sheik. Look for Tor Johnson as one of the wrestlers. For my money the funniest scene is Lou matching wits with a fish with dentures in the oasis pool. I laughed real hard. Good, clean fun!
Jonesy and Lou are in Algeria looking for a wrestler they are promoting. Sergeant Axmann tricks them into joining the Foreign Legion, after which they discover Axmann's collaboration with the nasty Sheik Hamud El Khalid.
The plots of the various movies don't really matter one way or the other. What really matters are the gags. I felt like the gags in this one fell a bit short. The centerpiece is a scene concerning a mirage, which never really hit its peak. And the verbal banter that these two are best at is absent, and that is disappointing.
The movie does work as sort of a cultural artifact about what Americans (or Hollywood) thought of the Middle East in 1950. While not outright offensive in any way, some of it seems surprisingly ignorant. But then again, I could probably argue that the situation has not improved in the last 60 years.
The plots of the various movies don't really matter one way or the other. What really matters are the gags. I felt like the gags in this one fell a bit short. The centerpiece is a scene concerning a mirage, which never really hit its peak. And the verbal banter that these two are best at is absent, and that is disappointing.
The movie does work as sort of a cultural artifact about what Americans (or Hollywood) thought of the Middle East in 1950. While not outright offensive in any way, some of it seems surprisingly ignorant. But then again, I could probably argue that the situation has not improved in the last 60 years.
In Abbott and Costello in the Foreign Legion, Bud and Lou head to Algieria to find a wrestler named Abdullah who left them high and dry and owing a mobster quite a bit of money. Once there, the boys get mixed up with Sheik Hamud El Khalid (Douglas Dumbrille) and draw his ire at a slave auction. In their attempt to escape, Bud and Lou inadvertently sign-up for the French Foreign Legion. Things only get worse when they learn that their Sergeant is in cahoots with the Sheik. Now how are they going to get back to Brooklyn?
As a general rule, I'm a fan of A&C. Some of their movies (like Who Done It?, Hold that Ghost, and A&C Meet Frankenstein) I consider to be true classics. Unfortunately, by the time the boys made A&C in the Foreign Legion, much of their comedy had started to get tired and old. The movie has a "been there, done that" feel to a lot of it. For example, the "Oui vs. We" bit reminds me of several of A&C's more classic routines. Or take a look at the scene with the fish and the false teeth. To me, it shows how desperate the boys were. It's completely ridiculous and not in the least bit funny. A solid cast, however, almost makes this movie worthwhile. Douglas Dumbrille and Patricia Medina are a lot of fun. However, even though I think Dumbrille makes for a perfect villain, he's about as Algerian as I am (which is none).
Finally, one thing I really enjoyed about A&C in the Foreign Legion was the chance to see some classic, old-school wrestlers. Wee Willie Davis vs. Tor Johnson! How cool is that?
As a general rule, I'm a fan of A&C. Some of their movies (like Who Done It?, Hold that Ghost, and A&C Meet Frankenstein) I consider to be true classics. Unfortunately, by the time the boys made A&C in the Foreign Legion, much of their comedy had started to get tired and old. The movie has a "been there, done that" feel to a lot of it. For example, the "Oui vs. We" bit reminds me of several of A&C's more classic routines. Or take a look at the scene with the fish and the false teeth. To me, it shows how desperate the boys were. It's completely ridiculous and not in the least bit funny. A solid cast, however, almost makes this movie worthwhile. Douglas Dumbrille and Patricia Medina are a lot of fun. However, even though I think Dumbrille makes for a perfect villain, he's about as Algerian as I am (which is none).
Finally, one thing I really enjoyed about A&C in the Foreign Legion was the chance to see some classic, old-school wrestlers. Wee Willie Davis vs. Tor Johnson! How cool is that?
This movie is pretty much a combination of Abbott and Costello meet the Invisible Man and Lost in Alaska. A sheik/professional wrestler leaves the camp of Bud and Lou to return to his native Africa. Bud and Lou, on the verge of losing $5,000, follow him to try and bring him back. They get duped into joining the French foreign legion in the area and deal with a french spy and a traitor in the legion. For a former long time pro wrestling fanatic like me, this movie makes me laugh, mostly because I used to take wrestling so seriously. The intro is great, especially Bud Abbott, who shows passion that he would only show periodically in the team's later years. The chemistry is good in the scenes in Africa until the boys join the legion when the movie stalls slightly. There is a funny bit with Costello manning a machine gun and a hilarious miscounting scene that is the best bit in the film. Some great pro wrestling nonsense and a chaotic ending finish the film. This is one of the Abbott and Costello flicks that I missed seeing in my youth. Other then the wrestling bits and some really beautiful women, Abbott and Costello and their routines carry this one.
Slight Abbott and Costello comedy has them playing wrestling promoters whose star attraction has quit and gone home to Algiers. The duo follow after him and are tricked into joining the Foreign Legion. This is not one of the boys' better efforts but it's still a decent way to pass the time. Most of the gags are pretty stale but I did laugh here and there. Walter Slezak and Douglas Dumbrille are good heavies but the script doesn't give them a lot to do. Patricia Medina looks like a Hedy Lamarr clone. Wrestlers Wee Willie Davis and Tor Johnson are fun to see. The wrestling gags are some of the movie's best. Maybe Bud and Lou should have made a wrestling movie instead and forgotten all this Foreign Legion stuff. Like I said, not their funniest but enjoyable enough to pass the time.
Le saviez-vous
- AnecdotesIn the mirage sequence the skeleton is voiced by Candy Candido, who would team up with Bud Abbott after Lou Costello died.
- GaffesWhile riding in the back of the jeep, Patricia Medina reacts visibly to something hitting her eye after the windshield is shot.
- Citations
Bud Jones: What's the idea of teaching midgets to wrestle?
Lou Hotchkiss: They're for those small television sets.
- ConnexionsFeatured in The World of Abbott and Costello (1965)
- Bandes originalesPiano Sonata No. 2 in B-flat minor, Op. 35
Written by Frédéric Chopin
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- How long is Abbott and Costello in the Foreign Legion?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Abbott and Costello in the Foreign Legion
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 735 000 $US (estimé)
- Durée
- 1h 20min(80 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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