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Un violoniste tombe sous le charme de la professeure de piano de sa fille.Un violoniste tombe sous le charme de la professeure de piano de sa fille.Un violoniste tombe sous le charme de la professeure de piano de sa fille.
- Réalisation
- Scénario
- Casting principal
Erik 'Bullen' Berglund
- Impresario Charles Möller
- (as Bullen Berglund)
Hasse Ekman
- Åke Brandt
- (as Hans Ekman)
Neset Berküren
- Gunner
- (non crédité)
Millan Bolander
- Emma, the Maid
- (non crédité)
George Fant
- Young Man
- (non crédité)
Emil Fjellström
- Truck driver
- (non crédité)
Folke Helleberg
- Young Man
- (non crédité)
Linnéa Hillberg
- Shocked woman
- (non crédité)
Emma Meissner
- Greta
- (non crédité)
Margarete Orth
- Marie
- (non crédité)
Carl Ström
- The Captain
- (non crédité)
Avis à la une
This is coming from someone who is neither an Ingrid Bergman fan nor a fan of subtitled movies. I was surfing my cable channels, when this movie just popped up from nowhere. As you can tell my overwhelming joy in watching subtitled movies is pretty negative. The movie description said it was about a TORRID love triangle. Of course this peaked my curiosity. Peaking my curiosity and watching the movie until the end are totally two different things but to my surprise I watched the movie until the credits rolled and was not disappointed. I am still in shock that I actually enjoyed this movie. As soon as I come out of shock, which has to be soon if I plan to stay employed, I will be searching for more movies with subtitles. ENJOY!
The original version of 'Intermezzo', starring Ingrid Bergman - who later recreated the role in Hollywood opposite Leslie Howard - and Gosta Ekman, is an involving story of a mid-life crisis, an intermezzo, a passion driven by music.
Tired, bored, and a stranger to his family, Holger Brandt (Ekman) is searching for a new accompanist but when he finds his daughter's music teacher, Anita Hoffmann (Bergman) events begin to move in quite a different direction. Of course we don't see any romantic involvements beyond a bit of friendly kissing and heightened dialogue between Brandt and Hoffmann which pinpoints their relationship - and the film is all the better for it.
As good as the version with Bergman/Howard, this version is rarely seen but well worth catching. Ekman - who has more than a passing resemblance to the great German actor Conrad Veidt - is the perfect suffering artist, looking for excitement and a new definition of love; while Bergman makes the character of Hoffmann believable in her infatuation with Brandt without seeing ridiculous.
Tired, bored, and a stranger to his family, Holger Brandt (Ekman) is searching for a new accompanist but when he finds his daughter's music teacher, Anita Hoffmann (Bergman) events begin to move in quite a different direction. Of course we don't see any romantic involvements beyond a bit of friendly kissing and heightened dialogue between Brandt and Hoffmann which pinpoints their relationship - and the film is all the better for it.
As good as the version with Bergman/Howard, this version is rarely seen but well worth catching. Ekman - who has more than a passing resemblance to the great German actor Conrad Veidt - is the perfect suffering artist, looking for excitement and a new definition of love; while Bergman makes the character of Hoffmann believable in her infatuation with Brandt without seeing ridiculous.
10timmauk
"Intermezzo"(1939) was Ingrid Bergman's first American film, but it wasn't the first film she made. She had made 6 Swedish films before this original version of "Intermezzo"(1936). This made her a star in her native country. The American remake would make her a star around the world.
It's a unique story of a brilliant violinist, with a sweet loving family, who falls for his accompanist, and the pain it brings to all involved. I haven't seen the American version, but the original is great. The acting is just so natural, just like they were actually living these lives. It's strange to hear Ingrid speaking Swedish, but she laughs and looks like she always did. The best things about this movie is the beautiful soundtrack, the intelligent script, terrific acting, and that cute little girl who played the daughter(I forgot kids were like that). I lucked out finding this video at a lumber store(?), but what a find. If you get the chance to see the original, see it. It's that good!!
It's a unique story of a brilliant violinist, with a sweet loving family, who falls for his accompanist, and the pain it brings to all involved. I haven't seen the American version, but the original is great. The acting is just so natural, just like they were actually living these lives. It's strange to hear Ingrid speaking Swedish, but she laughs and looks like she always did. The best things about this movie is the beautiful soundtrack, the intelligent script, terrific acting, and that cute little girl who played the daughter(I forgot kids were like that). I lucked out finding this video at a lumber store(?), but what a find. If you get the chance to see the original, see it. It's that good!!
The Swedish version of "Intermezzo" is so heartwrenching that it must be true. Okay, so maybe that's an exaggeration, but this film is certainly one of the greatest screen romance films. It's definitely a film for artists, who need to always attempt to balance their lives between the home fires and the passion of one's creative calling. Watching this one will certainly remind the viewer to not take for granted what their love life offers them.
I was lucky enough to catch this at Melbourne's wonderful Astor Cinema and was astonished to re-read the external review that panned it. This was the first pre ww2 Swedish movie I'd seen and I'd have to say that I'm yet to see any Hollywood films of its vintage that are any better. I thought that the principal cast, Gosta Ekman, Inga Tidblad (who yes does look strikingly like Kristen Scott Thomas), Ingrid Bergman, Eric "Bullen" Berglund, and Britt Hegman were terrific and the telling and pacing of the story was faultless. The poor matching of sets and trite dialogue that often marred films that were coming out of the UK and USA at the time was mercifully missing and the film was a delight. Yes its great to see Ingrid Bergman looking radiant (and at times more than a little like Gretta Garbo) but all the other components that make up this film aren't too shabby either. If you get the opportunity to see this film, I don't think you'll regret seizing it.
Le saviez-vous
- AnecdotesAfter a single viewing of the film, producer David O. Selznick brought Ingrid Bergman to Hollywood to sign a contract with Selznick International. Bergman and Selznick then remade the film as Envol vers le bonheur (1939), with Leslie Howard.
- Citations
Thomas Stenborg: Miss Hoffman, I expect great things from our work together. What I couldn't accomplish, you will. Remember, for an artist only three things matter. Work...
Anita Hoffman: Work and work.
Thomas Stenborg: Yes, and we'll work. Isn't that so?
- ConnexionsFeatured in Envol vers le bonheur (1939)
- Bandes originalesIntermezzo
(1936)
Music by Heinz Provost
Played during the opening credits
Played on a record
Played on violin by Gösta Ekman
(dubbed by Charles Barkel)
Reprised by Gösta Ekman with Britt Hagman on piano
Reprised again by Gösta Ekman with Ingrid Bergman on piano
Played also on radio and on a zither and as background music
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- How long is Intermezzo?Alimenté par Alexa
Détails
- Durée1 heure 33 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Intermezzo (1936) officially released in India in English?
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