Le pianiste accompagnateur d'un violoniste prend sa retraite. Il entend le professeur de piano de sa fille jouer et lui demande de jouer lors de sa prochaine tournée internationale. Ils tomb... Tout lireLe pianiste accompagnateur d'un violoniste prend sa retraite. Il entend le professeur de piano de sa fille jouer et lui demande de jouer lors de sa prochaine tournée internationale. Ils tombent amoureux.Le pianiste accompagnateur d'un violoniste prend sa retraite. Il entend le professeur de piano de sa fille jouer et lui demande de jouer lors de sa prochaine tournée internationale. Ils tombent amoureux.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 3 victoires et 1 nomination au total
- Ann Marie Brandt - Their Daughter
- (as Ann Todd)
- Schoolgirl
- (non crédité)
Avis à la une
Holger is a world-class concert violinist who is about to have a mid-life crisis. When he realizes how great his daughter's piano teacher is, he asks her to accompany him on the road as his accompanist. Soon after this, the pair have an affair. However, all is not rosey in Infidelity Land.
This is a very polished film that both romanticizes adultery AND condemns it at the same time....an odd thing but something it manages to pull off pretty well. Overall, a very good film but I think I preferred the original Swedish version...mostly because I think Ingrid Bergman's performance in the 1936 version seemed more natural and less overdone.
The film is a remake in Hollywood style of a Swedish film directed by Gustaf Molander in 1936 and equally interpreted by Ingrid Bergman ; here plays his first US role , in fact , is best known as Bergman's American debut and became her in world star . Bergman is splendid and enticing , stunningly photographed by the maestro Gregg Toland (Citizen Kane) and she obtained extraordinary reviews . Leslie Howard is agreeable and sensible as the lover who bears a guilty feeling . Fine support cast is formed by Ann Todd as the daughter who strongly loves her daddy , Cecil Kellaway in one his usual roles as likable and comical friend and John Halliday . Excellent black and white cinematography and magnificent musical score by the master Max Steiner , nominated for Academy Award and being added classic music composed by Provost , Rachmaninov and Tchaykowsky . The motion picture will appeal to romantic films buffs and vintage cinema enthusiasts . Rating : Above average . Outstanding and enjoyable.
Howard plays Holger Brandt, a married man with two children who leaves his wife and family when his affair with Bergman becomes too intense. Hoffman becomes his accompanist on tour, sublimating her own career plans because she wants to be with him. While vacationing, he becomes attached to a little girl who obviously reminds him of his daughter (Ann Todd), whom he adores, and Anita wonders if their illicit affair can ever bring them happiness.
The film is rich in subtext and metaphors. "Aren't you giving it too much importance?" Anita's piano teacher asks as she rips into a concerto. "We were all impressed with you the night you played here ... with my husband," Holger's wife says, asking Anita about her studies. "I really had no choice," Anita almost whispers. Even the title of his daughter's favorite piece that he plays, "Intermezzo" takes on a special meaning.
Few actors have cut the romantic, ethereal figure that Leslie Howard did during his film career. Tall, blond, with that soft voice and faraway look in his eyes, he makes a perfect musician who is always listening to a melody in his head. Though some people feel his phoned-in Ashley Wilkes doesn't hold up today, in fact, he was the embodiment of Ashley without making much effort, a soft dreamer with impractical values from another time. And so he is here, not thinking ahead and lost in a romantic fog.
A touching and dramatic film with very effective performances.
This was a remake of a 1936 Swedish film that had also starred Bergman. This was an important film to Howard, who took the role of Ashley in Selznick's Gone with the Wind in order to get this movie made. It's more than a little corny, and I found the score to be intrusive and manipulative to an almost laughable degree. I also liked the initial "love" scene between Howard and Bergman, when she plays piano accompaniment to his violin playing, the two in deep concentration, while his horrified family and friends look on as if the two musicians are literally having sex in front of them. It's amusing, but not in the way it was intended, I would think. The movie earned two Oscar nominations, for Best Cinematography and Best Score.
Le saviez-vous
- AnecdotesAfter Producer David O. Selznick fired Cinematographer Harry Stradling Sr. and hired Gregg Toland to take over the photography of this, the remake of Intermezzo (1936), he asked Toland how it was possible that Ingrid Bergman looked so beautiful in the original European production and so ghastly in his Hollywood version. Toland replied, "In Sweden they don't make her wear all that makeup." Selznick immediately ordered retakes with the natural look which so dazzled the world a year later when he loaned her out to Warner Bros. for Casablanca (1942).
- Gaffes(at around 32 mins) When Holger and Anita are standing outside the shop and looking at the "curious clock", their faces can be seen reflected in the shop window. As they continue their parting conversation, Anita's mouth movement suddenly mismatches what she can be heard saying. This is followed by a mixture of audible dialogue and interspersed mouth movements from both characters that produce no sound.
- Citations
Charles Moler: [cutting into Ann Marie's birthday cake] You know what? Not so long ago your daddy and I went to a birthday party in China.
Ann Marie Brandt: In *China*?
Charles Moler: [thinking about the pronunciation] Uh-huh. At a Mandarin's house. His name was Chou Ching Chang Chip Chop.
Ann Marie Brandt: Did you have ice cream and cake?
Charles Moler: Oooh, no, indeed. We had swallows' nests, umm, roasted silkworms, snake soup and, uh... cricket eggs!
Ann Marie Brandt: Oh! You didn't eat *that*...?
Charles Moler: Oh, we had to take a double helping of everything, or the Mandarin would've murdered us.
Ann Marie Brandt: Oh, well, Uncle Charles, nobody will murder you here!
- Crédits fousAnd introducing Ingrid Bergman.
- Versions alternativesA re-release uses the title "Intermezzo" and lists the copyright owner as "Vanguard Films, Inc.", which was Selznick's company name in the 1940s. Ingrid Bergman is billed first in the opening credits, which also are more elaborate than the original release. The end cast credits, however, are identical.
- ConnexionsFeatured in Hollywood: The Selznick Years (1969)
- Bandes originalesIntermezzo
(1936) (uncredited)
Music by Heinz Provost
Played at the concert by Leslie Howard on violin and John Halliday on piano
Played by Howard and Ann E. Todd on piano at their home
Played by Howard and Ingrid Bergman on piano at a concert
Played on a zither by Howard
Used as background music often
Meilleurs choix
- How long is Intermezzo?Alimenté par Alexa
Détails
Box-office
- Budget
- 800 000 $US (estimé)
- Durée
- 1h 10min(70 min)
- Couleur
- Rapport de forme
- 1.33 : 1