Honni soit qui mal y pense

Reverend Henry Brougham (David Niven) is working very hard to get his cathedral built--in fact, he's so busy speaking to wealthy clients and attending business meetings that he forgets that the one thing he needs most in this world is his wife Julia (Loretta Young) and their daughter Debbie. As Julia feels increasingly hurt at Henry's neglect, who should swoop in but the mysterious, charming Dudley (Cary Grant), telling Henry he's an angel who's there to answer Henry's prayer. Henry can't quite believe this even as Dudley seems to make himself quite at home in Henry's life, charming the wife, the child, the maids... even the taxi driver Sylvester (James Gleason). It's all a bit too much for Henry when Dudley finally brings the cathedral's biggest patron Mrs Hamilton (Gladys Cooper) around to the idea of donating the money to the homeless instead of to the cathedral. Is there anything left of Henry's life that he can salvage? And can he really compete against an angel who has God and little miracles on his side?

THE BISHOP'S WIFE is a sweet little romantic dramedy, perfect for a Christmas night curled up before the TV set. You have to give it credit for packing in a lot more story and real, human characters than you'd expect--it's not stock Christmas heart-tugging schmokum (did I just make up a word?), but a story that's quite genuinely intelligent and real. It's not perfect (what is?), but its presentation of the characters, especially Dudley and Henry, ring true. You can believe that Henry, underneath his bitterness and myopia, really loves his wife. He's just... forgotten his direction in life, is all. Niven does an excellent job with the character, keeping him just this side of prim but making him sympathetic especially when he asks Dudley to put up his fists for Julia.

My favourite secondary characters are Sylvester, played impeccably by Gleason, and the slightly dotty Professor Wutheridge (Monty Woolley). They're actually real *people*. Actually, they even fare better than Julia herself, whom I didn't particularly warm to. I wasn't annoyed by her, but nor did I feel that it was very likely she could get a reverend and an angel to almost come to blows over her. It's a shame that Loretta Young spent most of the film looking pensive, and even in her character's moments of joy--say the ice-skating scene--she simply fails to leap off the screen and run away with the audience's hearts.

Cary Grant has no such problem, however. From the moment he strolls onscreen as Dudley--the guardian angel every girl wished she could have--he has everyone's attention. He makes Dudley just a little bit roguish, a little bit dark. You couldn't really take Grant seriously if he's all decked out in an angel's costume, halo and harp and all, but you *can* imagine him as a sort of very human kind of angel. Which is exactly what Dudley is. It's mostly the smaller moments Grant sneaks into the film and his own performance that make THE BISHOP'S WIFE compelling viewing, and if you came to this film as a Grant fan, you certainly won't leave it disappointed.

All in all, the final film is well-drawn-together, cleverly written and directed, and benefiting from its two powerhouse male leads... Niven cleverly underplaying his part, and Grant suffusing Dudley with the charm and deep, hidden vulnerability he can suggest in all his characters without so much as faking a pained expression. It's definitely a great way to spend a Christmas night, and perhaps any other night. 8/10.

Another movie I only discovered a few years ago which I decided to add to this Christmas' rewatching. This is a great script which reminds us to reassess what is most important in life. Cary Grant may seem a strange choice for an angel and a formidable challenge to David Niven's leading man status but the tension works and the finish raises the whole story to a different level. A shout out to the creative vision of Samuel Goldwyn. Great performances, great chemistry, great storytelling. It's not surprising I would rate this an 8 (great) out of 10. {Christmas Fantasy Drama}

A good script and inspired casting is what makes this film a real winner.

Cary Grant as Dudley the Angel has a charm that transcends his role.

When he enters a room his presence fills the screen -- you know he is there even if you cannot always see him.

Loretta Young (who was a last minute replacement) is positively luminescent when she gazes into Dudley's face.

This goes for Elsa Lanchester and Gladys Cooper (the staff at the Bishop's house) too -- they have absolute adoration in their countenance. Not hard to do with Cary Grant I am sure -- but they take it to the spiritual level.

David Niven gives just the right amount of disbelief and cynicism as the Bishop that may have lost his faith.

I have always enjoyed performances by Monty Wooley and again he is perfectly cast as the self-described "has-been scholar."

The special effects are wonderful for a time (1947) when special effects were pretty much in their infancy.

Movie books classify "The Bishop's Wife" as a fantasy -- but there is so much more there than that.

It is a love story, a comedy, a drama and an all around inspiring film.

"Peace on Earth; good will towards men."

Dudley, the angel, comes to earth to teach a thing or two to the people of this town, or so it seems. He touches everyone he encounters in a positive way. The message is how we humans get so involved in things that are so unimportant that we miss the big picture.

This film, directed by Henry Koster, is a classic. In fact, I am surprised it doesn't play more during Christmas, or maybe I have missed seeing it around that time of the year that is the setting for the angel's appearance. It seems as though Dudley is pointing to the arrival of Christmas at a time, perhaps, when the season had still a non-commercial aspect and it was, after all, a family affair.

The cast was exceptional. Cary Grant is Dudley, the man/angel who turns everything he touches into a lesson on how to be kind. Julia, the bishop's wife, plays the neglected woman with conviction. David Niven plays the preoccupied bishop who is trying to bring the moneyed people of town to his side in order to erect his monument to his own ego.

Gladys Cooper is also a distinguished face in the film. She is Mrs. Hamilton who learns a thing or two about humility. Elsa Lanchester was a happy figure in whatever film she appeared. Monty Woolley, as the professor is also effective. James Gleason was one of the most prolific character actors of his generation. He is excellent as Sylvester, the taxi driver who befriends Julia and Dudley. Their ice skating sequence is one of the best things of the film.

This is a film to treasure.

This is a fine movie--the sort of nice old fashioned film that Hollywood did so well decades ago. A delightful script, excellent acting, along with beautiful sets and deft direction make this simple movie stand up so well even today.

Cary Grant plays an angel that comes to assist the extremely controlling and obsessed Bishop, played by David Niven. While Niven prayed for divine help, he struggled throughout the film with accepting the help on anything but his own terms. He soon learns of Grant's mission, but others are unaware of his Heavenly origins. Grant plays his angelic role in a very deliberately paced and casual manner--almost like combining TV's Mister Rogers with the usual Grant persona! In addition to these two wonderful actors, the film also features Loretta Young, Monty Woolley, James Gleason, Elsa Lanchester and Gladys Cooper. All did a great job of providing color and support in the film.

Perhaps the biggest star of this film, though, were the sets, cinematography and direction. They created a really nostalgic sense to the film that seemed almost better than real life. The snow, the frozen pond and all the other aspects of the film just set the perfect mood. About the only negative at all (and it's a small one) is the skating sequence. While it was nice to see Grant and Young really ice skating in the beginning, using doubles for them as well as James Gleason wasn't very seamless. Having these doubles skating with darkened faces just seemed pretty cheesy but forgivable.

All-in-all, this is a nice fantasy film that should be enjoyed by most anyone except the most cynical viewers.